{"title":"女性主义自由的女性主义,还是朝鲜创造的秘密主题","authors":"Олеся Авраменко","doi":"10.31500/2309-8813.16.2020.219982","DOIUrl":null,"url":null,"abstract":"The creative work of Uzhhorod artist Lyudmila Korzh-Radko is considered. Attention is focused on a number of series ofeasel works, which figuratively and sharply illuminate the extremely relevant topic of women in the social and thus cultural field. The author of the article highlights the philosophical and imaginative artistic solutions of the stated theme and compares it with other incarnations of this socially important and artistically devalued theme","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Феміна без фемінізму, або Сокровенна тема творчості Людмили Корж-Радько\",\"authors\":\"Олеся Авраменко\",\"doi\":\"10.31500/2309-8813.16.2020.219982\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The creative work of Uzhhorod artist Lyudmila Korzh-Radko is considered. Attention is focused on a number of series ofeasel works, which figuratively and sharply illuminate the extremely relevant topic of women in the social and thus cultural field. The author of the article highlights the philosophical and imaginative artistic solutions of the stated theme and compares it with other incarnations of this socially important and artistically devalued theme\",\"PeriodicalId\":34369,\"journal\":{\"name\":\"Suchasne mistetstvo\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Suchasne mistetstvo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31500/2309-8813.16.2020.219982\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Suchasne mistetstvo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31500/2309-8813.16.2020.219982","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Феміна без фемінізму, або Сокровенна тема творчості Людмили Корж-Радько
The creative work of Uzhhorod artist Lyudmila Korzh-Radko is considered. Attention is focused on a number of series ofeasel works, which figuratively and sharply illuminate the extremely relevant topic of women in the social and thus cultural field. The author of the article highlights the philosophical and imaginative artistic solutions of the stated theme and compares it with other incarnations of this socially important and artistically devalued theme