Res Facta Nova. Teksty o muzyce współczesnej最新文献

Między "Cyrulikiem sewilskim" a "Pierścieniem Nibelunga". Przyczynek do muzycznej refleksji o pieniądzu i ekonomii twórczości

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.11

Paweł Siechowicz

{"title":"Między \"Cyrulikiem sewilskim\" a \"Pierścieniem Nibelunga\". Przyczynek do muzycznej refleksji o pieniądzu i ekonomii twórczości","authors":"Paweł Siechowicz","doi":"10.14746/rfn.2021.22.11","DOIUrl":"https://doi.org/10.14746/rfn.2021.22.11","url":null,"abstract":"The article is an invitation to reflect on the theme of money and the role of economic incentives in the creative act. Pointing to the abundant presence of the theme of money in opera plots, the author proposes to study the economics of creativity of particular composers taking account of the various valuations of money expressed in their works. The ground for such reflection is set forth by the comparison of two operas that express two extreme views on money and its role for creativity: Gioacchino Rossini’s The Barber of Seville and Richard Wagner’s The Ring of the Nibelung. Comparing different ways in which Figaro and Alberich approach money provides a starting point for the comparison of two creative acts that can be found in the two works: Figaro’s invention of a creative solution for Almaviva’s problem (affirmation of money) and Siegfried’s forging of a sword accompanied by Mime’s efforts to make a sleeping potion (rejection of money). The analysis of the musical form of the two scenes, however, shows the indebtedness of Wagner to Rossini. Although Wagner openly rejects the musical principles of his Italian predecessor, the dramaturgy of his music is based on the dramaturgical formulas developed in Italian operas. The two approaches towards money can be linked to the opposing views of Adam Smith and Karl Marx regarded as fathers of the classical and Marxian schools of political economy. Thus, the two operas can be seen as border posts of the territory in which music and economy intersect.","PeriodicalId":335976,"journal":{"name":"Res Facta Nova. Teksty o muzyce współczesnej","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130497585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Trajektoria tonalno-harmoniczna jako wyraz archetypu narracyjnego unii mistycznej w twórczości Charles’a Tournemire’a i Aleksandra Skriabina

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.10

Bogusław Raba

{"title":"Trajektoria tonalno-harmoniczna jako wyraz archetypu narracyjnego unii mistycznej w twórczości Charles’a Tournemire’a i Aleksandra Skriabina","authors":"Bogusław Raba","doi":"10.14746/rfn.2021.22.10","DOIUrl":"https://doi.org/10.14746/rfn.2021.22.10","url":null,"abstract":"The subject of the article is a comparison of the process of transformations of the tonal-harmonic structure in the works of Alexander Scriabin and Charles Tournemire in relation to the narrative archetype of the mystical union. The justification for comparing these aspects of the work of these two composers is their development of a similar harmonic idiom, which they used to symbolically justify diametrically opposed worldviews. Scriabin’s work is considered a breakthrough for European music culture, whereas Tournemire’s is still little known. Just as the former assumed the role of composer-philosopher, the latter became a musical theologian. Tournemire, organist of the St. Clotilde basilica in Paris, initiated the tradition of musical homiletics, in which the central persuasive element, similar to the Gospel parable, was the musical narrative trajectory. Its climax was the mystical chord. However, a comparative analysis of harmonic structures, topics, narrative trajectories, shows the limits of semantization that differentiates aesthetic postulates and analogous narrative constructions, the nodal moment of which are created by the union of polarization elements.","PeriodicalId":335976,"journal":{"name":"Res Facta Nova. Teksty o muzyce współczesnej","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124250648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Zygmunt Mycielski – Michał Bristiger. Dialogi z Andrzejem Panufnikiem i socrealizmem w tle

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.1

Michał Klubiński

引用次数: 0

Siglind Bruhn i pieśniowe symfonie o przemijaniu

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.13

Marcin Trzęsiok

引用次数: 0

Chopin w tłumaczeniu Michała Bristigera w „De Musica” na podstawie książki Luciena Bourguèsa i Alexandre’a Denéréaza Michal Bristiger 根据 Lucien Bourguès 和 Alexandre Denéréaz 的著作在 "De Musica "中翻译的肖邦

