The Yearbook of Comparative Literature最新文献_第8页

How Money Legitimizes Inequality 金钱如何使不平等合法化

The Yearbook of Comparative Literature Pub Date : 2017-07-06 DOI: 10.3138/YCL.60.X.55

Fritz Breithaupt

引用次数: 0

On the Concept of a "Seignioral" Power 论“君主”权力的概念

The Yearbook of Comparative Literature Pub Date : 2017-07-06 DOI: 10.3138/YCL.60.X.27

Joseph Vogl, Heidi Hart

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引用次数: 0

The Ground, The Ground, The Ground: Or, Why Archeology Is So ‘Hard’ 地面，地面，地面:或者，为什么考古学如此“难”

The Yearbook of Comparative Literature Pub Date : 2014-08-15 DOI: 10.1353/CGL.2012.0000

Paul Kockelman

引用次数: 13

The Soul of Carbon Dioxide 二氧化碳的灵魂

The Yearbook of Comparative Literature Pub Date : 2014-08-15 DOI: 10.1353/CGL.2012.0008

Gökçe Günel

引用次数: 0

Laws 法律

The Yearbook of Comparative Literature Pub Date : 2014-08-15 DOI: 10.1007/978-3-319-15347-6_300976

A. Glazova, Anna Khasin

引用次数: 0

Thankless Trouble: Ethical Contemplation of Nature 吃力不讨好的麻烦:对自然的伦理思考

The Yearbook of Comparative Literature Pub Date : 2014-08-15 DOI: 10.1353/CGL.2012.0017

Peter Fenves

{"title":"Thankless Trouble: Ethical Contemplation of Nature","authors":"Peter Fenves","doi":"10.1353/CGL.2012.0017","DOIUrl":"https://doi.org/10.1353/CGL.2012.0017","url":null,"abstract":"Nature’ and ‘philosophy’ are among the words that come under discussion in the recently published Dictionary of the Untranslatable, but nothing is said of Naturphilosophie.1 And yet, among the many untranslatable words that have entered into the lexicon of modern German thought, none is perhaps more resistant to translation than Naturphilosophie. This is not because the terms from which it derives are obscure; on the contrary, it is perfectly reasonable to translate each of the terms separately, one as ‘nature’ and the other as ‘philosophy,’ but the relation between the words, beyond their conjunction, remains elusive. The aim of this essay is to explore this conjunction. A brief passage from the introduction to the revised (1803) edition of Schelling’s Ideen zur Naturphilosophie [Ideas toward Naturphilosophie], can serve as a précis of the principle on which the construction of nature proceeds: “Philosophy is the science of the absolute, but since the absolute in its eternal activity necessarily comprehends two sides as one, the real and the ideal, so philosophy, considered from the side of form, necessarily has to divide itself in accordance with the two sides, although its essence consists solely in seeing both sides as one in the absolute act of cognition. The ‘","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128101251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Wozu Dichter

The Yearbook of Comparative Literature Pub Date : 2013-09-05 DOI: 10.2307/j.ctt1xhr6pt.16

Jean-Luc Nancy

引用次数: 0

Defacement 乱涂

The Yearbook of Comparative Literature Pub Date : 2012-06-01 DOI: 10.1353/cgl.2010.0011

C. Barber

引用次数: 45

The Portrait of an Italian Lira Player in Dublin: Attalante Migliorati 一位意大利里拉球员在都柏林的肖像:Attalante Migliorati

The Yearbook of Comparative Literature Pub Date : 2012-06-01 DOI: 10.1353/CGL.2010.0004

Aby Warburg, Davide Stimilli

引用次数: 0

What is a Cinema of Jewish Vengeance?: Tarantino’s Inglorious Basterds 什么是犹太复仇电影?:塔伦蒂诺的《无耻混蛋》

The Yearbook of Comparative Literature Pub Date : 2012-06-01 DOI: 10.1353/CGL.2010.0007

E. Peretz

{"title":"What is a Cinema of Jewish Vengeance?: Tarantino’s Inglorious Basterds","authors":"E. Peretz","doi":"10.1353/CGL.2010.0007","DOIUrl":"https://doi.org/10.1353/CGL.2010.0007","url":null,"abstract":"The question at the heart of our panel’s considerations is that of filming the Shoah,1 which is therefore the question of the relations between the cinematic image and the possibility that it has, or perhaps does not have, to show something about, or of, the historical event which is the Shoah. To answer such a question, we need to answer three things. First, what, in general, is an artistic image for? What can it, and what in particular can a cinematic image, show? Second, what is the relation between what the cinematic image can show and the question of history, or of a historical event; that is, what does the image have to do with history? And third, what is the particularity of the Shoah as a historical event and what, more specifically, is the relation between this particularity and the question of showing? That is, if the question of filming the Shoah is of particular significance, this seems to suggest that the Shoah as a historical event is itself implicated in the question of showing and of the image in a unique way. I cannot of course develop these questions very far in such a brief presentation, but nevertheless I would like them to inhabit the background of what follows.","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125738003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4