Abdi Seni最新文献

{"title":"Pelatihan Makendang Gupekan dan Pepanggulan Tunggal Bagi Seniman Muda di Sanggar Seni Bajra Suara Murti Kabupaten Bangli","authors":"I. K. Garwa","doi":"10.33153/abdiseni.v12i2.3930","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i2.3930","url":null,"abstract":"Keberadaan berbagai perangkat barungan gamelan di kabupaten Bangli belum diimbangi  tersedianya tenaga instruktur/pembina atau pelatih seni karawitan saat ini yang memadai. Kebutuhan tersebut sangat mendesak bagi aktivitas sosial masyarakat beragama Hindu harus didukung oleh suara gamelan. Masyarakat terpencil mengeluhkan sulitnya mendapatkan pembinaan seni. Sebuah komposisi gending kendang memiliki fungsi sebagai pemurba irama, perannya sangat dominan, seorang pembina dituntut mutlak untuk menguasai instrumen perkusif yang terbuat dari kulit tersebut. Terbatasnya penguasaan instrumen membutuhkan adanya pelatihan professional melalui peningkatan kemampuan instrumen kendang untuk gupekan dan kendang pepanggulan. Hasil terlihat jelas  Eksistensi para pangendang (tukang kendang) di Kabupaten Bangli bisa dipertahankan dengan cara melakukan pembinaan atau pelatihan bekerjasama dengan mitra yang dianggap relevan. Mitra yang tepat adalah sebuah sanggar seni Bajra Suara Murti berlokasi di Banjar Tegal Bebalang Bangli. Rancangan realisasi pelatihan mengunakan metode eksperimen yang mengedepankan prinsip-prinsip keterbukaan, solidaritas, kebersamaan, saling menjaga, dengan menjunjung tinggi etika, logika dan estetika. Situasi Pandemi COVID-19 dalam praktek para peserta diberikan pemahaman dan pengetahuan secara teoritis tentang cara-cara memainkan kendang gupekan dan kendang pepanggulan yang baik. Peragaan teknik memaikan kendang dipilih model pangendang yang telah memiliki kemampuan memainkan kendang gupekan dan kendang pepanggulan terlebih dahulu. Hasilnya telah mampu memainkan dengan kendang untuk gupekan dan kendang pepanggulan secara bersama-sama berkualitas.   The existence of various instruments of gamelan barungan in Bangli district has not been matched by the current availability of adequate instructors/coachers or trainers of musical arts. The need is very urgent for the social activities of the Hindu community to be supported by the sound of the gamelan. Remote communities complain about the difficulty of getting art coaching. A drum composition has a function as a rhythm maker, its role is very dominant, a builder is absolutely required to master the percussive instrument made of leather. The limited mastery of instruments requires professional training through increasing the ability of drum instruments for gupekan and pepanggulan drums. The results are clear. The existence of the pangendang (drummers) in Bangli Regency can be maintained by conducting coaching or training in collaboration with partners deemed relevant. The right partner is the Bajra Suara Murti art studio located in Banjar Tegal Bebalang Bangli. The design of the training realization uses an experimental method that puts forward the principles of openness, solidarity, togetherness, mutual care, by upholding ethics, logic and aesthetics. In the practice of the COVID-19 Pandemic, participants were given theoretical understanding and knowledge about how to play the gupekan and pep","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115677073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Jek Nebenne! : A Method of Self-Healing in a Performance-Lecture","authors":"Hoirul Hafifi Arung","doi":"10.33153/abdiseni.v12i2.3917","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i2.3917","url":null,"abstract":"ABSTRACTThis artwork thesis depicts a multimedia performance, which combines several media such as photos, videos, sound recordings, installation, diagrams, charts, graphic design, and scientific journals, as well as digital cameras in performance-lecture. The creation practice borrowing the mode of a lecture combined with performance refers to \"jek nebenne!\" as the director's memory-recollection to start his work practice.The term \"jek nebenne!\" is not a standard language which means \"don't mess with me!\", it is used as the director's foothold in connecting a trauma in a family as a result of domestic violence which is reflected in the same experience of his mother, just like the experience of a female masseuse, brick miner, and farmworker for over thirty years in Bangkalan over the behavior of their respective husbands, as well as a shift of function from the feminine to the masculine. \"Jek nebenne!