Del encierro a la libertad: análisis de la espacialidad en Las amargas lágrimas de Petra von Kant y La pasión según Berenice

Abstract

This article presents the descriptive analysis of the strategies of spatial representation used in The Bitter Tears of Petra von Kant by Rainer Werner Fassbinder and The Passion of Berenice by Jaime Humberto Hermosillo. The study is developed in two phases: mise-en-scene and framing. The paper analyzes the functions of the cinematographic landscape and explains the spatiality or set of meanings expressed through the spaces shown in each film.