内疚与救赎:胡塞尼《追风筝的人》批判研究

Sujata
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摘要

阿富汗的文学道出了每一个被侵犯的灵魂的心声,无论是男性还是女性。特别是,它发出了暴力的声音,发生在每一个男性、女性和儿童身上。暴力不仅是对我们生活的严重威胁,而且阻碍了我们的幸福。暴力完全扼杀了我们的野心,同时也扼杀了我们对未来的积极态度,而正是这种积极态度使我们能够面对即将到来的重大事件。事实上,暴力并没有明确的定义和解释。小说创作的过程始终是社会本身创造性演变的一部分。阿富汗小说也有同样的部分,沉浸在社会和政治环境中。在过去三十多年的动荡时期,特别是1979年以后,阿富汗作家的创作模式和主体性发生了变化。这些作家几乎创造了一个在各方面都无家可归的文学体系,这些文学大部分是由阿富汗散居的创造性灵魂创作的。这些作家由于处境悲惨而离开了祖国,现在住在国外。不同类型的战争和暴力的阶段影响着阿富汗,给这个国家造成了巨大的伤害。这种危害是如此之大,以至于老百姓的社会生活以及他们的习俗和传统完全处于混乱和混乱的状态。因此,阿富汗的作家们为这些改进而努力,每一个阿富汗的艺术家都变得如此有意识和热衷于保存阿富汗的邮政,并为重建阿富汗邮政而努力。阿富汗作家很自然地将他们的小说融入他们在这个国家生活的时间的记忆,以及他们在阿富汗的高度情感和经历。阿富汗作家被强烈的记忆所困扰,他们只喜欢谈论阿富汗。他们很少谈论他们在美国和法国等东道国流亡和避难的困境。多样化的研究领域在日常生活的忠实探索中发现了它的面孔,只从共同受害的阿富汗人的角度出发。本文研究了哈立德·胡塞尼小说《追风筝的人》中暴力的顺序和执行,以及内疚和救赎。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Guilt and Redemption : A Critical Study of the Kite Runner by Khalid Housseini
The literature of Afghanistan speaks the voice of every violated soul either it is male or female. Specially, it speaks the voice of violence, taking place towards every male, female and child. Violence is not only a harsh threat to our life but it blocks our happiness. Violence totally kills our ambition, and simultaneously our every future positivity by which we can face the bold incidents coming in front of us. Actually violence has no clear cut definition and explanation. A process of creative fiction has always been a segment of the creative evolution of the society itself. Afghan fiction has also the same segment and immersed in the social and political milieu. In the tumultuous era of past three or more decades and especially after 1979, there is change of patterns and subjectivity of Afghan writers. These writers have almost created a body of a literature that is homeless in every respect and the almost literature is produced largely by the diasporas creative souls of Afghanistan.  These writers due to the miserable condition left the country and now living in foreign lands. The phases of different type of war and violence have affected Afghanistan and inflicted so much harm on the country. This harm was to such extent that the social life of common people along with their customs and traditions are completely in disorder and a state of disarray. So Afghan writers worked for the improvements and every Afghan artist became so much conscious and keen to preserve and worked for the recreation of Afghanistan’s post. It is quite natural Afghan writers blend their fiction in their memory of time they lived in the country to and their highly emotional and experiences in Afghanistan. Afghan writers, haunted strongly by memories, and they prefer talking about only Afghanistan. They rarely talks about their plight as exiled and refuge in the host country like U.S.A and France. The diverse area of study finds its face in the faithful exploration of day to day life exclusively from the perspective of the common victimized Afghan. This study presents a sequence and execution of violence as well as guilt and redemption in the novel the Kite Runner by Khalid Housseini.   
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