Suchasne mistetstvo最新文献

{"title":"«ТИ ЗНАЄШ, ЩО ТИ — ЛЮДИНА…» (Василь Симоненко): Режисерська діяльність Сергія Данченка у Львівському театрі ім. Марії Заньковецької у 1965–1966 роках","authors":"Ганна Веселовська","doi":"10.31500/2309-8813.16.2020.219989","DOIUrl":"https://doi.org/10.31500/2309-8813.16.2020.219989","url":null,"abstract":"The article is dedicated to the early period in the professional career of outstanding Ukrainian theatre director Serhiy Volodymyrovich Danchenko (1937–2001). The main attention is paid to the very first performances staged by Danchenko at the Lviv Theatre namedafter Maria Zankovetska in 1965–1966. These include the debut performance ‘The First Day of Freedom’ based on a play by Polish playwrightLeon Kruchkovsky as well as stage versions of such dramas as ‘The Widower’ by Aleksander Shtein, ‘Man Overboard’ by Arkadiy Shkol’nikand ‘On the Road’ by Viktor Rozov.\u0000Based on memoirs, press critiques and documentary materials, namely the minutes of the Theatre Arts Council’s meetings, the author reconstructs the circumstances in which the work on the performances was undergoing, discusses the peculiarities of how the actors were interpreting their roles as well as the reception by critics and spectators. The article emphasizes the conceptual approach employed by the director and makes generalisations about the consonance of themes and issues in three plays.\u0000The principled research aspect of the article is that Danchenko’s performances are examined in the context of the shestydesiatnyky (sixtiers) movement. For the first time in the domestic art studies, it is argued that Danchenko’s productions of that period can be related, by theiraesthetic and substantive characteristics, to the phenomenon of the shestydesiatnyky art. This makes it possible to talk about a collective action by shestydesiatnyky taking as an example the works created in the Lviv Theatre named after Maria Zankovetska.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47020219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cвіт в ракурсах Артбієнале і в оптиці кінофестивалю у Венеції","authors":"Оксана Чепелик","doi":"10.31500/2309-8813.16.2020.219987","DOIUrl":"https://doi.org/10.31500/2309-8813.16.2020.219987","url":null,"abstract":"The Ukrainian project of the Open Group «The Shadow of Dream (Mriya) cast upon Giardini della Biennale» is researchedin the fairway of Ralph Rugoff’s curatorial concept «May You Live in Interesting Times» of the 58th Venice Biennale 2019 and the themesdeveloped in the other projects, taking into account the projection of these issues on the Ukrainian and world contexts are analyzed. Thecontexts with which the project works in Ukraine and in the world are compared. The issues addressed within the Venice Biennale onglobal environmental challenges, extensive growth, war and peace, ongoing confrontation of democratic and totalitarian worlds, migration crisis are studied. The process of revealing by artistic means how political manipulation works is revealed with a critical commentaryon the reality marked by economic and social inequality that provokes indignation, and as a result — populism. The mechanism of workwith trauma on the territory of art is determined. The multi-vector projects and different types of connection with reality are identified demonstrating the productive artistic strategies.The themes and artistic features of the films presented at the 2019 Venice Film Festival and its winners are analyzed and compared.The features of the Ukrainian film-winner of the Venice Film Festival 2019 «Atlantis» by Valentyn Vasyanovych are described. The chronology of the development of Valentin Vasyanovich’s film achievements is tracked.The main trend topics characteristic of the Venice Forums of 2019 are identified, such as the threats of the Anthropocene and the ecological crisis, anti-globalism in its economic, social and national aspects, and the orientation on the human values in the post-truth era.The influence of intellectual practice in the formation of meanings for dialogue with society challenging for the art world is determined.The role and place of Ukrainian contemporary art and cinema on the international stage are revealed. The problems and peculiaritiesof the cultural policy of Ukraine and the necessity of its reforme in order to support the development of contemporary art are outlined.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48432183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Фестивалі медіаарту на постіндустріальних локаціях","authors":"Олександра Халепа","doi":"10.31500/2309-8813.16.2020.219995","DOIUrl":"https://doi.org/10.31500/2309-8813.16.2020.219995","url":null,"abstract":"On the example of iconic foreign festivals “Ars Electronica” (Linz, Austria), “Transmediale” (Berlin, Germany), “Gamma”(St. Petersburg, Russia) and domestic — “KIMAF” “Carbon Media Art Festival”, “Carbonarium” (Kyiv Ukraine) (Kyiv, Ukraine), “Nonstopmedia” (Kharkiv), “Transformer” (Lviv, Ukraine), “Terra Futura” (Kherson, Ukraine), “Hamselyt “ (Ternopil, Ukraine); analyzed the festivalformat as the most suitable for experimental synthesis of different types of media art, including in post-industrial locations.