{"title":"大主教球场和威尼斯电影节上的鲜花","authors":"Оксана Чепелик","doi":"10.31500/2309-8813.16.2020.219987","DOIUrl":null,"url":null,"abstract":"The Ukrainian project of the Open Group «The Shadow of Dream (Mriya) cast upon Giardini della Biennale» is researchedin the fairway of Ralph Rugoff’s curatorial concept «May You Live in Interesting Times» of the 58th Venice Biennale 2019 and the themesdeveloped in the other projects, taking into account the projection of these issues on the Ukrainian and world contexts are analyzed. Thecontexts with which the project works in Ukraine and in the world are compared. The issues addressed within the Venice Biennale onglobal environmental challenges, extensive growth, war and peace, ongoing confrontation of democratic and totalitarian worlds, migration crisis are studied. The process of revealing by artistic means how political manipulation works is revealed with a critical commentaryon the reality marked by economic and social inequality that provokes indignation, and as a result — populism. The mechanism of workwith trauma on the territory of art is determined. The multi-vector projects and different types of connection with reality are identified demonstrating the productive artistic strategies.The themes and artistic features of the films presented at the 2019 Venice Film Festival and its winners are analyzed and compared.The features of the Ukrainian film-winner of the Venice Film Festival 2019 «Atlantis» by Valentyn Vasyanovych are described. The chronology of the development of Valentin Vasyanovich’s film achievements is tracked.The main trend topics characteristic of the Venice Forums of 2019 are identified, such as the threats of the Anthropocene and the ecological crisis, anti-globalism in its economic, social and national aspects, and the orientation on the human values in the post-truth era.The influence of intellectual practice in the formation of meanings for dialogue with society challenging for the art world is determined.The role and place of Ukrainian contemporary art and cinema on the international stage are revealed. 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引用次数: 0
摘要
Open Group的乌克兰项目“The Shadow of Dream (Mriya) cast on Giardini della双年展”是在拉尔夫·鲁戈夫(Ralph Rugoff) 2019年第58届威尼斯双年展的策展概念“愿你生活在有趣的时代”的基础上进行研究的,并在其他项目中开发了主题,考虑到这些问题在乌克兰和世界背景下的投影。比较了该项目在乌克兰和世界范围内的工作情况。威尼斯双年展探讨了全球环境挑战、广泛增长、战争与和平、民主与极权世界的持续对抗、移民危机等问题。通过艺术手段揭示政治操纵如何运作的过程,揭示了对以经济和社会不平等为标志的现实的批判性评论,引发了愤怒,结果是民粹主义。确定了艺术领域中创伤工作的机制。确定了多向量项目和与现实的不同类型的联系,展示了生产性艺术策略。本文对2019年威尼斯电影节参展影片和获奖影片的主题和艺术特征进行了分析和比较。介绍了Valentyn Vasyanovych在2019年威尼斯电影节上的乌克兰电影获奖者“亚特兰蒂斯”的特点。瓦伦丁·瓦西里亚诺维奇的电影成就的发展年表被跟踪。确定了2019年威尼斯论坛的主要主题特征,如人类世的威胁和生态危机,经济、社会和国家方面的反全球化,以及后真相时代的人类价值取向。智力实践在形成与社会对话的意义方面的影响对艺术界的挑战是确定的。揭示了乌克兰当代艺术和电影在国际舞台上的作用和地位。概述了乌克兰文化政策的问题和特点,以及改革乌克兰文化政策以支持当代艺术发展的必要性。
Cвіт в ракурсах Артбієнале і в оптиці кінофестивалю у Венеції
The Ukrainian project of the Open Group «The Shadow of Dream (Mriya) cast upon Giardini della Biennale» is researchedin the fairway of Ralph Rugoff’s curatorial concept «May You Live in Interesting Times» of the 58th Venice Biennale 2019 and the themesdeveloped in the other projects, taking into account the projection of these issues on the Ukrainian and world contexts are analyzed. Thecontexts with which the project works in Ukraine and in the world are compared. The issues addressed within the Venice Biennale onglobal environmental challenges, extensive growth, war and peace, ongoing confrontation of democratic and totalitarian worlds, migration crisis are studied. The process of revealing by artistic means how political manipulation works is revealed with a critical commentaryon the reality marked by economic and social inequality that provokes indignation, and as a result — populism. The mechanism of workwith trauma on the territory of art is determined. The multi-vector projects and different types of connection with reality are identified demonstrating the productive artistic strategies.The themes and artistic features of the films presented at the 2019 Venice Film Festival and its winners are analyzed and compared.The features of the Ukrainian film-winner of the Venice Film Festival 2019 «Atlantis» by Valentyn Vasyanovych are described. The chronology of the development of Valentin Vasyanovich’s film achievements is tracked.The main trend topics characteristic of the Venice Forums of 2019 are identified, such as the threats of the Anthropocene and the ecological crisis, anti-globalism in its economic, social and national aspects, and the orientation on the human values in the post-truth era.The influence of intellectual practice in the formation of meanings for dialogue with society challenging for the art world is determined.The role and place of Ukrainian contemporary art and cinema on the international stage are revealed. The problems and peculiaritiesof the cultural policy of Ukraine and the necessity of its reforme in order to support the development of contemporary art are outlined.