Hungarian Studies最新文献

Das publizistische Werk von Adolf Silberstein-Ötvös in der ungarländischen deutschsprachigen Presse im Überblick 阿道夫-西尔伯施泰因-奥特沃斯在匈牙利德语报刊上的新闻工作综述

IF 10.4

Hungarian Studies Pub Date : 2024-08-09 DOI: 10.1556/044.2023.00246

Hedvig Ujvári

引用次数: 0

Pure love in the Confessions of Ferenc Rákóczi II 费伦茨-拉科茨二世忏悔录中的纯爱

IF 10.4

Hungarian Studies Pub Date : 2024-07-26 DOI: 10.1556/044.2024.00275

Gyula Laczházi

引用次数: 0

Júlia Hajdu (1925–1987) – Career of a woman operetta composer 尤利娅-哈伊杜（1925-1987）--女歌剧作曲家的职业生涯

IF 10.4

Hungarian Studies Pub Date : 2024-07-22 DOI: 10.1556/044.2023.00253

Emese Lengyel

{"title":"Júlia Hajdu (1925–1987) – Career of a woman operetta composer","authors":"Emese Lengyel","doi":"10.1556/044.2023.00253","DOIUrl":"https://doi.org/10.1556/044.2023.00253","url":null,"abstract":"The object of this presentation is Júlia Hajdu (1925–1987), the first and only female Hungarian operetta composer. Although there is no abundance of female composers in either international or Hungarian music literature, most of the few were canonically mistreated, despite their creations being worthy of research. The author of choice, Júlia Hajdu, had a rather rich artistic career during which she excelled in various musical genres, such as the composition of dance songs, operettas, revues, dance suites, and incidental music. Besides composing, she was also an outstanding pianist. At the Zeneakadémia (Liszt Ferenc Academy of Music), her master teachers were Zoltán Kodály (1882–1967) and György Ránki (1907–1992) – the latter, too, being a composer of operettas. Hajdu studied folk music from Kodály and jazz orchestration from Ránki. Hajdu's name was soon mentioned next to the best-known creators of popular genres by both her contemporaries and the critics of the age. Among others, she worked on the popular music shows of Magyar Televízió (Hungarian Television) and was employed as Hanna Honthy's piano accompanist. Hajdu recorded hundreds of dance songs, revues, and dance suites, as well as fourteen operettas, including those for radio and television broadcasts. Her career is to be explored within the cultural, political, and civilizational contexts of state socialism, thus understanding her work as not only another oeuvre of an operetta composer, but also as a representation of the artistic sentiment of a whole era. During her active years, she had to make compromises which she later interpreted as assertions of herself as a female artist in a male-dominated cultural milieu. After recognizing various narrative patterns in her creations, I aim to discuss Hajdu's career along two of the most prevalent and recurring issues: the “female composer as a sensation” narrative, and the “significance of the master teacher” narrative.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":null,"pages":null},"PeriodicalIF":10.4,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141815592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

„Wer um alles in der Welt ist Pom-Pom?” "到底谁是庞庞？"

IF 10.4

Hungarian Studies Pub Date : 2024-07-17 DOI: 10.1556/044.2023.00257

Ferenc Szolar

引用次数: 0

Duel of Germanists: The debate between Elemér Moór, Elemér Schwartz and Walter Steinhauser about the population history of Burgenland 日耳曼主义者的对决：埃莱梅尔-莫尔（Elemér Moór）、埃莱梅尔-施瓦茨（Elemér Schwartz）和沃尔特-施泰因豪泽尔（Walter Steinhauser）关于布尔根兰州人口史的辩论

IF 10.4

Hungarian Studies Pub Date : 2024-07-17 DOI: 10.1556/044.2023.00244

László Dávid Törő

引用次数: 0

The musical heritage of Sárospatak in the 17th–18th centuries 17-18 世纪萨罗斯帕塔克的音乐遗产

Hungarian Studies Pub Date : 2023-11-20 DOI: 10.1556/044.2023.00251

J. Kelemen

引用次数: 0

Latin paraphrases of Old Testament books in verse in 16th century Hungary 16 世纪匈牙利对《旧约》诗篇的拉丁文释义

