Res Facta Nova. Teksty o muzyce współczesnej最新文献_第2页

Podróż do źródeł muzyki? Afrykańsko-niemieckie związki muzyczne w I poł. XX wieku

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.14

Wojciech Odoj

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Etnomuzykologia Solidarności. Wokół "Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland" Andrei F. Bohlman Etnomuzykologia Solidarności。Wokół“音乐团结:二十世纪后期波兰的政治行动和音乐”安德烈·f·波尔曼

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2021-12-15 DOI: 10.14746/rfn.2021.22.12

Joanna Kwapień

{"title":"Etnomuzykologia Solidarności. Wokół \"Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland\" Andrei F. Bohlman","authors":"Joanna Kwapień","doi":"10.14746/rfn.2021.22.12","DOIUrl":"https://doi.org/10.14746/rfn.2021.22.12","url":null,"abstract":"The article discusses the book Musical Solidarities by Andrea F. Bohlman. In her monograph she describes the history of Solidarity, placing sound at the centre of her analysis. The methods she uses allow her to examine historical facts holistically: she reaches for fieldwork as well as voice analysis, specific music motifs, and the influence of Polish musicians and composers on social attittudes in the 1980s. She offers an interesting analysis of the songs that acompanied the protests and the phenomenon of Stefan Bratkowski’s “Gazeta Dźwiękowa” [Sound Gazette] and its influence on the listeners. She draws attention to the icons of the Solidarity period such as Father Jerzy Popiełuszko, Lech Wałęsa, Krzysztof Penderecki and their voices, understood both literally and metaphorically. She also analyses contemporary reinterpretations of songs from that period, using Jacek Kaczmarski’s Mury [Walls] and Janek Wiśniewski padł [Janek Wiśniewski fell]. The author rejects the chronological approach to research, analysing the historical period through problematization of selected issues.","PeriodicalId":335976,"journal":{"name":"Res Facta Nova. Teksty o muzyce współczesnej","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128474977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Uchem krytyka. Idiom kompozytorski Pawła Szymańskiego w ujęciu Andrzeja Chłopeckiego

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2020-12-15 DOI: 10.14746/RFN.2019.20.3

Magdalena Nowicka-Ciecierska

{"title":"Uchem krytyka. Idiom kompozytorski Pawła Szymańskiego w ujęciu Andrzeja Chłopeckiego","authors":"Magdalena Nowicka-Ciecierska","doi":"10.14746/RFN.2019.20.3","DOIUrl":"https://doi.org/10.14746/RFN.2019.20.3","url":null,"abstract":"The article aims to present the compositional idiom of Paweł Szy-mański (b. 1954) as conceived by Andrzej Chłopecki (1950–2012), an outstanding Polish music critic and musicologist. His opinion-forming texts, written in a distinctive language, resonated widely in the Polish and international music community. The article has the character of a review, presenting quotations from Chłopecki’s texts regarded by the author as the most significant, confronted with self-reflections of the composer himself, as well as references to other researchers’ com-ments. The initial part of the article describes Chłopecki’s promotional activities in relation to Szymański’s work. As an active employee of the Polish Radio, Chłopecki was in a position to commission works, prepare programmes on the subject of the composer’s music, as well as organise a monographic festival presenting the majority of his works. The next section of the article recapitulates the first important text by this opinion-forming critic which discusses the works of Szymański, titled W poszukiwaniu utraconego ładu. „Pokolenie” Stalowej Woli [In search of lost order. The Stalowa Wola „generation”]. In it the critic emphasised the role of tonality and the Baroque as the arche-type always present in the composer’s music. The central part of the article discusses the main features of Szymański’s music, the subject of Chłopecki’s later texts; these included heterophony, bidirection-al composing, and the dialectic interplay between structure and its transformations. The last section of the article talks about the charge made by the critic against the composer, that of remaining within the same aesthetics, even though placing his compositions among the most significant and individual phenomena of postmodernist music.","PeriodicalId":335976,"journal":{"name":"Res Facta Nova. Teksty o muzyce współczesnej","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126698145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Zygmunt Mycielski i „Res Facta” Michała Bristigera: międzyredaktorskie dialogi i solilokwia

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2020-12-15 DOI: 10.14746/rfn.2020.21.1

Beata Bolesławska-Lewandowska

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Naturalistyczna muzykologia systematyczna wobec poglądów Meyera na emocje i znaczenie w muzyce

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2020-12-15 DOI: 10.14746/rfn.2020.21.7

P. Podlipniak

{"title":"Naturalistyczna muzykologia systematyczna wobec poglądów Meyera na emocje i znaczenie w muzyce","authors":"P. Podlipniak","doi":"10.14746/rfn.2020.21.7","DOIUrl":"https://doi.org/10.14746/rfn.2020.21.7","url":null,"abstract":"Leonard B. Meyer’s book Emotion and Meaning in Music was published more than half a century ago. It still provides inspiration for musicologists with various specialisms to undertake research aimed at understanding the intriguing link between music and emotions and the relationship between musical structure and meaning. Since the publication of this outstanding volume we have seen extraordinarily dynamic development of the musicological disciplines constituting that part of systematic musicology which is based on the premises of naturalism. The article focuses on those selected research areas of thisbranch of musicology where the influence of the ideas first presented in the above volume is particularly significant. The most important of Meyer’s postulates in naturalistically oriented systematic musicology that continue to be discussed include: the key role of expectation in shaping our emotional reactions to the musical passages we hear and the inner musical character of the affective meanings created in this way. The main challenges faced by Meyer’s postulates during the recent decades are examined, and the solutions to them proposed within the framework of naturalistically oriented thinking about music.","PeriodicalId":335976,"journal":{"name":"Res Facta Nova. Teksty o muzyce współczesnej","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128793694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Wobec społecznego i kulturowego fenomenu "Chopinowskiego Igrzyska"

