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Fred Wiseman at the Brattle Theater with Hospital, July 19, 2010 2010年7月19日，Fred Wiseman在Brattle剧院与医院
The Sublimity of Document Pub Date : 2019-09-26 DOI: 10.1093/OSO/9780190052126.003.0005
S. Macdonald
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引用次数: 0
Ben Russell on Good Luck 本·拉塞尔谈好运
The Sublimity of Document Pub Date : 2019-09-26 DOI: 10.1093/OSO/9780190052126.003.0017
S. Macdonald
{"title":"Ben Russell on Good Luck","authors":"S. Macdonald","doi":"10.1093/OSO/9780190052126.003.0017","DOIUrl":"https://doi.org/10.1093/OSO/9780190052126.003.0017","url":null,"abstract":"Ben Russell’s Good Luck (2018), a feature about miners working in two very different mining operations—an underground copper mine Serbia, an open-pit gold mine in Suriname—immerses the viewer within two forms of difficult labor and the visual/auditory spaces within which this labor takes place. Good Luck is made up of imagery of the miners at work and of intimate silent, hand-processed portraits of individual workers. Though the two forms of mining occur in very distant locations and very different climates, Russell’s diptych creates a series of echoes between the two groups of miners. And Russell has described himself as working between ethnography and psychedelia, a diptych of concerns that combines an exploration of how the miners and mining activities look and how surreal they can seem.","PeriodicalId":340006,"journal":{"name":"The Sublimity of Document","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130083272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Yance Ford on Strong Island 恩塞·福特在斯特朗岛
The Sublimity of Document Pub Date : 2019-09-26 DOI: 10.1093/OSO/9780190052126.003.0013
S. Macdonald
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引用次数: 0
Maxim Pozdorovkin on Our New President 马克西姆·波兹多罗夫金谈我们的新总统
The Sublimity of Document Pub Date : 2019-09-26 DOI: 10.1093/OSO/9780190052126.003.0021
S. Macdonald
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引用次数: 0
Sensory Ethnography, Part 2 感官人种学，第2部分
The Sublimity of Document Pub Date : 2019-09-26 DOI: 10.1093/OSO/9780190052126.003.0022
S. Macdonald
{"title":"Sensory Ethnography, Part 2","authors":"S. Macdonald","doi":"10.1093/OSO/9780190052126.003.0022","DOIUrl":"https://doi.org/10.1093/OSO/9780190052126.003.0022","url":null,"abstract":"This follow-up to “Sensory Ethnography, Part 1” (published by Oxford in Avant-Doc, 2015) is a set of interviews with veterans of Harvard’s Sensory Ethnography Lab. J. P. Sniadecki, Stephanie Spray, and Véréna Paravel discuss their experiences with the SEL and director Lucien Castaing-Taylor. Sniadecki and Spray discuss their early films, made in China and Nepal respectively; and Sniadecki discusses his more recent work. “Sensory Ethnography, Part 2” concludes with discussions with Sniadecki and Paravel on their Foreign Parts (2010), about an automobile junkyard in Queens, New York; with Sniadecki and Libbie Dina Cohn on People’s Park (2012), a single-shot excursion through a popular public park in Chengdu, China; and with Sniadecki and Joshua Bonnetta on El Mar La Mar (2017), a visual evocation of the border territory between Sonora and Arizona.","PeriodicalId":340006,"journal":{"name":"The Sublimity of Document","volume":"9 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120898523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
James Benning Goes Digital 詹姆斯·本宁走向数字化
The Sublimity of Document Pub Date : 2019-09-26 DOI: 10.1093/OSO/9780190052126.003.0019
Scott Macdonald
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引用次数: 0
Abbas Kiarostami at Bard College with Five, March 4, 2007 2007年3月4日，Abbas Kiarostami和5个孩子在巴德学院
The Sublimity of Document Pub Date : 2019-09-26 DOI: 10.1093/OSO/9780190052126.003.0009
Scott Macdonald
{"title":"Abbas Kiarostami at Bard College with Five, March 4, 2007","authors":"Scott Macdonald","doi":"10.1093/OSO/9780190052126.003.0009","DOIUrl":"https://doi.org/10.1093/OSO/9780190052126.003.0009","url":null,"abstract":"In the months following the Islamic Revolution in Iran, filmmaking itself looked to be an endangered art form. Some Iranian filmmakers left the country; Abbas Kiarostami stayed—though for a time he was not making films. He turned to photography and produced a distinguished body of landscape representation. Then he returned to filmmaking, working far from Tehran in the Iranian countryside and in a low-key, but powerful and passionate way distinct from his more urban pre-revolutionary work.\u0000This public interview (at Bard College) with Kiarostami focuses on his experimental film Five (2003), a film originally made for an event in honor of Japanese filmmaker Yasujirō Ozu. Five is made up of five very minimal scenes, filmed at the edge of the Caspian Sea: scenes of a quiet surf, of several dogs hanging out on the beach, of a gaggle of geese and ducks, of men walking on a boardwalk, and, in the longest scene, a full moon reflected in the water. Five now seems a premonition of the final film Kiarostami finished before his death in 2016, 24 Frames (2018).","PeriodicalId":340006,"journal":{"name":"The Sublimity of Document","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115189869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Brett Story 布雷特的故事
