Resisting Intersemioticity: the Case of Wyndham Lewis

A. Fitzgerald
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Abstract

Although both a painter and writer, and despite making some gestures towards intersemiotic art forms at the start of his career, Wyndham Lewis was resistant to the idea of hybrid forms of art or intersemioticity. Lewis’s scepticism regarding artistic fusion is the subject of this article, which draws on some unpublished material to underline the importance of distinctions in Lewis’s conception of the arts.
抵抗间隔性:温德姆·刘易斯的案例
尽管温德姆·刘易斯既是画家又是作家,尽管在他职业生涯的开始,他对跨符号的艺术形式做出了一些姿态,但他对混合艺术形式或跨符号性的想法持抵制态度。刘易斯对艺术融合的怀疑是这篇文章的主题,它借鉴了一些未发表的材料来强调刘易斯艺术概念中区别的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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