珍妮特·比格斯

Scott Macdonald
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引用次数: 0

摘要

这是对装置艺术家珍妮特·比格斯的第一次实质性的职业采访。比格斯讨论了她制作装置而不是剧场电影的动机,以及电影观众和装置参观者体验移动图像艺术的不同方式。比格斯描述了她旅行到地球尽头的经历,在北极,在印度尼西亚火山内的硫磺开采作业中,在埃塞俄比亚,厄立特里亚和吉布提的阿法尔三角地区,她的许多广泛的概念性视频探索了各种形式的体力劳动和运动,从足球到水上芭蕾,从花样游泳到纳斯卡,以及阿尔茨海默氏症的奥秘,以及打破陆上速度记录的尝试。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Janet Biggs
This is the first substantive career interview with installation artist Janet Biggs. Biggs discusses her motivation for making installations, rather than theatrical films, and the different ways in which moviegoers and visitors to installations experience moving image art. Biggs describes her experiences traveling to the ends of the earth to record compelling imagery in the Arctic, at a sulfur-mining operation inside a volcano in Indonesia, and in the Afar triangle region of Ethiopia, Eritrea, and Djibouti, Her many wide-ranging conceptual videos explore various forms of physical labor and athletic endeavor from football to water ballet and synchronized swimming to NASCAR, as well as the mysteries of Alzheimer’s disease and attempts to break the on-land speed record.
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