\" becomes some sort of creation reference which was often said by his mother, haunting him to this day and suspected to be the source of failure. Including the failure to integrate with the two performers who also experienced trauma (sexual and gender) until the show goes on. His position was leaked as a therapist to evacuate from the situation by sharing his sensitive emotion to the public; leaking of conflict concoction, exploration of body and ability, as well as performer's skill through medias mentioned above. The practice of performance-lecture focuses on psychodrama with a shift of dramaturgy from trauma to sensitive and intervening performer and the production team to show that domestic violence creates a prolonged scar. The director fears that the cruising range of his biography trauma will cause him to re-experience the vulnerability and leaving the audience with intricacy. The practice of such shift as a process of evacuation from acute trauma, as a continuation of \"jek nebenne!\" self-healing method for positive growth of the soul. Keywords: performance-lecture, \"jek nebenne!\", self-healing method","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"202 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115165417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EKSPLORASI LIMBAH KAIN BATIK UNTUK AKSESORIS ECO-FASHION","authors":"Santoso Haryono, M. H. Himawan","doi":"10.33153/abdiseni.v12i2.3890","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i2.3890","url":null,"abstract":"Penelitian PPM Tematik Individu ini merupakan program pemberdayaan masyarakat yang berpijak pada problem lingkungan saat ini dimana menumpuknya limbah yang tidak dapat terurai oleh alam seperti limbah sampah yang berbahan dasar sintetis seperti plastik dan kain. Kain perca batik yaitu kain sisa atau limbah dari konveksi, pabrik atau garmen yang memproduksi pakaian, dan lain sebagainya yang menggunakan bahan dasar kain batik. Salah satu usaha menanggulangi permasalahan lingkungan ini adalah dengan menghadirkan produk eco-fashion, salah satunya penggunaan kembali sisa produksi kain batik sebagai material utama. Penelitian ini fokus pada eksperimen teknik pembuatan produk aksesoris fashion dengan memanfaatkan limbah kain batik yang tersedia pada industri kecil. Penelitian ini menggunakan metode penelitian pengembangan (research-based development), dengan tujuan terciptanya karya seni lukis batik kontemporer melalui pengembangan ide, tema, dan bentuk visual batik klasik, diterapkannya karya lukis batik kontemporer dalam sejumlah produk fashion seperti tas, pouch, dan fashion harian, terpublikasikannya artikel ilmiah dalam jurnal nasional terakreditasi. Dengan demikian akan ditemukan beragam ide, tema, bentuk, teknis, serta medium produk eco-fashion multifungsi yang sesuai dengan jiwa jaman namun tetap memiliki karakter tradisi yang kuat. Kata Kunci : Pemberdayaan warga, kampung, Timuran, Surakarta, Seni Rupa","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129596437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENCIPTAAN DAN PEMENTASAN DARING KONSER KARAWITAN KINANTHI KUNCI ATI KARYA PENI CANDRA RINI","authors":"Peni Candra Rini","doi":"10.33153/abdiseni.v12i2.3892","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i2.3892","url":null,"abstract":"Penciptaan dan pementasan Daring Konser Karawitan Kinanthi Kunci Ati adalah sebuah artikel yang membahas mengenai proses penciptaan karya “Kinanthi Kunci Ati” yang selanjutnya dipentaskan secara virtual. “Kinanthi Kunci Ati” sendiri merupakan sebuah karya musik komposisi yang berpijak pada kaidah musik karawitan tradisi, selanjutnya dikembangkan sesuai dengan kebutuhan ekspresi pengkarya. “Kinanthi Kunci Ati” merupakan sebuah karya refleksi yang dilakukan pengkarya terhadap keadaan normal baru yang diakibatkan oleh pandemi Covid-19 yang sudah setahun lebih menyerang Indonesia dan dunia. Adapun langkah-langkah penciptaan melalui tiga tahapan, yakni; orientasi, observasi, dan eksplorasi. Orientasi adalah mencari hal-hal yang berkaitan dengan embrio karya seperti isu-isu yang berkembang, menimbang urgensi kekaryaan dengan keadaan dan kebutuhan masyarakat masa kini, dalam hal ini ialah fenomena kebiasaan hidup normal baru dan alih wahana seni pertunjukan dari komunal menjadi digital. Observasi adalah penelitian lebih dalam mengenai apa yang telah didapatkan pada tahap orientasi, sedangkan eksplorasi adalah pencarian mengenai bentuk dan