{"title":"詹姆斯·本宁走向数字化","authors":"Scott Macdonald","doi":"10.1093/OSO/9780190052126.003.0019","DOIUrl":null,"url":null,"abstract":"James Benning’s turn from 16mm filmmaking to digital filmmaking after his RR (2007) released the already prolific Benning from his struggles with 16mm film projection and print damage and unleashed a new wave of digital productivity. This interview explores Benning’s many digital films, including the several films that are part of his Two Cabins project (focusing on the cabins, lives, and writings of Henry David Thoreau and Ted Kaczynski), his Warhol-inspired portrait films—After Warhol (2011), Twenty Cigarettes (2011)—his three-hour-plus “single-shot” film, BNSF (2012), his cine-exploration of Vienna’s Naturhistorischesmuseum, and his personal epic, 52 Films (2015), an adventure into modifying a broad range of online postings from the internet—originally designed to be presented on fifty-two computers, but so far, shown mostly as interactive screenings with Benning present.","PeriodicalId":340006,"journal":{"name":"The Sublimity of Document","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"James Benning Goes Digital\",\"authors\":\"Scott Macdonald\",\"doi\":\"10.1093/OSO/9780190052126.003.0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"James Benning’s turn from 16mm filmmaking to digital filmmaking after his RR (2007) released the already prolific Benning from his struggles with 16mm film projection and print damage and unleashed a new wave of digital productivity. This interview explores Benning’s many digital films, including the several films that are part of his Two Cabins project (focusing on the cabins, lives, and writings of Henry David Thoreau and Ted Kaczynski), his Warhol-inspired portrait films—After Warhol (2011), Twenty Cigarettes (2011)—his three-hour-plus “single-shot” film, BNSF (2012), his cine-exploration of Vienna’s Naturhistorischesmuseum, and his personal epic, 52 Films (2015), an adventure into modifying a broad range of online postings from the internet—originally designed to be presented on fifty-two computers, but so far, shown mostly as interactive screenings with Benning present.\",\"PeriodicalId\":340006,\"journal\":{\"name\":\"The Sublimity of Document\",\"volume\":\"13 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-09-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Sublimity of Document\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/OSO/9780190052126.003.0019\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Sublimity of Document","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780190052126.003.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
James Benning’s turn from 16mm filmmaking to digital filmmaking after his RR (2007) released the already prolific Benning from his struggles with 16mm film projection and print damage and unleashed a new wave of digital productivity. This interview explores Benning’s many digital films, including the several films that are part of his Two Cabins project (focusing on the cabins, lives, and writings of Henry David Thoreau and Ted Kaczynski), his Warhol-inspired portrait films—After Warhol (2011), Twenty Cigarettes (2011)—his three-hour-plus “single-shot” film, BNSF (2012), his cine-exploration of Vienna’s Naturhistorischesmuseum, and his personal epic, 52 Films (2015), an adventure into modifying a broad range of online postings from the internet—originally designed to be presented on fifty-two computers, but so far, shown mostly as interactive screenings with Benning present.
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