{"title":"Traditional Knowledge On Healing Of The Bodos: Significance And Role In The Society","authors":"O. R. Singh, Bidintha Narzary","doi":"10.26643/hrj.v5i5.8054","DOIUrl":"https://doi.org/10.26643/hrj.v5i5.8054","url":null,"abstract":"Traditional knowledge refers to the practice of inherited body of customs and belief that has been transmitted from one generation to another, throughout the ages. The traditional healing system and traditional medicines in the Bodo society are deeply rooted with the traditional religion, belief system, customs, social values and ecology which therefore make it necessary to study it in a historical context. The healing practice includes indigenous methods like performing rituals, animal sacrifices and certain characteristic of magico-ritual. The healer in the Bodo community is referred as Oja. They perform the rituals, chant mantras and provides various kinds of medicines, amulets etc. The paper tends to discuss the origin of the traditional healing system among the Bodos and highlight its relevance in the society. The study is based upon the extensive field studies and interviews. Attempts have been made to understand the concept of medicine and healer, globally, in order to study the origin of medicine and traditional healers.","PeriodicalId":342354,"journal":{"name":"History Research Journal","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121093784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The role of Sh.H.Vohidov, the scientist in the historiography, in the emirate of Bukhara","authors":"Masalieva Oltinoy Masalievna","doi":"10.26643/hrj.v5i5.7859","DOIUrl":"https://doi.org/10.26643/hrj.v5i5.7859","url":null,"abstract":"The article reveals information about the contribution of source-scientist, Sh.H.Vohidov to the history of Bukhara Emirate's history It analyzes the writings, translations and articles of the scientist relating to the Emirate of Bukhara.","PeriodicalId":342354,"journal":{"name":"History Research Journal","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122443153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Perspectives of feminism in the Black Prince of Iris Murdoch","authors":"P. Ananthan, K. Padmanabhan","doi":"10.26643/hrj.v5i5.7856","DOIUrl":"https://doi.org/10.26643/hrj.v5i5.7856","url":null,"abstract":"Iris Murdoch is a British novelist who is well known writers of 20th century British literature. \u0000She deals with all side of social issues in her writings. Her presentations are known for reality, \u0000 good , bad and sexual relationship . She depicts the reader with the use of her characterization. \u0000She uses concept of feminism in her writings. She talks about the equality of women in her most \u0000of her writings . Aim of this paper is to explore the expectations of Iris Murdoch for women. \u0000in order to get some status to women , her writings are used . it has given some space to improve \u0000the lifestyle of female society . This kind of elements is discussed in this paper.","PeriodicalId":342354,"journal":{"name":"History Research Journal","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134044813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Women at Risk: Understanding Power and Violence in Kashmir","authors":"A. Shafi, Mohmad Saleem Jahangir","doi":"10.26643/hrj.v1i5.6589","DOIUrl":"https://doi.org/10.26643/hrj.v1i5.6589","url":null,"abstract":"Women at Risk: Understanding Power and Violence in Kashmir","PeriodicalId":342354,"journal":{"name":"History Research Journal","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126328690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nongpok Haram : The Easterners In Pre- Colonial Manipur","authors":"Sanjoy Ahanthem","doi":"10.26643/hrj.v5i5.7964","DOIUrl":"https://doi.org/10.26643/hrj.v5i5.7964","url":null,"abstract":"The ancient kingdom of Manipur is a cradle of human civilization and home of various groups. It was known by different names to her neighbours such as Kathe to the Burmese, Meklee to the Ahoms, Mooglei to the Cacharies and Cassey to the Shans. Since the earliest period, waves of migration had come into Manipur from different directions. They settled down in different parts of the valley and were gradually assimilated in the host society. The immigrants had contributed to the economic, social and cultural development of the state. The people coming from the east into Manipur during the reign of different Kings were known as Nongpok Haram. On the other hand, the people who had migrated from the west were known as Nongchup Haram. The paper is an attempt to give insight about the Nongpok Haram people. This paper throws light on the migration of the people belonging to this group. There will also be an attempt to study the process of their assimilation in the society as well as the changes they brought especially in the fields of economy.","PeriodicalId":342354,"journal":{"name":"History Research Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128854455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sub-version of Myth: Portrayal of Karna’s two wives in Kavita Kane’s Karna’s Wife","authors":"Yashika Bisht, S. Saxena","doi":"10.26643/hrj.v5i4.7748","DOIUrl":"https://doi.org/10.26643/hrj.v5i4.7748","url":null,"abstract":"Karna’s Wife is the first work of the writer, Kavita Kane who is “trying to portray a small chunk, a small aspect which has not been dealt with yet” in the Mahabharata. In Karna’s Wife, Kavita Kane portrays female characters like Uruvi and Vrushali who are victims at the hands of men and fate and how they still balance their lives and endure it all. Vrushali is the first wife of Karna and her husband married Uruvi and was deeply in love with her. Her rights, his attention, his love, everything