sajian karya yang disesuaikan dengan ruang dan waktu pementasan. Karya ini didominasi oleh sajian vokal yang disusun berdasarkan rasa puisi (syair) dan dipentaskan di Taman Budaya Surakarta dalam format daring (dalam jaringan). Pemilihan pentas daring disesuaikan dengan kondisi dan keadaan penonton yang mulai terbiasa dengan pementasan virtual demi menghambat laju penularan virus Corona. Kata kunci: Kinanthi Kunci Ati, penciptaan, komposisi, virtual.The creation and performance of the Karawitan Kinanthi Kunci Ati Online Concert is an article that discusses the process of creating the work of \"Kinanthi Kunci Ati\" which is then performed virtually. \"Kinanthi Kunci Ati\" itself is a musical composition based on the principles of traditional musical music, which is then developed according to the needs of the artist's expression. \"Kinanthi Kunci Ati\" is a work of reflection done by the author on the new normal situation caused by the Covid-19 pandemic which has hit Indonesia and the world for more than a year. The steps of creation go through three stages, namely; orientation, observation, and exploration. Orientation is looking for things related to the embryo of the work, such as developing issues, considering the urgency of work with the conditions and needs of today's society, in this case, the phenomenon of new normal life habits and the transfer of performing arts from communal to digital. Observation is a deeper study of what has been obtained at the orientation stage, while exploration is a search for the form and presentation of works adapted to the space and time of the performance. This work is dominated by vocal presentations which are arranged based on a sense of poetry (syair) and performed at Taman Budaya Surakarta in online format. The selection of online stages is adjusted to the conditions and circumstance","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131188460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pelatihan Pembuatan Website Katalog Online untuk Promosi Produk Kerajinan Rotan Desa Wisata Trangsan Sukoharjo","authors":"Arifansyah Wicaksono, Jauhari Jauhari Jauhari, Nidyah Widyamurti Nidyah, Lalita Gilang Lalita, Hermansyah Hermansyah, S. H. Yudhanto","doi":"10.33153/abdiseni.v12i2.3913","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i2.3913","url":null,"abstract":"ABSTRAKDesa Wisata Trangsan Kabupaten Sukoharjo, yang sudah dikenal masyarakat luas sebagai desa penghasil furnitur berbahan dasar rotan dan memiliki kulitas produk untuk ekspor. Dalam mengenalkan produk rotan sudah melalui berbagai ajang pameran tingkat nasional maupun internasional, promosi secara offline sudah dilakukan secara masif maka untuk mendukung pemasaran produk kerajianan rotan Desa Wisata Tangsan perlu melakukan promosi secara online, terlebih saat ini sudah masuk era digital atau revolusi industri 4.0. Dengan menggabungkan promosi secara offline dan online diharapkan akan meningkatkan branding dari Desa Wisata Trangsan khususnya produk kerajinan rotannya. Pada Program Pengabdian Kepada Masyarakat oleh Dosen D3 Desain Komunikasi Visual (DKV) Sekolah Vokasi UNS dan S1 Desain Komunikasi Visual (DKV), Fakultas Seni Rupa dan Desain UNS yang tergabung dalam Grup Riset : DKV Media Interaktif, mencoba meberikan wawasan dan pelatihan tentang website katalog online sebagai sarana promosi dan penjualan secara online. Metode yang digunakan dalam kegiatan Pengabdian Kepada Masyarakat ini adalah metode ceramah dan praktik langsung yang didukung dengan demonstrasi. Melalui peragaan dapat memberikan pemahaman tentang berbagai jenis alat dan bahan yang digunakan serta teknik membuat web katalog online. Harapanya dengan adanya pelatihan ini para pelaku usaha kerajinan rotan di Desa wisata Rotan mampu membuat katalog online secara mandiri untuk mempromosikan produk- produk mereka.Kata kunci: Rotan, Promosi, Pelatihan, Website, Katalog Online  ABSTRACTTrangsan Tourism Village, Sukoharjo Regency, which is widely known to the public as a village that produces rattan-based furniture and has quality products for export. In introducing rattan products, it has been through various national and international exhibitions, offline promotions have been carried out massively, so to support the marketing of rattan handicraft products, Tangsan Tourism Village needs to do online promotions, especially now that we have entered the digital era or industrial revolution 4.0. By combining offline and online promotions, it is hoped that it will