{"title":"Pieśni bólu i rozpaczy. O \"Pieśniach północnych\" (1973) Andrzeja Krzanowskiego","authors":"Magdalena Stochniol","doi":"10.14746/rfn.2021.22.6","DOIUrl":null,"url":null,"abstract":"Andrzej Krzanowski’s compositions, particularly those written at the beginning of his creative journey, are still sidelined by researchers and performers. The article describes his Pieśni północne [Northern songs] (1973) for eight-voice mixed choir a cappella, to words by Kazimierz Ratoń, composed while he was a student in the class of Henryk Mikołaj Górecki. The axis of interpretation is provided by two strands: the meaning of the text and its relationship with the musical means of expression, as well as selected musical aspects such as scales, form and references to other compositions.","PeriodicalId":335976,"journal":{"name":"Res Facta Nova. Teksty o muzyce współczesnej","volume":"52 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Res Facta Nova. Teksty o muzyce współczesnej","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14746/rfn.2021.22.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Andrzej Krzanowski’s compositions, particularly those written at the beginning of his creative journey, are still sidelined by researchers and performers. The article describes his Pieśni północne [Northern songs] (1973) for eight-voice mixed choir a cappella, to words by Kazimierz Ratoń, composed while he was a student in the class of Henryk Mikołaj Górecki. The axis of interpretation is provided by two strands: the meaning of the text and its relationship with the musical means of expression, as well as selected musical aspects such as scales, form and references to other compositions.
安杰伊·克扎诺夫斯基的作品,尤其是那些在他创作之初创作的作品,仍然被研究人员和表演者边缘化。这篇文章描述了他的Pieśni północne[北方歌曲](1973年),为八声混声合唱团无伴奏合唱,由Kazimierz ratoski作曲,当时他是Henryk Mikołaj Górecki班的学生。解读的轴心由两条线提供:文本的意义及其与音乐表达方式的关系,以及选定的音乐方面,如音阶、形式和对其他作品的参考。