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Comunicacion y Sociedad最新文献

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Comunicación, ideología y poder: anotaciones para el debate entre la teoría de la propaganda Intencional y la teoría de la reproducción espontánea de la propaganda 传播、意识形态与权力:有意宣传理论与宣传自发再生产理论之争论注释
Comunicacion y Sociedad Pub Date : 2018-03-12 DOI: 10.32870/CYS.V0I32.6794
Adrián Tarín Sanz
{"title":"Comunicación, ideología y poder: anotaciones para el debate entre la teoría de la propaganda Intencional y la teoría de la reproducción espontánea de la propaganda","authors":"Adrián Tarín Sanz","doi":"10.32870/CYS.V0I32.6794","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6794","url":null,"abstract":"Since the debates about modern propaganda began, a question remains unfinished today: the existence, or not, of propaganda in involuntary ideological discourses. In this paper, both currents, here defined as Intentional Propaganda Theory (IPT) and Spontaneous Reproduction of Propaganda Theory (SRPT), are confronted, concluding that the first is based on a restricted vision about power, communication and propaganda.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"94 1","pages":"191-209"},"PeriodicalIF":0.0,"publicationDate":"2018-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80665272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
El muro de Berlín desde el imaginario del director mexicano Ismael Rodríguez. La coproducción de El niño y el muro 墨西哥导演伊斯梅尔rodriguez想象中的柏林墙。El nino和El muro的联合制作
Comunicacion y Sociedad Pub Date : 2018-03-08 DOI: 10.32870/CYS.V0I32.6977
Yolanda García
{"title":"El muro de Berlín desde el imaginario del director mexicano Ismael Rodríguez. La coproducción de El niño y el muro","authors":"Yolanda García","doi":"10.32870/CYS.V0I32.6977","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6977","url":null,"abstract":"This article analyzes Ismael Rodriguez’s film El nino y el muro (1964) from two angles. It looks at its context and revises the history of its production. Second, the article explores through the theoretical framework of transnational cinema how the film director Ismael Rodriguez, widely acclaimed as producer of Mexican melodrama, uses this genre and his experience to interpret a social reality.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"41 1","pages":"125-142"},"PeriodicalIF":0.0,"publicationDate":"2018-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77106143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Los estereotipos nacionales como resorte de dos comedias comerciales: Guten tag, Ramón y Perdiendo el Norte 民族刻板印象作为两部商业喜剧的来源:Guten tag, ramon和perdido el Norte
Comunicacion y Sociedad Pub Date : 2018-03-06 DOI: 10.32870/CYS.V0I32.6942
Veronique Pugibet Ussel
{"title":"Los estereotipos nacionales como resorte de dos comedias comerciales: Guten tag, Ramón y Perdiendo el Norte","authors":"Veronique Pugibet Ussel","doi":"10.32870/CYS.V0I32.6942","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6942","url":null,"abstract":"Cinema participates in the spreading of national stereotypes that shape part of our perception of the otherness. Guten tag, Ramon (Ramirez-Suarez, 2014) and Perdiendo el Norte (Velilla, 2015) are two popular comedies, Mexican for the first one and Spanish for the second, which narrate different cases of migration to Germany, providing various stereotypes of this country and its inhabitants with diverse purposes.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"7 1","pages":"103-124"},"PeriodicalIF":0.0,"publicationDate":"2018-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74339164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Mito y catástrofe. Personajes y paisajes en Werner Herzog y el cine latinoamericano contemporáneo 神话与灾难。维尔纳·赫尔佐格和当代拉丁美洲电影中的人物和风景
Comunicacion y Sociedad Pub Date : 2018-03-06 DOI: 10.32870/CYS.V0I32.6952
D. González
{"title":"Mito y catástrofe. Personajes y paisajes en Werner Herzog y el cine latinoamericano contemporáneo","authors":"D. González","doi":"10.32870/CYS.V0I32.6952","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6952","url":null,"abstract":"The relationship between myth and catastrophe can help us to understand Werner Herzog’s cinematography. Taking this relationship as a reference, and analyzing character and landscape narrative, I will compare Herzog’s cinematography with some films coming from contemporary Latin-American cinema to show that, even if these films resound with the catastrophe language of the German director, they objectivize catastrophe to the extent of demystification.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"23 1","pages":"55-79"},"PeriodicalIF":0.0,"publicationDate":"2018-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74733023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Del encierro a la libertad: análisis de la espacialidad en Las amargas lágrimas de Petra von Kant y La pasión según Berenice 从囚禁到自由:佩特拉·冯·康德的苦泪和贝蕾妮丝的激情的空间性分析
Comunicacion y Sociedad Pub Date : 2018-03-01 DOI: 10.32870/CYS.V0I32.6934
M. Pérez
{"title":"Del encierro a la libertad: análisis de la espacialidad en Las amargas lágrimas de Petra von Kant y La pasión según Berenice","authors":"M. Pérez","doi":"10.32870/CYS.V0I32.6934","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6934","url":null,"abstract":"This article presents the descriptive analysis of the strategies of spatial representation used in The Bitter Tears of Petra von Kant by Rainer Werner Fassbinder and The Passion of Berenice by Jaime Humberto Hermosillo. The study is developed in two phases: mise-en-scene and framing. The paper analyzes the functions of the cinematographic landscape and explains the spatiality or set of meanings expressed through the spaces shown in each film.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"1 1","pages":"33-54"},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89253749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Después del trauma soy otro, reflexiones sobre la representación del cambio de identidad después de la guerra. El caso de Phoenix (2014) de Christian Petzold 创伤后，我是另一个人，对战后身份变化的再现的反思。《凤凰案》(2014)，克里斯蒂安·佩佐德著