increase the branding of the Trangsan Tourism Village, especially its rattan craft products. In the Community Service Program by D3 Visual Communication Design (DKV) Lecturers, Vocational School and S1 Visual Communication Design (DKV), faculty of Art and Design Lecturers,  Sebelas Maret University Surakarta (UNS) who are members of the Research Group: DKV Interactive Media, trying to provide insight and training on online catalog websites as a means of promotion and online sales. The methods used in this Community Service activity are demonstration methods, and practical exercises supported by demonstrations. Through the demonstration can provide an understanding of the various types of tools and materials used as well as techniques for creating an online web catalog. It is hoped that with this training, rattan handicraft business","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124127191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"REVITALISASI WANITA KARIER KOTA NGAWI MELALUI BERMAIN MUSIK KOLINTANG DENGAN ARANSEMEN BARU","authors":"Zulkarnain Mistortoify","doi":"10.33153/abdiseni.v12i1.3879","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i1.3879","url":null,"abstract":"Kegiatan Pengabdian Kepada Masyarakat (PKM) Karya Seni dilatarbelakangi oleh suatu permasalahan yang menimpa sebuah grup musik wanita karier yang pernah memiliki prestasi penting bagi Masyarakat Ngawi. Grup kolintang Srikandi Ngawi dalam tiga tahun terakhir ini kehilangan rasa percaya diri dan motivasi untuk melanjutkan prestasinya hingga eksistensinya tidak terbaca lagi oleh publik. Kegiatan PKM ini bertujuan untuk membantu menghidupkan kembali semangat yang mulai hilang dan keterampilan memainkan musik kolintang melalui sebuah program stimulus latihan dengan metode baru dan asupan materi aransemen yang menarik. Melalui analisis situasi objek riset, program ini menerapkan dua metode baru, yaitu 1) menyediakan materi dan sarana latihan yang berbasis teknologi audio multitrack dan minus one, 2) menerapkan model latihan mandiri-bersama dengan metode drill (latihan secara berulang-ulang dan intensif). Hasil kegiatan PKM ini menunjukkan perubahan sikap signifikan bagi wanita karier dalam belajar yang penuh semangat dan mampu menyajikan karya aransemen dengan baik. Penyikapan baru melalui pendekatan kerja kreatif seni dengan metode baru dapat mencairkan kebekuan aktivitas sosial akibat pandemi ini. Rasa percaya diri semakin tumbuh ketika kuatnya mental dan penguasaan teknis menghasilkan karya musik dalam format videoklip yang dipublikasikan di media virtual.","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115063460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PELATIHAN BERNYANYI DALAM UPAYA MENINGKATKAN PEMAHAMAN TEKNIK VOKAL PESERTA KARAOKE DANGDUT COMPETITION DI BUGIS WATERPARK MAKASSAR","authors":"Sri Wahyuni Muhtar","doi":"10.33153/abdiseni.v12i1.3641","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i1.3641","url":null,"abstract":"Pada tanggal 1 November 2020, Bugis Waterpark menggelar lomba menyanyi karaoke dangdut secara luring. Kegiatan ini dilaksanakan di area food court Bugis Waterpark Makassar dengan menerapkan protokol kesehatan secara ketat. Panitia kegiatan ini mengundang pengabdi untuk menjadi pemateri pelatihan vokal bagi peserta, sekaligus juri kompetisi. Metode pelatihan vokal yang digunakan adalah ceramah dan demonstrasi kepada seluruh peserta. Mitra kegiatan pengabdian ini adalah panitia dan seluruh peserta kompetisi karaoke lagu dangdut. Pelaksanaan kegiatan terdiri dari demonstrasi vocalizing, menjelaskan berbagai teknik vokal, melakukan penilaian kualitas vokal peserta, dan evaluasi penampilan peserta kompetisi. Hasil kegiatan ini adalah adanya peningkatan pemahaman mitra pada berbagai teknik vokal ketika bernyanyi, peningkatkan kualitas vokal dan keterampilan menyanyikan lagu dangdut, meningkatkan kualitas kompetisi secara keseluruhan, serta terpilihnya pemenang yang berkualitas dalam kompetisi karaoke dangdut .","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115312723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PELATIHAN PEMBUATAN MINIPRINT DENGAN MENGGUNAKAN MEDIA TRIPLEK DI KOMUNITAS MAKMOER ART PROJECT SUKOHARJO","authors":"Sigit Purnomo Adi","doi":"10.33153/abdiseni.v12i1.3748","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i1.3748","url":null,"abstract":"Abstract Miniprint is one of the print size formats in graphic arts that is not yet very popular in Indonesia. Miniprint