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Circulations entre les arts. Interroger l'intersémioticité最新文献

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Généalogie du roman-photo : Origines, détournements et perspectives 摄影小说的谱系学:起源、转移与展望
Circulations entre les arts. Interroger l'intersémioticité Pub Date : 2016-11-29 DOI: 10.58282/colloques.3897
M. Crestey
{"title":"Généalogie du roman-photo : Origines, détournements et perspectives","authors":"M. Crestey","doi":"10.58282/colloques.3897","DOIUrl":"https://doi.org/10.58282/colloques.3897","url":null,"abstract":"Why the photo-novel is likely to open up new aesthetics? What are the processes of these developments? We analyse his relationships with arts and his mutations from several examples.","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130750886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Resisting Intersemioticity: the Case of Wyndham Lewis 抵抗间隔性:温德姆·刘易斯的案例
Circulations entre les arts. Interroger l'intersémioticité Pub Date : 2016-11-29 DOI: 10.58282/colloques.3932
A. Fitzgerald
{"title":"Resisting Intersemioticity: the Case of Wyndham Lewis","authors":"A. Fitzgerald","doi":"10.58282/colloques.3932","DOIUrl":"https://doi.org/10.58282/colloques.3932","url":null,"abstract":"Although both a painter and writer, and despite making some gestures towards intersemiotic art forms at the start of his career, Wyndham Lewis was resistant to the idea of hybrid forms of art or intersemioticity. Lewis’s scepticism regarding artistic fusion is the subject of this article, which draws on some unpublished material to underline the importance of distinctions in Lewis’s conception of the arts.","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116797900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les collaborations de Neil Gaiman et Dave McKean Les collaborative de Neil Gaiman和Dave McKean
Circulations entre les arts. Interroger l'intersémioticité Pub Date : 2016-11-29 DOI: 10.58282/colloques.3899
C. Camus
{"title":"Les collaborations de Neil Gaiman et Dave McKean","authors":"C. Camus","doi":"10.58282/colloques.3899","DOIUrl":"https://doi.org/10.58282/colloques.3899","url":null,"abstract":"This article surveys writer Neil Gaiman and artist Dave McKean’s various collaborations, in the fields of experimental comics, illustrated books for children, and cinema, with particular emphasis on how various forms of art provide thematic motifs to Gaiman’s stories, thus mirroring McKean’s constantly hybrid approach to visual arts.","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131171013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
« Trans/ou inter-figurations » sémiotiques : réflexions sur « Theatre painting » 符号学的“跨/或跨形象”:对“戏剧绘画”的思考
Circulations entre les arts. Interroger l'intersémioticité Pub Date : 2016-11-29 DOI: 10.58282/colloques.3943
Danièle Berton-Charrière
{"title":"« Trans/ou inter-figurations » sémiotiques : réflexions sur « Theatre painting »","authors":"Danièle Berton-Charrière","doi":"10.58282/colloques.3943","DOIUrl":"https://doi.org/10.58282/colloques.3943","url":null,"abstract":"“Theatre painting” partakes of two genres of representation. A reflection on the processes and devices involved during the passage from one support to the other and from one form of figuration to the other is carried out from the study of graphic and pictorial works based on some of William Shakespeare’s plays. Intersemiotic encoding and decoding serve the translation.","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116297477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Word AND Image, Word IN Image, or Word AS Image? Visual/Verbal Options for the Writer, Artist, and Audience 文字和图像，文字在图像中，还是文字作为图像?作者、美工和观众的视觉/语言选择
Circulations entre les arts. Interroger l'intersémioticité Pub Date : 2016-11-29 DOI: 10.58282/colloques.3998
W. Sharpe
{"title":"Word AND Image, Word IN Image, or Word AS Image? Visual/Verbal Options for the Writer, Artist, and Audience","authors":"W. Sharpe","doi":"10.58282/colloques.3998","DOIUrl":"https://doi.org/10.58282/colloques.3998","url":null,"abstract":"“Ut pictura poesis”: this phrase from the Roman poet Horace has been widely invoked down through the ages: “As is the picture, so is the poem.” For centuries poets have written about paintings, and painters have illustrated scenes from the poets. But Horace seems to be claiming something more profound than that, provoking perennial arguments about the fundamental similarity—or difference—between the two arts. In this essay I will look at some of the most common ways that literary works and visual images have been perceived as parallel yet intersecting enterprises. Then I will focus specifically on the role that words have played within works of visual art, particularly in the past century. Finally, I will offer my own interpretation of Horace’s phrase, suggesting that words and images do not just lead parallel lives. Rather, they simply cannot do without each other.","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121242843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
« Cat ‘N’ Mouse » de Steven Millhauser : un cartoon linguistique.
