Comunicacion y Sociedad最新文献

{"title":"Radio y buen humor. Dos experiencias en la radio latinoamericana: La Luciérnaga en Colombia y El Weso en México","authors":"V. Ávila","doi":"10.32870/CYS.V0I28.6400","DOIUrl":"https://doi.org/10.32870/CYS.V0I28.6400","url":null,"abstract":"The objective is to examine the origin and actual situation of two political satire shows in Latin America: La Luciernaga of Caracol Radio in Colombia and El Weso of W Radio in Mexico, of the hispanic american network prisa. Through the detailed description of both, the support of philosophical and clinical theories on the importance of make-smile humor, the parody and it’s therapeutic role in the society and individuals. It also describes how to create the proper radio ambiance suitable to generate more empathy with listeners.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"42 1","pages":"155-179"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79067756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Modelos periodísticos, y el uso de actores y fuentes en la cobertura de asuntos sociales en la postdictadura chilena (1990-2010)","authors":"Claudia Mellado, P. Cabello, R. Torres","doi":"10.32870/CYS.V0I28.5408","DOIUrl":"https://doi.org/10.32870/CYS.V0I28.5408","url":null,"abstract":"Through a crosslongitudinal news content analysis (N= 2,431) of social affairs coverage by the national press in Chile between 1990 and 2010, this article characterizes the use of sources and actors, as well as the presence of the “infotainment” and “civic” journalistic models. The results show significant differences in the use of actores and sources, as well as an important evolution in the presence of both the “civic” and the “ infotainment” modelo of journalism in social affairs news coverage.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"103 1","pages":"59-86"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75748041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The ‘Parody of the Mottled Corpse’ in Antonioni, Almodóvar, Carax and Winding Refn","authors":"Andrea Rabbito","doi":"10.1400/251262","DOIUrl":"https://doi.org/10.1400/251262","url":null,"abstract":"In The Neon Demon (Nicolas Winding Refn, 2016) there are several thought-provoking topics concerning the fashion world that can be related to Walter Benjamin’s analyses in Passages. Winding Refn appears to adopt completely the German thinker’s idea that fashion is close to a parody of death, especially in his representation of the fashion systemthrough a violent, bloodthirsty, cannibalistic dimension. In addition to Refn’s work the idea expressed by Benjamin can also be found in films directed by Antonioni, Almodovar and Carax. All of these directors relate to Benjamin’s idea that fashion comprehends some perversions. In Blow-Up (1966), Kika (1993) and The Skin I Live In (2011), Holy Motors (2012) there is a common thread that finds its apex in Neon Demon (2016), where Benjamin’s concept lies in its coils and its soul. Furthermore, that impulse to violence, which is latent in Antonioni’s film but increasingly present in the films by Almodovar and Carax, and especially in The Neon Demon, represents their connection both to Benjamin’s thought and to the ideas expressed by Bataille in Erotism, in The Accursed Share and in The Notion of Expenditure. In these books, the French philosopher shows that the same elements which are present in the five analysed here – that is, violence, sacrifice, beauty profanation, murder and cannibalism – are expressions of the concept of depense, which also includes fashion, intended as a form of dissipation through excess and splendour.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"38 1","pages":"61-68"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73286891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Televisione tra Stato e Mercato : la frattura comunicativa degli anni Settanta","authors":"Giuseppe Richeri","doi":"10.1400/253480","DOIUrl":"https://doi.org/10.1400/253480","url":null,"abstract":"The article describes the Italian broadcasting system from 1974 to 1984: a decade of great change, characterized by the end of the public broadcasting monopoly, the growth of local, private broadcasting, and – at the end of the decade – by the formation of a public-private duopoly. The Constitutional Court and the absence of political decisions and engagement played a central role in the rapidity and breadth of private TV station development. This article focuses on the role of strong, super-market growth in the commercial distribution system, its impact on the information required by consumers to make their choices, and the necessity of increase advertising communication channels. These three factors are used to explain the considerable increase of commercial influences on the Italian broadcast system.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"5 1","pages":"204-214"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91357905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Il capitale umano. Il lavoro delle audience nei connective media: tra user generated content (UGC) e professional generated content (PGC)","authors":"Alberto Marinelli","doi":"10.1400/253483","DOIUrl":"https://doi.org/10.1400/253483","url":null,"abstract":"In the last decade, connective media has created new forms of digital economic circulation based on disintermediation, cooperation, content creation and sharing, which have become fundamental to everyday life and communication practices during a period of crisis. Within this new scenario, digital disruption has generated new sharing experiences and realized the regime of a gig economy. As a matter of fact, the “platform society” equates to that of prosumer capitalism: digital circulation affects audience experience in terms of prosumption, turning the users into potential content creators. Thanks to the pervasiveness and familiarity of “connected media”, individuals may practice their creativity and experiment with their ability as content producers. The article aims to examine this transition with respect to a specific online platform, You-Tube, where audiences continuously experiment with the condition of being both consumers and producers, investing time and skills (i.e. digital labour) in an immaterial, collaborative work, ultimately resulting in the shift