The Canon of Style : Fashion in Factual Entertainment

Q1 Social Sciences
Anna Manzato
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引用次数: 0

Abstract

In recent years factual entertainment has gained space on Italian television, especially on ‘native digital’ channels such as Real Time, DMAX, La7d and La5. Ordinary people are the main characters in stories that often adopt the makeover format and deal with everyday life, from the home to cooking, from DIY to personal fitness. In this context, fashion occupies a privileged position. This article aims to analyse current examples of fashion factual entertainment in Italy, elaborating on the discursive practices and the thematization of the fashion object. In particular, it investigates the televisual apparatus and the role played by audiences. In doing so, it explores the discursive practices used to deal with fashion content (e.g. divulgation or imposition of a dress code, testimonies, suggestions and lessons) suggesting that the presence of experts and learners in these programmes seems to represent fashion as a space for the negotiation of experience. Yet, as the analysis will show, the idea of fashion that emerges is that of a set of rules rather than a reappraisal of individual competence, thus leading to a stereotypical canon to which the audience should conform.
风格的经典:事实娱乐中的时尚
近年来,事实类娱乐节目在意大利电视上占据了一席之地,尤其是在“本地数字”频道,如Real Time、DMAX、La7d和La5。普通人是故事的主角,这些故事通常采用改头换面的形式,涉及日常生活,从家庭到烹饪,从DIY到个人健身。在这种情况下,时尚占有特殊的地位。本文旨在分析当前意大利时尚事实娱乐的例子,阐述了话语实践和时尚对象的主题化。特别是,它调查了电视设备和观众所扮演的角色。在此过程中,它探讨了用于处理时尚内容的话语实践(例如泄露或强加着装规范,证词,建议和教训),表明专家和学习者在这些节目中的存在似乎代表了时尚作为经验谈判的空间。然而,正如分析将显示的那样,出现的时尚观念是一套规则,而不是对个人能力的重新评估,从而导致了观众应该遵循的刻板标准。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Comunicacion y Sociedad
Comunicacion y Sociedad Social Sciences-Communication
CiteScore
3.20
自引率
0.00%
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0
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