文字和图像,文字在图像中,还是文字作为图像?作者、美工和观众的视觉/语言选择

W. Sharpe
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引用次数: 0

摘要

“Ut pictura poesis”:罗马诗人贺拉斯的这句话被广泛引用,“有画就有诗”。几个世纪以来,诗人一直在写关于绘画的文章,画家也为诗人描绘了场景。但贺拉斯似乎宣称了比这更深刻的东西,引发了关于这两种艺术之间基本相似或不同的长期争论。在这篇文章中,我将看看文学作品和视觉图像被视为平行但又交叉的企业的一些最常见的方式。然后,我将特别关注文字在视觉艺术作品中所扮演的角色,尤其是在过去的一个世纪里。最后,我将提供我自己对贺拉斯这句话的解释,即文字和图像并不仅仅是平行的生活。相反,它们根本离不开彼此。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Word AND Image, Word IN Image, or Word AS Image? Visual/Verbal Options for the Writer, Artist, and Audience
“Ut pictura poesis”: this phrase from the Roman poet Horace has been widely invoked down through the ages: “As is the picture, so is the poem.” For centuries poets have written about paintings, and painters have illustrated scenes from the poets. But Horace seems to be claiming something more profound than that, provoking perennial arguments about the fundamental similarity—or difference—between the two arts. In this essay I will look at some of the most common ways that literary works and visual images have been perceived as parallel yet intersecting enterprises. Then I will focus specifically on the role that words have played within works of visual art, particularly in the past century. Finally, I will offer my own interpretation of Horace’s phrase, suggesting that words and images do not just lead parallel lives. Rather, they simply cannot do without each other.
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