{"title":"Фестивалі медіаарту на постіндустріальних локаціях","authors":"Олександра Халепа","doi":"10.31500/2309-8813.16.2020.219995","DOIUrl":null,"url":null,"abstract":"On the example of iconic foreign festivals “Ars Electronica” (Linz, Austria), “Transmediale” (Berlin, Germany), “Gamma”(St. Petersburg, Russia) and domestic — “KIMAF” “Carbon Media Art Festival”, “Carbonarium” (Kyiv Ukraine) (Kyiv, Ukraine), “Nonstopmedia” (Kharkiv), “Transformer” (Lviv, Ukraine), “Terra Futura” (Kherson, Ukraine), “Hamselyt “ (Ternopil, Ukraine); analyzed the festivalformat as the most suitable for experimental synthesis of different types of media art, including in post-industrial locations.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Suchasne mistetstvo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31500/2309-8813.16.2020.219995","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
On the example of iconic foreign festivals “Ars Electronica” (Linz, Austria), “Transmediale” (Berlin, Germany), “Gamma”(St. Petersburg, Russia) and domestic — “KIMAF” “Carbon Media Art Festival”, “Carbonarium” (Kyiv Ukraine) (Kyiv, Ukraine), “Nonstopmedia” (Kharkiv), “Transformer” (Lviv, Ukraine), “Terra Futura” (Kherson, Ukraine), “Hamselyt “ (Ternopil, Ukraine); analyzed the festivalformat as the most suitable for experimental synthesis of different types of media art, including in post-industrial locations.
以国外标志性节日“Ars Electronica”(奥地利林茨)、“Transmediale”(德国柏林)、“Gamma”(俄罗斯圣彼得堡)和国内的“KIMAF”、“Carbon Media Art Festival”(乌克兰基辅)、“Nontopmedia”(哈尔科夫)、“Transformer”(乌克兰利沃夫)、“Terra Futura”(乌克兰赫尔松)为例,“Hamselyt”(乌克兰捷尔诺波尔);分析了节日形式最适合不同类型媒体艺术的实验合成,包括在后工业地区。