Barbara Mielcarek-Krzyżanowska
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引用次数: 0

摘要

卡罗尔·希曼诺夫斯基和齐格蒙特·米切尔斯基这两代不同的作曲家在20世纪20年代后半期发展起来的特殊关系一直持续到1937年希曼诺夫斯基去世。在这种关系中,有经验,智慧和知识的结合,认同大师的地位,并支持他克服了不愿与一个年轻的作曲新手分享,刚刚进入音乐领域。学生的态度往往缺乏对大师通常无限的信任,米切尔斯基通过对希曼诺夫斯基的立场的极大尊重和迷恋弥补了这一点。这两位作曲家因背景、对传统的尊重以及不同历史时期的戏剧性事件而联系在一起,这些事件使他们无法接触到祖先的物质遗产。他们之间建立的纽带不仅变成了深厚的友谊,而且是一种特殊的精神上的亲密。他们在各自的角色中相互肯定,使这种联系几乎具有象征意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
„Mistrz musi potwierdzić ucznia, uczeń potwierdza mistrza w jego roli i pozycji”. O relacjach Karola Szymanowskiego i Zygmunta Mycielskiego
The special relationship that developed during the second half of the 1920s between Karol Szymanowski and Zygmunt Mycielski, composers from two different generations, lasted until Szymanowski’s death in 1937. In this relationship there was a combination of experience, wisdom and knowledge, identified with the position of the master, and supported by his having overcome the reluctance to share them with a young novice in composition, just entering the field of music.The attitude of the pupil often lacked the usual boundless trust in themaster, compensated for by Mycielski through enormous respect and fascination with Szymanowski’s stance.The two composers were linked by background, respect for tradition, and by dramatic events which at different moments inhistory deprived them of contact with the material heritage of their ancestors. The bond they built between them turned not only into deep friendship but also a special kind of spiritual closeness. They affirmed each other in their roles, giving this bond an almost symbolic dimension.
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