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.2

Irena Poniatowska

{"title":"Chopin w tłumaczeniu Michała Bristigera w „De Musica” na podstawie książki Luciena Bourguèsa i Alexandre’a Denéréaza","authors":"Irena Poniatowska","doi":"10.14746/rfn.2021.22.2","DOIUrl":"https://doi.org/10.14746/rfn.2021.22.2","url":null,"abstract":"Michał Bristiger took a fragment from the book La musique et la vie interieure by L. Bourguès and A. Denéréaz published in 1921, translated it under the title Chopin, and published it in “De musica” vol. I–III in 2006. The authors, who represented energo-psychological research approach, a theory that was being promoted at that time (H. Mersman, Angewandte Musikaesthetik, 1926 and E. Kurth, Musikpsychologie), provided a psychological and musical interpretation of Chopin’s melodics (linked to harmony and texture), and their significance in the integration of form. They distinguish such categories as c o n t i n u i t y and p e n d u l u m m o t i o n, or undulating, wave-like movements that expand and lead to a culmination, the outflow from which takes the form of, for example, a gliding flight, “plané”. They describe Chopin’s imagination as ballistic. Previous research had focused exclusively on the microstructures of melody, on characteristic intervals, typical phrases, expressive gestures, and not on the flow, on the impulses in the creation of contrast, on the rising and falling of the melodic line, and for this reason the Chopin chapter in this book remains a source of inspiration to this day.","PeriodicalId":335976,"journal":{"name":"Res Facta Nova. Teksty o muzyce współczesnej","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134540689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ginący świat – "Lasy deszczowe" z cyklu "Ekomuzyka" Grażyny Pstrokońskiej-Nawratil

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.7

K. Bartos

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Nonsense Madrigals by György Ligeti: The Musical Sense of Nonsense between Chaos and Order 胡说八道牧歌György利格蒂:混乱与秩序之间的胡说八道的音乐意义

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.5

Monika Prusak

{"title":"Nonsense Madrigals by György Ligeti: The Musical Sense of Nonsense between Chaos and Order","authors":"Monika Prusak","doi":"10.14746/rfn.2021.22.5","DOIUrl":"https://doi.org/10.14746/rfn.2021.22.5","url":null,"abstract":"The study examines Ligeti’s “stylistic revolution” as well as the nonsense aspects of the composition and introduces an original analysis of Ligeti’s musical nonsense inspired by the literary analysis of nonsense by Susan Stewart.The Nonsense Madrigals by György Ligeti take part in a kind of “stylistic revolution” in Ligeti’s style and are the result of his passionate research on African polyrhythms and its contribution to his music. What Ligeti intended to create in those periods was a superimposition of different rhythmic and melodic patterns in such a way that they could fuse together in an illusory chaos. However, there is also an ancient order that governs this new approach: the old masters such as Philippe de Vitry, Johannes Okeghem or Johannes Ciconia and their compositional techniques became the base of mixing the old western styles with the traditional music of Central Africa, so that the new and authentic compositional idea could blossom. The copious sketches of the Nonsense Madrigals, stored at the Paul Sacher Stiftung in Basel, reveal that the preparatory brainstorming involved also many other inspirations such as Balkan and oriental music, jazz, and some of Ligeti’s own compositions. The combination of the old and the new without using concrete models but just drawing inspiration marks a new approach among Ligeti’s contemporaries.","PeriodicalId":335976,"journal":{"name":"Res Facta Nova. Teksty o muzyce współczesnej","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132793657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

„Mistrz musi potwierdzić ucznia, uczeń potwierdza mistrza w jego roli i pozycji”. O relacjach Karola Szymanowskiego i Zygmunta Mycielskiego

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.3

Barbara Mielcarek-Krzyżanowska

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Redukcjonizm w twórczości fletowej Henryka Mikołaja Góreckiego z lat 1986–1996

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.8

W. Kassner

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Pieśni bólu i rozpaczy. O "Pieśniach północnych" (1973) Andrzeja Krzanowskiego

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.6

Magdalena Stochniol

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