Comunicacion y Sociedad Pub Date : 2018-03-01 DOI: 10.32870/CYS.V0I32.6918
F. Alcalá
{"title":"Después del trauma soy otro, reflexiones sobre la representación del cambio de identidad después de la guerra. El caso de Phoenix (2014) de Christian Petzold","authors":"F. Alcalá","doi":"10.32870/CYS.V0I32.6918","DOIUrl":"https://doi.org/10.32870/CYS.V0I32.6918","url":null,"abstract":"This text studies, from an aesthetic, narrative and intertextual perspective, a film that questions how can one be oneself after the war and what does it mean and not be? The case is Phoenix (2014) by C. Petzold. This film will sophisticate the motif of the “feminine double” in contemporary cinema.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"1 1","pages":"13-31"},"PeriodicalIF":0.0,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82140757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rasgos del cine histórico. Reflexión desde el cine colombiano 历史电影的特点。哥伦比亚电影的反思
Comunicacion y Sociedad Pub Date : 2018-01-01 DOI: 10.32870/CYS.V0I31.6577
Jorge Prudencio Lozano Botache
{"title":"Rasgos del cine histórico. Reflexión desde el cine colombiano","authors":"Jorge Prudencio Lozano Botache","doi":"10.32870/CYS.V0I31.6577","DOIUrl":"https://doi.org/10.32870/CYS.V0I31.6577","url":null,"abstract":"Characterization of historical cinema from a sample of feature film works made in Colombia and through theoretical approaches to Ricoeur, Rosenstone, the school of the annales and others. In front of the written history, it is contributed that the cinema is not reconstruction of facts but emotional discourse that communicates not only the narrated but the way of conceiving to the world on the part of the producer and the society in which the work arises.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"4 1","pages":"221-241"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91239960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
De-Naturalizing Antagonistic Nationalism Through An Academic Intervention : The Reception of Two Photography Exhibitions on the Memorialization of the Cyprus Problem 通过学术干预去自然化敌对的民族主义:两个纪念塞浦路斯问题的摄影展的接受
Comunicacion y Sociedad Pub Date : 2018-01-01 DOI: 10.26350/001200_000005
N. Carpentier, Vaia Doudaki, Yannis Christidis, Fatma Nazlı Köksal
{"title":"De-Naturalizing Antagonistic Nationalism Through An Academic Intervention : The Reception of Two Photography Exhibitions on the Memorialization of the Cyprus Problem","authors":"N. Carpentier, Vaia Doudaki, Yannis Christidis, Fatma Nazlı Köksal","doi":"10.26350/001200_000005","DOIUrl":"https://doi.org/10.26350/001200_000005","url":null,"abstract":"The article evaluates an academic intervention which consisted out of two photography exhibitionsin Cyprus, focussing on the memorialization of the Cyprus Problem. These exhibitions communicatedaca ...","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"7 1 1","pages":"50-67"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90281405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Narrativas periodísticas y memoria colectiva de una catástrofe urbana: el caso de las explosiones del 22 de abril en la prensa de Guadalajara 城市灾难的新闻叙述和集体记忆:4月22日瓜达拉哈拉prensa de Guadalajara爆炸的案例
Comunicacion y Sociedad Pub Date : 2018-01-01 DOI: 10.32870/CYS.V0I31.6872
Juan S. Larrosa–Fuentes
{"title":"Narrativas periodísticas y memoria colectiva de una catástrofe urbana: el caso de las explosiones del 22 de abril en la prensa de Guadalajara","authors":"Juan S. Larrosa–Fuentes","doi":"10.32870/CYS.V0I31.6872","DOIUrl":"https://doi.org/10.32870/CYS.V0I31.6872","url":null,"abstract":"On April 22, 1992, nine explosions destroyed a neighborhood populated by workingclasses in Guadalajara (Mexico). Casualties included 210 people killed and many wounded. Through a textual and narrative analysis of 160 articles published in the local press, this research analyzes the narratives that the journalists crafted to commemorate this catastrophe. The article explains how narratives were highly influenced by a religious discourse, and how journalists used the concept of “space” and “body” to explain the explosion’s aftermaths.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"40 1","pages":"123-145"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78617154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Diseño conceptual-metodológico para el análisis metateórico de textos científicos 科学文本元理论分析的概念-方法论设计
Comunicacion y Sociedad Pub Date : 2018-01-01 DOI: 10.32870/cys.v0i31.6614
J. Gallego
{"title":"Diseño conceptual-metodológico para el análisis metateórico de textos científicos","authors":"J. Gallego","doi":"10.32870/cys.v0i31.6614","DOIUrl":"https://doi.org/10.32870/cys.v0i31.6614","url":null,"abstract":"This paper addresses an instrument for the meta-theoretical analysis of scientific texts. Based on Anderson´s model, this article proposes the analysis of four claim components (ontology, axiology, epistemology and methodology) implicit on conceptual systems that we employ to study social world´s phenomena. The application of such instrument is aimed at facilitating a critical, productive use of theoretical foundations.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"23 1","pages":"147-171"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88653245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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