from user generated content (UGC) to professional generated content (PGC).","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"44 1","pages":"239-249"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81399027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Canon of Style : Fashion in Factual Entertainment","authors":"Anna Manzato","doi":"10.1400/251265","DOIUrl":"https://doi.org/10.1400/251265","url":null,"abstract":"In recent years factual entertainment has gained space on Italian television, especially on ‘native digital’ channels such as Real Time, DMAX, La7d and La5. Ordinary people are the main characters in stories that often adopt the makeover format and deal with everyday life, from the home to cooking, from DIY to personal fitness. In this context, fashion occupies a privileged position. This article aims to analyse current examples of fashion factual entertainment in Italy, elaborating on the discursive practices and the thematization of the fashion object. In particular, it investigates the televisual apparatus and the role played by audiences. In doing so, it explores the discursive practices used to deal with fashion content (e.g. divulgation or imposition of a dress code, testimonies, suggestions and lessons) suggesting that the presence of experts and learners in these programmes seems to represent fashion as a space for the negotiation of experience. Yet, as the analysis will show, the idea of fashion that emerges is that of a set of rules rather than a reappraisal of individual competence, thus leading to a stereotypical canon to which the audience should conform.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"70 1","pages":"91-96"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86304771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Italian Sense of the Web : a Social History of the Culture of Connectivity : A Mediatization Approach","authors":"G. B. Artieri","doi":"10.1400/253481","DOIUrl":"https://doi.org/10.1400/253481","url":null,"abstract":"The culture of connectivity in Italy is produced by the interrelation of social media and the evolution of social ties evolution. This article analyses this culture by highlighting the dynamics of power and participation, and overcoming the dichotomy between the “manipulative” and “democratization” media theses. It therefore focuses on the specific transition between web 1.0 and web 2.0, tracing a change, caused by the spread of social network platforms, in discourses on the social sense of connectivity: in other words, reconstructing an history of technological and communicative transformations coupled with specific events that can produce a different social consciousness of connectivity. The approach adopted to analyze this transition in terms of the social history of the media will be periodization, while the mediatization approach will serve as the broader framework for understanding and interpreting the relation between the spread of social media and the evolution of the sense that social ties express the culture of connectivity. Linking periodization to mediatization will more specifically involve taking the temporal dimension into account on at least three levels: an events-based, micro-type temporality, capable of identifying specific media events or widespread media practices; a meso-type temporality, marked by a succession of media waves which underline the disruptive effect of certain ecosystemic configurations of media devices, which can alter significantly both market and cultural dimensions; and a macro-temporal dimension, suitable for tracing a succession of technological ages, such as the passage described in the literature as the transition from the age of the industrial revolution to the information or digital age. This framework of mediatization through the lens of the periodization of Italy’s digital evolution enables us to identify– in the context of a long-term perspective on the digital age – the countercyclical role of the digital, which, especially in the mid-period, both fostered and characterized the transition from web 1.0 to web 2.0. By applying a short-term, “evenemential” logic to an analysis of the 2009 to 2014 period, it becomes possible to trace the way in which the mediatization of the social tie, thanks to the diffusion of web 2.0 in Italy, resulted in a swift transition from a rhetoric of “friendship” to a rhetoric of “participation” thatin turn was widely perceived as becoming, in a political sense, increasingly critical.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"132 1","pages":"215-226"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76613244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Election Campaigns, the Media and their Impact on Civic Engagement of Mexicans in the 2012 Presidential Election","authors":"Oniel Francisco Díaz Jiménez","doi":"10.32870/cys.v0i29.6302","DOIUrl":"https://doi.org/10.32870/cys.v0i29.6302","url":null,"abstract":"","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"79 1","pages":"139-164"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77117388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La diversidad cultural: ¿es posible su aplicación al sector audiovisual?","authors":"Alejandra Val Cubero","doi":"10.32870/CYS.V0I28.6398","DOIUrl":"https://doi.org/10.32870/CYS.V0I28.6398","url":null,"abstract":"","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"41 1","pages":"111-130"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88002100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Racismo en la imagen de los indígenas en los libros de texto gratuitos (2012-2015)","authors":"Sarah Corona Berkin, Rozenn Le Mûr","doi":"10.32870/CYS.V0I28.5419","DOIUrl":"https://doi.org/10.32870/CYS.V0I28.5419","url":null,"abstract":"This article focuses on the treatment of diversity in the Mexican school textbooks published by the Ministry of Education from 2012 to 2015. On the basis of the iconographic analysis of 522 visual representations of the indigenous population, we investigate the continuity of stereotypes and indicators of racism in the school textbooks.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"1 1","pages":"11-33"},"PeriodicalIF":0.0,"publicationDate":"2016-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77073508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}