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2020-12-15 DOI: 10.14746/rfn.2020.21.10

Michał Bruliński

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Głos wołającego na pustyni. O Józefie Patkowskim w kontekście biografii "Ambasador muzyki z Marsa" Agnieszki Pindery

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2020-12-15 DOI: 10.14746/rfn.2020.21.11

Szymon Atys

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Pastorałka dramatyczna Juliusza Słowackiego i jej muzyczna interpretacja we "Fragmentach" Zygmunta Mycielskiego

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2020-12-15 DOI: 10.14746/rfn.2020.21.2

Barbara Mielcarek-Krzyżanowska

{"title":"Pastorałka dramatyczna Juliusza Słowackiego i jej muzyczna interpretacja we \"Fragmentach\" Zygmunta Mycielskiego","authors":"Barbara Mielcarek-Krzyżanowska","doi":"10.14746/rfn.2020.21.2","DOIUrl":"https://doi.org/10.14746/rfn.2020.21.2","url":null,"abstract":"Zygmunt Mycielski’s final work, Fragmenty to words by Juliusz Słowacki (1987) belongs to the collection of religious works which crown the creative path of the author of Postludia. Fragmenty were written on the basis of a rigorous, individual method of composing using twelve notes – an array system devised by him towards the end of the 1950s which from that time consistently accompanied his creative undertakings.The austerity of technique achieved by limiting external effects, particularly apparent in Mycielski’s religious compositions (alongside Fragmenty one should mention here above all Trzy psalmy and the mass Liturgia sacra), results from the desire to reject pathos in favour of gravity and simplicity. This conscious creative decision means that the devices used serve to bring out the meaning and the emotion in Słowacki’s text, and in the created narration one perceives authenticity, truth and modesty. Fragmenty may be interpreted as a special kind of testament, Mycielski’s confession of faith, and the shades of sacrality discovered in it – the stages of musical spirituality according to Bohdan Pociej’s conception, support this supposition.","PeriodicalId":335976,"journal":{"name":"Res Facta Nova. Teksty o muzyce współczesnej","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128797886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Nowa Muzyka i przyjemność w serii utworów audiowizualnych ASMR Neo Hülckera

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2020-12-15 DOI: 10.14746/rfn.2020.21.5

Monika Pasiecznik

{"title":"Nowa Muzyka i przyjemność w serii utworów audiowizualnych ASMR Neo Hülckera","authors":"Monika Pasiecznik","doi":"10.14746/rfn.2020.21.5","DOIUrl":"https://doi.org/10.14746/rfn.2020.21.5","url":null,"abstract":"New Music developed in the twentieth century under the influence of Theodor W. Adorno’s philosophy. Its sense, according to the philosopher, lies in social criticism, which the composer accomplishes through radical artistic innovation, and the distance from the audience’s expectations. The sensual pleasure of sound reception is not included in the concept of New Music, which preferably should not appeal to anybody, as it “took on the shoulders darkness of the world and all its guilt, and sees its only happiness in knowing misery” (Adorno). \u0000In the ASMR series, the German composer Neo Hülcker breaks this paradigm of perception and proposes a radically different interpretationof New Music.ASMR, or Autonomous Sensory Meridian Response, is a sensation of pleasant tingle, caused by subtle acoustic-haptic phenomena, such as amplified murmurs, whispers, touching objects and materials. Millions of people around the world are watching ASMR videos on YouTube that let them relax nicely.In such video compositions as ASMR Tutorial: How to Play “Pression” by Helmut Lachenmann, ASMR Tutorial: How to Play Mark Andreor ASMR Unwrapping the Piano & iv 11a, and Peter Ablinger: weiss/ weisslich 3 – [super soft ASMR] Neo Hülcker investigates the similarityof sound material of illustrative pieces of New Music and ASMR, raising the question of whether New Music can make someone feeltingly. Presenting in the context of ASMR works by Helmut Lachenmann, Mark Andre and Peter Ablinger, Hülcker explores the hiddenpotential contained in the most radical aesthetics of New Music, namely the suppressed carnal pleasure. The article is an attempt to show the ways how Neo Hülcker redefines the concept of New Music, entering in it the sensual experience of sound.","PeriodicalId":335976,"journal":{"name":"Res Facta Nova. Teksty o muzyce współczesnej","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129606530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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W okowach mitów – "Medeamaterial" Heinera Müllera, Pascala Dusapina i Sashy Waltz

Res Facta Nova. Teksty o muzyce współczesnej Pub Date : 2020-12-15 DOI: 10.14746/rfn.2020.21.6

Paulina Książek

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