Paulina Książek
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引用次数: 0

摘要

帕斯卡尔·杜萨平被认为是法国当代杰出的作曲家之一。在他的创作成就中,歌剧似乎占有特殊的地位。《介质》是这位作曲家的第二部舞台作品,也是众多以神话为主题的作品之一。作为剧本的文本,他选择了德国剧作家海纳·米勒的一段文字。两位作者都决定重新诠释一段古老的历史,并用他们可用的手段解构它。萨沙·瓦尔兹(Sasha Waltz)也是如此,她在2007年上演了杜萨平的作品。这三个人在开始与过去对话的同时,把工作牢牢地放在了现在。在这篇文章中,作者试图回答这个问题,这些创造性的艺术家使用的手段是如何塑造剧中女主角的心理肖像的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
W okowach mitów – "Medeamaterial" Heinera Müllera, Pascala Dusapina i Sashy Waltz
Pascal Dusapin is regarded as one of the outstanding contemporary French composers. The opera genre seems to have a special place among his creative achievements. Medeamaterial is the composer’s second work for the stage, and one of many where myth becomes the subject. As the text of the libretto, he chose a text by a German dramatist, Heiner Müller. Both authors decide to reinterpret an antique history and deconstruct it using the means available to them. As does Sasha Waltz, who in 2007 staged Dusapin’s work. All three, while initiating a dialogue with the past, set the work firmly in the present. In this article the author attempts to answer the question how the devices used by these creative artists shape the psychological portrait of the drama’s heroine.
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