The Sublimity of Document Pub Date : 2019-08-22 DOI: 10.1093/oso/9780190052126.003.0008
Scott Macdonald
{"title":"Brett Story","authors":"Scott Macdonald","doi":"10.1093/oso/9780190052126.003.0008","DOIUrl":"https://doi.org/10.1093/oso/9780190052126.003.0008","url":null,"abstract":"This interview surveys the career of Canadian filmmaker Brett Story, from her early attempts to evoke dimensions of modern urban life to her feature The Prison in Twelve Landscapes (2016), a panorama of the ways in which the American prison system is visible and audible outside prison walls and away from the remote prison locations across the country, where criminals are housed. Story finds evidence of the prison system hidden in plain sight in New York City’s Washington Square, at an airport built on the flat top of what was once a coal mine in Eastern Kentucky, at Quicken Loans headquarters in downtown Detroit, where a forest fire is being fought in Marin County, California, at a grocery storeroom in the Bronx, at a kids pocket park in LA, in a quiet town outside of St. Louis, in a radio station in Kentucky, and on buses traveling through the night toward rural New York State towns.","PeriodicalId":340006,"journal":{"name":"The Sublimity of Document","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115151145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Janet Biggs 珍妮特·比格斯
The Sublimity of Document Pub Date : 2019-08-22 DOI: 10.1093/oso/9780190052126.003.0014
Scott Macdonald
{"title":"Janet Biggs","authors":"Scott Macdonald","doi":"10.1093/oso/9780190052126.003.0014","DOIUrl":"https://doi.org/10.1093/oso/9780190052126.003.0014","url":null,"abstract":"This is the first substantive career interview with installation artist Janet Biggs. Biggs discusses her motivation for making installations, rather than theatrical films, and the different ways in which moviegoers and visitors to installations experience moving image art. Biggs describes her experiences traveling to the ends of the earth to record compelling imagery in the Arctic, at a sulfur-mining operation inside a volcano in Indonesia, and in the Afar triangle region of Ethiopia, Eritrea, and Djibouti, Her many wide-ranging conceptual videos explore various forms of physical labor and athletic endeavor from football to water ballet and synchronized swimming to NASCAR, as well as the mysteries of Alzheimer’s disease and attempts to break the on-land speed record.","PeriodicalId":340006,"journal":{"name":"The Sublimity of Document","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133094483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gustav Deutsch
The Sublimity of Document Pub Date : 2019-08-22 DOI: 10.1093/oso/9780190052126.003.0003
Scott Macdonald
{"title":"Gustav Deutsch","authors":"Scott Macdonald","doi":"10.1093/oso/9780190052126.003.0003","DOIUrl":"https://doi.org/10.1093/oso/9780190052126.003.0003","url":null,"abstract":"Austrian filmmaker Gustav Deutsch has been a major contributor to what has come to be called “found-footage filmmaking” and/or “recycled cinema”—that is, he is best-known for making films from other films. This interview focuses on a range of his projects: his first found-footage project, an exploration of home movies made by Austrians visiting the Italian coast in the years after Super-8mm became a popular film gauge for documenting family events; a collaborative diptych of Place, made with an Algerian friend, comparing the Algerian oasis Figuig and Deutsch’s native Vienna; his revisiting of proto-cinematic technologies in the construction of a panoramic camera obscura on a Greek island; his remarkable feature film Shirley—Visions of Reality (2013) in which he (and his partner Hanna Schimek) dramatize a series of canonical Edward Hopper paintings; and the recent Notes and Sketches 1: 31 Pocket Films. 2005–2015, a panorama of everyday events, made with new camera technologies.","PeriodicalId":340006,"journal":{"name":"The Sublimity of Document","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129828015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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