Hungarian Studies Pub Date : 2023-11-20 DOI: 10.1556/044.2023.00245

Anna Posta

引用次数: 0

Exploring the eighteenth-century concept of soil as reflected in Sámuel Domby's De vino Tokaiensi 探索萨缪尔-多姆比的《De vino Tokaiensi》中反映的十八世纪土壤概念

Hungarian Studies Pub Date : 2023-11-20 DOI: 10.1556/044.2023.00234

Eszter Sipos

引用次数: 0

Nicholas Roosevelt in Hungary, 1930–1933: Expectations and illusions 尼古拉斯·罗斯福在匈牙利，1930-1933:期望与幻想

Hungarian Studies Pub Date : 2023-10-09 DOI: 10.1556/044.2023.00218

Zoltán Peterecz

{"title":"Nicholas Roosevelt in Hungary, 1930–1933: Expectations and illusions","authors":"Zoltán Peterecz","doi":"10.1556/044.2023.00218","DOIUrl":"https://doi.org/10.1556/044.2023.00218","url":null,"abstract":"Abstract Although a score of new studies have been published about the various aspects of the history of American–Hungarian relations in the past three decades, there are still a considerable number of uncovered chapters. The present article will introduce one of the American ministers who served in Hungary in the interwar years. Nicholas Roosevelt came from a well-known family that gave two presidents to the United States in the first half of the twentieth century, and the name helped him throughout his storied career. Since he had visited Hungary at the time of the establishment of the Hungarian Soviet Republic in March 1919, he had first-hand experience regarding his host country. His service as American minister (1930–1933) fell in the first years of the unfolding Great Depression, which defined the basic conditions for Hungary, as well for the United States and Europe. Nicholas Roosevelt was an avid writer, and he left behind a plethora of both private and official documents containing, among other things, his thoughts and opinions about Hungary and Hungarians. Building this as a primary source, along with a number of secondary sources, the article will bring closer the economically and politically shaky days of Hungary in the early 1930s through the eyes of the American minister posted in Budapest, thereby enriching our knowledge about the relations between the two countries.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135093787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

How the Croatian Elites Switched over from the Habsburg Empire to the South Slav Kingdom in a Drunken Night in November 1918 1918年11月的一个醉酒之夜，克罗地亚的精英们是如何从哈布斯堡帝国转到南斯拉夫王国的

Hungarian Studies Pub Date : 2023-10-09 DOI: 10.1556/044.2023.00237

Marijan Bobinac

{"title":"How the Croatian Elites Switched over from the Habsburg Empire to the South Slav Kingdom in a Drunken Night in November 1918","authors":"Marijan Bobinac","doi":"10.1556/044.2023.00237","DOIUrl":"https://doi.org/10.1556/044.2023.00237","url":null,"abstract":"Abstract In his slightly fictionalized autobiographical essay A Drunken November Night 1918 (written in 1942, first published in 1952), Miroslav Krleža attempts to reconstruct a scandal to whose creation he himself contributed to a large extent. In November 1918, in the interregnum from the collapse of the Habsburg monarchy to the foundation of the South Slav kingdom, the then young author felt compelled at a reception held in Zagreb in honor of the Serbian officers to protest loudly against the speech of the former high Habsburg officer Slavko Kvaternik. The scandal retrospectively reinforced Krleža's conviction of the misery of the contemporary Croatian elite, a circumstance whose reasons, in his opinion, lay not only in political opportunism and moral corruption, but also in unreflected utopianism and the underlying political naivety. His hope that after the dissolution of the compromised Habsburg rule the South Slav peoples could advance towards national and social emancipation was soon replaced by the sober insight that imperial Austro-Hungary was followed by a small-sized, Serb dominated post-imperial structure. By describing the period when the text was written, the Second World War and the Ustashe reign of terror in contemporary Croatia, and in doing so particularly referring to the conversion of many former Habsburg officers to the side of fascist movements, Krleža also emphatically reveals his own conception of history, according to which historical events appear to be an eternal recurrence in which human stupidity is coupled with an excessive use of power and violence.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135093790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0