{"title":"创伤后，我是另一个人，对战后身份变化的再现的反思。《凤凰案》(2014)，克里斯蒂安·佩佐德著","authors":"F. Alcalá","doi":"10.32870/CYS.V0I32.6918","DOIUrl":null,"url":null,"abstract":"This text studies, from an aesthetic, narrative and intertextual perspective, a film that questions how can one be oneself after the war and what does it mean and not be? The case is Phoenix (2014) by C. Petzold. This film will sophisticate the motif of the “feminine double” in contemporary cinema.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"1 1","pages":"13-31"},"PeriodicalIF":0.0000,"publicationDate":"2018-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Después del trauma soy otro, reflexiones sobre la representación del cambio de identidad después de la guerra. El caso de Phoenix (2014) de Christian Petzold\",\"authors\":\"F. Alcalá\",\"doi\":\"10.32870/CYS.V0I32.6918\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This text studies, from an aesthetic, narrative and intertextual perspective, a film that questions how can one be oneself after the war and what does it mean and not be? The case is Phoenix (2014) by C. Petzold. This film will sophisticate the motif of the “feminine double” in contemporary cinema.\",\"PeriodicalId\":35210,\"journal\":{\"name\":\"Comunicacion y Sociedad\",\"volume\":\"1 1\",\"pages\":\"13-31\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comunicacion y Sociedad\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32870/CYS.V0I32.6918\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comunicacion y Sociedad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32870/CYS.V0I32.6918","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
Después del trauma soy otro, reflexiones sobre la representación del cambio de identidad después de la guerra. El caso de Phoenix (2014) de Christian Petzold
This text studies, from an aesthetic, narrative and intertextual perspective, a film that questions how can one be oneself after the war and what does it mean and not be? The case is Phoenix (2014) by C. Petzold. This film will sophisticate the motif of the “feminine double” in contemporary cinema.
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