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44303026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Борис Лятошинський у комунікативних форматах української музичної культури ХХ століття","authors":"І. І. Савчук","doi":"10.31500/2309-8813.16.2020.219997","DOIUrl":"https://doi.org/10.31500/2309-8813.16.2020.219997","url":null,"abstract":"The article examines the communicative mechanisms of the Borys Liatoshynsky cultural initiatives in Polish culture in the1950s — 1960s. The Polish component is an integral part of the artist’s ideological, professional and cultural identity. The study of thesevectors through the Liatoshynsky cross-cultural activities in the field of European cultures builds his dialogue with the mental image ofUkrainian culture and forms the main ideas about Liatoshynsky as a national cultural figure.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45115633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Феміна без фемінізму, або Сокровенна тема творчості Людмили Корж-Радько","authors":"Олеся Авраменко","doi":"10.31500/2309-8813.16.2020.219982","DOIUrl":"https://doi.org/10.31500/2309-8813.16.2020.219982","url":null,"abstract":"The creative work of Uzhhorod artist Lyudmila Korzh-Radko is considered. Attention is focused on a number of series ofeasel works, which figuratively and sharply illuminate the extremely relevant topic of women in the social and thus cultural field. The author of the article highlights the philosophical and imaginative artistic solutions of the stated theme and compares it with other incarnations of this socially important and artistically devalued theme","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42608273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Понятійно-категоріальна система сучасного українського мистецтва в новій естетичній парадигмі ХХІ століття","authors":"Тетяна Міронова","doi":"10.31500/2309-8813.16.2020.219999","DOIUrl":"https://doi.org/10.31500/2309-8813.16.2020.219999","url":null,"abstract":"","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45717316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Методологічні проблеми сучасного мистецтвознавства: історичні передумови та соціокультурні реалії","authors":"Руслана Іванівна Безугла","doi":"10.31500/2309-8813.16.2020.219994","DOIUrl":"https://doi.org/10.31500/2309-8813.16.2020.219994","url":null,"abstract":"","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49122943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Дизайн-студії Лондона: «Вольф Олінз», «Мінале Таттерсфілд», «Флетчер Форбс Джилл». Їхнє значення для розвитку графічного дизайну на Британських островах","authors":"Леся Даниленко","doi":"10.31500/2309-8813.16.2020.219985","DOIUrl":"https://doi.org/10.31500/2309-8813.16.2020.219985","url":null,"abstract":"The article examines the history of the formation and design activities of some of the most famous design studios in London, which have gained a reputation in Europe and other parts of the world — Wolf Olins, Minale Tattersfield, Fletcher Forbes Gill; thesocio-economic circumstances of the development of British design after the Second World War and the peculiarities of the design activity of these design studios are revealed; the most popular directions of work of these design studios are analyzed: the development of packaging for production and elements of corporate identity of private enterprises and state institutions","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46206404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"«Підтекст» та «внутрішній монолог» у словесній дії актора","authors":"І. О. Сорока","doi":"10.31500/2309-8813.16.2020.220007","DOIUrl":"https://doi.org/10.31500/2309-8813.16.2020.220007","url":null,"abstract":"The scientific novelty of the work lies in the fact that for the first time specific commonalities and differences of “subtext”and “internal monologue” in the verbal action of the actor are pointed out. The scheme of existence of the process of “internal monologue” in the pause (on the partner’s remark) and in the phrase (when pronouncing the text) is considered. The identity of “subtext” and “internal monologue” in the indirect text (dialogue) and the transformation of “internal monologue” in the sense of expression are indicated.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41382790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"«Новітні спрямування» 2011–2020-го років. Візуальний часопис десятиліття: можливість архіву","authors":"Ірина Яцик","doi":"10.31500/2309-8813.16.2020.220008","DOIUrl":"https://doi.org/10.31500/2309-8813.16.2020.220008","url":null,"abstract":"The article is devoted to the problem of creating an archive of the platform “The Newest Directions” —a long-term project initiated by MARI. From 2011 to 2020, more than 10 exhibition projects were implemented at various locations, the theoretical competition, discussion panels, public discussions. The entire amount of visual and theoretical information needs to be preserved and organized according to a certain strategy. The study of possible strategiesof this work is also the subject of this investigation. In the last part the projects of the platform of 2018 and 2019 “Anatomy of simulacrum” and “Alchemy of motivation” are analyzed, and further prospects of development of the platform “The Newest Directions” are outlined.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43633977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}