Fred Wiseman at the Brattle Theater with Hospital, July 19, 2010

S. Macdonald
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Abstract

This interview is an edited version of a public discussion with filmmaker Fred Wiseman at the Brattle Theater in Cambridge, Massachusetts, about his film, Hospital (1970). Wiseman discusses his filmmaking approach and his belief that shooting film footage is research, while the actual filmmaking is done in the editing. During the shooting of each of his features, Wiseman takes sound and directs his cinematographers. In his editing, he is more interested in presenting an experience of the places he films than in developing particular socio-political arguments. Wiseman has been remarkably prolific, making at least one feature film a year since Titicut Follies (1967). He is understood as the epitome of “fly-on-the-wall” observational cinema-verite documentary and has used his approach to explore a considerable panorama of American institutions—“institutions” in the broadest sense. Hospital remains among the most engaging of his films.
2010年7月19日,Fred Wiseman在Brattle剧院与医院
这篇采访是对电影制作人弗雷德·怀斯曼在马萨诸塞州剑桥市布拉特尔剧院关于他的电影《医院》(Hospital, 1970)的公开讨论的编辑版。怀斯曼讨论了他的电影制作方法,以及他认为拍摄电影片段是研究,而实际的电影制作是在剪辑中完成的。在每一部影片的拍摄过程中,怀斯曼负责配音并指导他的摄影师。在他的剪辑中,他更感兴趣的是呈现他拍摄的地方的体验,而不是发展特定的社会政治论点。怀斯曼的作品非常多产,自1967年的《提提卡的闹剧》(Titicut Follies)以来,他每年至少制作一部故事片。他被认为是“墙上的苍蝇”观察型真实电影纪录片的缩影,他用他的方法探索了美国制度的相当大的全景——最广泛意义上的“制度”。《医院》仍然是他最吸引人的电影之一。
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