{"title":"符号学的“跨/或跨形象”:对“戏剧绘画”的思考","authors":"Danièle Berton-Charrière","doi":"10.58282/colloques.3943","DOIUrl":null,"url":null,"abstract":"“Theatre painting” partakes of two genres of representation. A reflection on the processes and devices involved during the passage from one support to the other and from one form of figuration to the other is carried out from the study of graphic and pictorial works based on some of William Shakespeare’s plays. Intersemiotic encoding and decoding serve the translation.","PeriodicalId":350956,"journal":{"name":"Circulations entre les arts. Interroger l'intersémioticité","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"« Trans/ou inter-figurations » sémiotiques : réflexions sur « Theatre painting »\",\"authors\":\"Danièle Berton-Charrière\",\"doi\":\"10.58282/colloques.3943\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“Theatre painting” partakes of two genres of representation. A reflection on the processes and devices involved during the passage from one support to the other and from one form of figuration to the other is carried out from the study of graphic and pictorial works based on some of William Shakespeare’s plays. Intersemiotic encoding and decoding serve the translation.\",\"PeriodicalId\":350956,\"journal\":{\"name\":\"Circulations entre les arts. Interroger l'intersémioticité\",\"volume\":\"12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Circulations entre les arts. Interroger l'intersémioticité\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.58282/colloques.3943\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Circulations entre les arts. Interroger l'intersémioticité","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.58282/colloques.3943","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“Theatre painting” partakes of two genres of representation. A reflection on the processes and devices involved during the passage from one support to the other and from one form of figuration to the other is carried out from the study of graphic and pictorial works based on some of William Shakespeare’s plays. Intersemiotic encoding and decoding serve the translation.
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