{"title":"Maxim Pozdorovkin on Our New President","authors":"S. Macdonald","doi":"10.1093/OSO/9780190052126.003.0021","DOIUrl":null,"url":null,"abstract":"Russian-American filmmaker Maxim Pozdorovkin has made a series of films documenting Russia in the age of Putin, including the well-known Pussy Riot (2013), about the radical feminist performance group. This interview focuses specifically on Our New President (2017), which traces the Hillary Clinton/Donald Trump presidential race and the Trump election as depicted in Russian propaganda. Pozdorovkin’s film is a significant contribution to the recent history of recycled cinema.\nThe political weaponizing of media to produce “fake news” is the focus of Our New President. Pozdorovkin demonstrates that in the 2010s propaganda is not so much misinformation carefully embedded in an otherwise informative context, but an attempt to overwhelm by creating total media confusion. He makes clear that in Russia the government controls all major news outlets and hacking into the online networks of other nations is considered patriotism.","PeriodicalId":340006,"journal":{"name":"The Sublimity of Document","volume":"62 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Sublimity of Document","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780190052126.003.0021","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Russian-American filmmaker Maxim Pozdorovkin has made a series of films documenting Russia in the age of Putin, including the well-known Pussy Riot (2013), about the radical feminist performance group. This interview focuses specifically on Our New President (2017), which traces the Hillary Clinton/Donald Trump presidential race and the Trump election as depicted in Russian propaganda. Pozdorovkin’s film is a significant contribution to the recent history of recycled cinema.
The political weaponizing of media to produce “fake news” is the focus of Our New President. Pozdorovkin demonstrates that in the 2010s propaganda is not so much misinformation carefully embedded in an otherwise informative context, but an attempt to overwhelm by creating total media confusion. He makes clear that in Russia the government controls all major news outlets and hacking into the online networks of other nations is considered patriotism.