虚无主义者的救赎:斯特拉霍夫对赫尔岑的看法

Zhu Jiangang
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引用次数: 0

摘要

赫尔岑总是主要以革命贵族和西欧崇拜者的形象出现。然而,赫尔岑很快就对欧洲文明的发展前景感到失望,他的一些精明的同时代人也理解并感受到了这一点。文学批评家斯特拉霍夫写了一篇长篇文章《赫尔岑》,证明了赫尔岑从一个绝望的虚无主义者变成了一个俄国文化传统的拥护者。本文考察了斯特拉霍夫的文章,分析了他的思想历程,探讨了批评家所强调的赫尔岑作品的哲学特征和世界观特征。文章表明,斯特拉霍夫将赫尔岑定义为第一个开始与西方斗争的文学家。文章作者认为,这一言论不仅是民族主义者斯特拉霍夫反西方主义的典型案例,也是19世纪下半叶俄罗斯文化自我反思的起点。文章还详细论述了斯特拉霍夫的这篇文章对批评和学术科学的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Salvation for a Nihilist: N. N. Strakhov’s Ideas About A. I. Herzen
Herzen is always presented primarily as a revolutionary aristocrat and admirer of Western Europe. However, Herzen quickly became disillusioned with the prospects for the development of European civilization, and this was understood and felt by some of his astute contemporaries. Literary critic N. N. Strakhov wrote a voluminous article “Herzen”, in which he proved that Herzen went from a desperate nihilist to an adherent of Russian cultural traditions. The author examines Strakhov’s article, analyzes the course of his reflections, dwells on the philosophical and worldview features in the works of Herzen, which the critic highlights. The article shows that Strakhov defines Herzen as the first literary man who began the struggle against the West. According to the author of the article, this statement is not only a typical case of anti-Westernism by the nationalist Strakhov, but also the starting point of self-reflection in Russian culture in the second half of the 19th century. The article also discusses in detail the impact of Strakhov’s article on criticism and academic science.
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