Circulations entre les arts. Interroger l'intersémioticité Pub Date : 2016-11-29 DOI: 10.58282/colloques.3912
Étienne Février
{"title":"« Cat ‘N’ Mouse » de Steven Millhauser : un cartoon linguistique.","authors":"Étienne Février","doi":"10.58282/colloques.3912","DOIUrl":"https://doi.org/10.58282/colloques.3912","url":null,"abstract":"The short story “Cat ‘N’ Mouse” (Dangerous Laughter, 2008), by the American novelist and short story writer Steven Millhauser, is a literary transposition of the animated cartoon films Tom and Jerry. As he creates a “linguistic cartoon,” the author draws the reader's attention to the strangeness of the animated cartoon, revealing the violent, cathartic dimension of laughter at work in the films. Moreover, through the prism of words and through the process of intersemioticity, a mass cultural product is transformed into a unique experience on the ability of language to ascend to the realm of sounds, of images and of their animation.","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125860668","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les dimensions haptique et musicale des tableaux de Gainsborough 庚斯伯勒绘画的触觉和音乐维度
Circulations entre les arts. Interroger l'intersémioticité Pub Date : 2016-11-27 DOI: 10.58282/colloques.3871
M. Adrien
{"title":"Les dimensions haptique et musicale des tableaux de Gainsborough","authors":"M. Adrien","doi":"10.58282/colloques.3871","DOIUrl":"https://doi.org/10.58282/colloques.3871","url":null,"abstract":"This articles aims at exploring how Gainsborough's painting acts upon other sensorial modes than vision: touch and hearing. At a time when empiricism prevailed, debates on the interplay between senses were in the air, as in the question of Molyneux, which sought to understand how a blind person who recovers sight apprehends reality. Without really speculating on the subject, Gainsborough put those circulating ideas into practice, be it in his creative approach or in the way he wanted his viewers to engage with his works.","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"196 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122354394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Horizons intersémiotiques : interroger l'hybridité des arts 符号间视野:质疑艺术的混合
Circulations entre les arts. Interroger l'intersémioticité Pub Date : 2016-11-04 DOI: 10.58282/colloques.3822
M. Adrien, Marie Bouchet, Nathalie Vincent-Arnaud
{"title":"Horizons intersémiotiques : interroger l'hybridité des arts","authors":"M. Adrien, Marie Bouchet, Nathalie Vincent-Arnaud","doi":"10.58282/colloques.3822","DOIUrl":"https://doi.org/10.58282/colloques.3822","url":null,"abstract":"Les croisements entre les arts s’inscrivent dans une tradition ancienne, comme si l’esprit humain ne parvenait pas a s’accommoder de categories artistiques et perceptuelles operant de maniereindependante. De ce point de vue, les œuvres a caractere intersemiotique refletent le caractere synesthesique de la pensee humaine : les recherches recentes en sciences de la cognition et en neurobiologie consacrees a la condition synesthesique indiquent en effet que, contrairement a ce qui avait ete etabli, les zones cerebrales operant les connexions synaptiques de reception sensorielle ne sont pas aussi isolees qu’on pouvait le penser, et que les perceptions sensorielles ne sont pas stimulees de maniere etanche les unes des autres.1 Les œuvres intersemiotiques refleteraient donc la maniere-meme dont notre cerveau fonctionne.En centrant le propos sur les croisements entre le textuel, le visuel et l’aural, les contributions reunies dans cet ouvrage en viennent a explorer les structures fondamentales de la representation. Ainsi, l’incessante hybridation de la peinture et de la poesie au cours des siecles, le rapport infini et irreductible qui les lie, revelentune recherche, dans « l’art-sœur »2, de la cle de la representation. La conjonction paradoxale de deux modes de representation ne se limite pas au dialogue des seules litterature et peinture, mais est ouvert a tout type de domaine artistique : arts plastiques, musique, photographie, cinema, romans graphiques, pratiques contemporaines","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115418027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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