is distributed. Uruvi who is Karna’s second wife is constantly seen striving throughout the novel to keep her husband away from Duryodhana’s evil camaraderie because she fears that this alliance will certainly lead to her husband’s catastrophe. It would be very interesting to see how these two women have come out of these gritty situations, faced the veracity and still lived mightily.","PeriodicalId":342354,"journal":{"name":"History Research Journal","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123636322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Principle Of Publicity In Ensuring Fairness","authors":"O. Davletov","doi":"10.26643/hrj.v5i4.7136","DOIUrl":"https://doi.org/10.26643/hrj.v5i4.7136","url":null,"abstract":"The article outlines the organizational and procedural aspects of increasing the authority of the judiciary, expanding the right to judicial protection, adapting the legal framework of the judicial system to the requirements of a democratic state.","PeriodicalId":342354,"journal":{"name":"History Research Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129322560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Guilt and Redemption : A Critical Study of the Kite Runner by Khalid Housseini","authors":"Sujata","doi":"10.26643/hrj.v5i4.7502","DOIUrl":"https://doi.org/10.26643/hrj.v5i4.7502","url":null,"abstract":"The literature of Afghanistan speaks the voice of every violated soul either it is male or female. Specially, it speaks the voice of violence, taking place towards every male, female and child. Violence is not only a harsh threat to our life but it blocks our happiness. Violence totally kills our ambition, and simultaneously our every future positivity by which we can face the bold incidents coming in front of us. Actually violence has no clear cut definition and explanation. A process of creative fiction has always been a segment of the creative evolution of the society itself. Afghan fiction has also the same segment and immersed in the social and political milieu. In the tumultuous era of past three or more decades and especially after 1979, there is change of patterns and subjectivity of Afghan writers. These writers have almost created a body of a literature that is homeless in every respect and the almost literature is produced largely by the diasporas creative souls of Afghanistan. These writers due to the miserable condition left the country and now living in foreign lands. The phases of different type of war and violence have affected Afghanistan and inflicted so much harm on the country. This harm was to such extent that the social life of common people along with their customs and traditions are completely in disorder and a state of disarray. So Afghan writers worked for the improvements and every Afghan artist became so much conscious and keen to preserve and worked for the recreation of Afghanistan’s post. It is quite natural Afghan writers blend their fiction in their memory of time they lived in the country to and their highly emotional and experiences in Afghanistan. Afghan writers, haunted strongly by memories, and they prefer talking about only Afghanistan. They rarely talks about their plight as exiled and refuge in the host country like U.S.A and France. The diverse area of study finds its face in the faithful exploration of day to day life exclusively from the perspective of the common victimized Afghan. This study presents a sequence and execution of violence as well as guilt and redemption in the novel the Kite Runner by Khalid Housseini. \u0000 ","PeriodicalId":342354,"journal":{"name":"History Research Journal","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130401424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Physical Trauma As Presesnted In Monica Ali’s Brick Lane","authors":"Roy-Byrne Pp","doi":"10.26643/HRJ.V5I4.7167","DOIUrl":"https://doi.org/10.26643/HRJ.V5I4.7167","url":null,"abstract":"Monica Ali was born in 1967 in Dhaka, Bangladesh, but grew up in England. Her English mother met her Bangladeshi father at a dance in northern England in the 1960s. Despite both of their families` protests, they later married and lived together with their two young children in Dhaka. This was then the provincial capital of East Pakistan which after a nine-month war of independence became the capital of the People`s Republic of Bangladesh. On 25 March 1971 during this civil war, Monica Ali`s father sent his family to safety in England. The war caused East Pakistan to secede from the union with West Pakistan, and was now named Bangladesh.","PeriodicalId":342354,"journal":{"name":"History Research Journal","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127611670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"National Institute of Art and Design named after Kamoliddin Behzod","authors":"Dilzoda Alimkulova","doi":"10.26643/hrj.v5i4.7134","DOIUrl":"https://doi.org/10.26643/hrj.v5i4.7134","url":null,"abstract":"The art of Uzbekistan of the first decade of 20th century (1920-30s) is worthily recognized as the brightest period in history of Uzbek national art. We may observe big interest among the artwork which was created during the years of Independence of Uzbekistan towards the art of 20th century and mainly it may be seen in form, style, idea and semantics. Despite the significant gap between the 20th century art tendencies and Independence period, there is very big influence of avant-garde style in works of such artists as Javlon Umarbekov, Akmal Ikramjanov, Alisher Mirzaev, Tokhir Karimov, Daima Rakhmanbekova and others.","PeriodicalId":342354,"journal":{"name":"History Research Journal","volume":"4 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114095222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}