Suchasne mistetstvo最新文献

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Збереження традицій та впровадження інновацій у ковальському мистецтві України від 1970 років до сьогодення 从1970年到今天,在乌克兰保护传统和引入科威特艺术的创新
Suchasne mistetstvo Pub Date : 2018-12-21 DOI: 10.31500/2309-8813.13.2018.152251
Світлана Роготченко
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引用次数: 0
Видозміна подій і героїв як репрезентація дійсності в українському живописі повоєнної доби
Suchasne mistetstvo Pub Date : 2018-12-21 DOI: 10.31500/2309-8813.13.2018.152250
О. О. Роготченко
{"title":"Видозміна подій і героїв як репрезентація дійсності в українському живописі повоєнної доби","authors":"О. О. Роготченко","doi":"10.31500/2309-8813.13.2018.152250","DOIUrl":"https://doi.org/10.31500/2309-8813.13.2018.152250","url":null,"abstract":"","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44828028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Актуальні проблеми прикладного мистецтвознавства крізь призму сучасного законодавства України
Suchasne mistetstvo Pub Date : 2018-12-21 DOI: 10.31500/2309-8813.13.2018.152258
Оксана Циганок
{"title":"Актуальні проблеми прикладного мистецтвознавства крізь призму сучасного законодавства України","authors":"Оксана Циганок","doi":"10.31500/2309-8813.13.2018.152258","DOIUrl":"https://doi.org/10.31500/2309-8813.13.2018.152258","url":null,"abstract":"","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42394644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Domestic model of contemporary art. The path to maturity 国内当代艺术典范。走向成熟之路
Suchasne mistetstvo Pub Date : 2018-12-21 DOI: 10.31500/2309-8813.13.2018.152206
Наталія Булавіна
{"title":"Domestic model of contemporary art. The path to maturity","authors":"Наталія Булавіна","doi":"10.31500/2309-8813.13.2018.152206","DOIUrl":"https://doi.org/10.31500/2309-8813.13.2018.152206","url":null,"abstract":"","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44920705","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Олексій Іллюшин та друга хвиля авангарду в Одесі Olexium Illusin与敖德萨的第二波进步
Suchasne mistetstvo Pub Date : 2018-12-21 DOI: 10.31500/2309-8813.13.2018.152253
Дмитро Савін
{"title":"Олексій Іллюшин та друга хвиля авангарду в Одесі","authors":"Дмитро Савін","doi":"10.31500/2309-8813.13.2018.152253","DOIUrl":"https://doi.org/10.31500/2309-8813.13.2018.152253","url":null,"abstract":"","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43919676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Olexander Gnilitsky on the “New Wave”: Artist in the late 1980s through early 1990s 奥列克桑德·格尼利茨基论“新浪潮”:八十年代末至九十年代初的艺术家
Suchasne mistetstvo Pub Date : 2018-12-21 DOI: 10.31500/2309-8813.13.2018.152195
Ігор Абрамович
{"title":"Olexander Gnilitsky on the “New Wave”: Artist in the late 1980s through early 1990s","authors":"Ігор Абрамович","doi":"10.31500/2309-8813.13.2018.152195","DOIUrl":"https://doi.org/10.31500/2309-8813.13.2018.152195","url":null,"abstract":"The early stage of creativity of Ukrainian artist Olexander Gnilitsky (1961–2009) has been studied in the article. It is shown that his works should be viewed in close connection with the historical and everyday context, taking into account the circumstances, time, social and creative environment. It is noted that the early stage of creativity, and eventually the final formation of Gnilitsky as an artist, took place at crucial times in the history of Ukraine—when the established canons of painting prescribed by the Soviet Totalitarian regime prove to be archaic and are subjected to shattering doubt by the younger generation of artists. It is emphasized that the Gnilitsky’s works of the period are characterized with subjectivism, citations, self-irony, cynical rethinking of literary subjects, the use of grotesque techniques, motifs of macabre eroticism. On the material selected for processing, a historical and cultural and art criticism analysis was carried out in the context of the formation of Ukrainian art in the late 1980s and early 1990s, where the artist’s personality seems particularly relevant, since it symbolizes the specificity of this art: from surprise to shock, from complexity to the grotesque, from incorruptibility to despair and even blasphemy. An attempt is made to show all the genuine, heroic sacrifice of a true master. This is particularly eloquent in relation to contemporary art, whose fundamental self-appraisal is fixated in the judgments and statements of its representatives. The general picture of Gnilitsky’s life and work, his personality fit perfectly into the ideal or, rather, the norm of the “avant-garde”, with both its artistic and philosophical definitions. Analyzing the artist’s works shows, in particular, his creative formation in the context of the “New Wave” movement and the “Paris Commune” group.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69926600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Мистецька логіка художника Логова через призму інсталяції 从装置的棱镜看标志艺术家的逻辑
Suchasne mistetstvo Pub Date : 2018-12-21 DOI: 10.31500/2309-8813.13.2018.152259
Дарія Чембержі
{"title":"Мистецька логіка художника Логова через призму інсталяції","authors":"Дарія Чембержі","doi":"10.31500/2309-8813.13.2018.152259","DOIUrl":"https://doi.org/10.31500/2309-8813.13.2018.152259","url":null,"abstract":"","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45726330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Жіночі образи в сучасній міській скульптурі України 乌克兰现代城市雕塑中的女性形象
Suchasne mistetstvo Pub Date : 2018-12-21 DOI: 10.31500/2309-8813.13.2018.152234
А.Ю. Гончаренко
{"title":"Жіночі образи в сучасній міській скульптурі України","authors":"А.Ю. Гончаренко","doi":"10.31500/2309-8813.13.2018.152234","DOIUrl":"https://doi.org/10.31500/2309-8813.13.2018.152234","url":null,"abstract":"","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47942973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Нові дані щодо діяльності Барашівського фарфоро-фаянсового заводу 巴拉舍夫农场工厂运营的新数据
Suchasne mistetstvo Pub Date : 2018-12-21 DOI: 10.31500/2309-8813.13.2018.152262
Ольга Володимирівна Школьна
{"title":"Нові дані щодо діяльності Барашівського фарфоро-фаянсового заводу","authors":"Ольга Володимирівна Школьна","doi":"10.31500/2309-8813.13.2018.152262","DOIUrl":"https://doi.org/10.31500/2309-8813.13.2018.152262","url":null,"abstract":"","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42280943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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