Etnomuzykologia Solidarności。Wokół“音乐团结:二十世纪后期波兰的政治行动和音乐”安德烈·f·波尔曼

Joanna Kwapień
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引用次数: 0

摘要

本文讨论了Andrea F. Bohlman的《音乐团结》一书。在她的专著中,她描述了团结工会的历史,将声音置于她分析的中心。她使用的方法使她能够从整体上审视历史事实:她不仅进行了现场调查,还进行了声音分析,具体的音乐主题,以及波兰音乐家和作曲家对20世纪80年代社会态度的影响。她对伴随抗议的歌曲,以及Stefan Bratkowski的“Gazeta Dźwiękowa”[Sound Gazette]现象,以及它对听众的影响,提供了有趣的分析。她让人们注意到团结工会时期的偶像,如Jerzy神父Popiełuszko、Lech Wałęsa、Krzysztof Penderecki和他们的声音,从字面上和隐喻上都可以理解。她也以Jacek Kaczmarski的《Mury [Walls]》和Janek Wiśniewski padov [Janek Wiśniewski fell]为例,分析了当代对那段时期歌曲的重新诠释。作者拒绝按时间顺序进行研究,而是通过对选定问题的问题化来分析历史时期。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Etnomuzykologia Solidarności. Wokół "Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland" Andrei F. Bohlman
The article discusses the book Musical Solidarities by Andrea F. Bohlman. In her monograph she describes the history of Solidarity, placing sound at the centre of her analysis. The methods she uses allow her to examine historical facts holistically: she reaches for fieldwork as well as voice analysis, specific music motifs, and the influence of Polish musicians and composers on social attittudes in the 1980s. She offers an interesting analysis of the songs that acompanied the protests and the phenomenon of Stefan Bratkowski’s “Gazeta Dźwiękowa” [Sound Gazette] and its influence on the listeners. She draws attention to the icons of the Solidarity period such as Father Jerzy Popiełuszko, Lech Wałęsa, Krzysztof Penderecki and their voices, understood both literally and metaphorically. She also analyses contemporary reinterpretations of songs from that period, using Jacek Kaczmarski’s Mury [Walls] and Janek Wiśniewski padł [Janek Wiśniewski fell]. The author rejects the chronological approach to research, analysing the historical period through problematization of selected issues.
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