format prints in small sizes both matrix and paper. Printing in small sizes is fun. Small format requires patience and technical skill in visualizing the artist's ideas and ideas. Considering that miniprints have many features apart from a small format, they can also be carried everywhere and can also be used as an aesthetic element or room decorator and have good selling power, encouraging the author to hold a workshop or training on making miniprints in the Makmoer Art Project Sukoharjo community. The selection of the training venue in the Makmoer Art Project Community is because this community is indeed engaged in the arts and humanity. A community that always provides free workshops to people in need. Community service methods, problem identification, training and mentoring, evaluation. The works produced in this training after completion are then framed in a minimalist way. The miniprints produced are small-sized works of graphic art, using a matrix of plywood. These works are used as aesthetic elements of the house or as room decoration. Works for the aesthetic element of the house are currently popular among the public so that they have a selling value and can be used as an alternative in entrepreneurship. ","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132278578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PELATIHAN PEMBUATAN DAN PEMENTASAN SEDERHANA WAYANG GODHONK BERBAHAN LIMBAH DAUN KERING SEBAGAI UPAYA PENINGKATAN PENGETAHUAN SENI BUDAYA BAGI ANAK USIA DINI DI SANGGAR SENI MIJILAN, DUSUN PRINGAPUS, KALISALAK, SALAMAN, MAGELANG","authors":"Dr. Agus Purwantoro,M.Sn","doi":"10.33153/abdiseni.v12i1.3685","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i1.3685","url":null,"abstract":"  Abstract  Early childhood (PAUD-TK) is considered a sensitive period or sensitive period in children, namely a period where certain functions need to be stimulated physically-motor, intellectual, social, and emotional. This form of stimulation is in the form of education and teaching for families, communities, and schools. The effort also aims to raise the character of students, namely the subtlety of feelings (morals), which will then produce intelligence of the mind, and produce will power. To educate these feelings, Ki Hadjar Dewantara said that there are 2 things that must be passed, firstly, education on the subtleties of spiritual life which is called moral education and the second is aesthetic education. Wayang by Ki Hadjar Dewantara is included as an aesthetic education that can smooth the feeling of beauty towards all external objects. Wayang is an ancestral heritage that is rich in artistic and cultural meaning that deserves to be introduced to early childhood. This is the case with Wayang Godhong. The puppets, which are made from godhong (leaves) of teak and coffee, are the fruit of Gus Pur's ideas and should be introduced to children from an early age. The hope is that they will get to know the unique Wayang Godhong as a medium that will bring them closer to art and culture and their love for nature. Through the service that will be carried out in Magelang Regency, precisely in the Mijilan Art Studio, Pringapus Hamlet, Kalisalak, Salaman, Magelang. children will be invited to see the manufacturing process, practice making with dry leaf waste, and perform it in a simple way.","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129859287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PKM PENINGKATAN DAYA SAING KERAJINAN SANGKAR BURUNG DI SURAKARTA","authors":"E. Haryanto, A. Purnomo","doi":"10.33153/abdiseni.v12i1.3886","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i1.3886","url":null,"abstract":"Kegiatan pengabdian masyarakat ini bertujuan untuk mengembangkan kemampuan mitra dalam meningkatkan kualitas dan kuantitas produk, serta meningkatkan daya saing pengrajin sangkar burung dalam menghadapi tantangan pasar. Peningkatan daya saing yang dimaksud meliputi; desain, implementasi teknologi tepat guna, manajemen, pembuatan media publikasi. Mitra kegiatan pengabdian masyarakat adalah Barokah Sangkar yang berlokasi di Mojosongo, Jebres, Surakarta.Prospek produk kerajinan sangkar burung ini sebenarnya bagus seiring dengan trend masyarakat yang gemar memelihara burung hias dan burung kicau. Pengrajin fokus pada pengolahan sangkar bambu, sedangkan bahan baku bambu dipasok dari daerah Solo dan sekitarnya. Kemampuan sumber daya manusia, jaringan bisnis, serta peralatan yang terbatas serta ketergantungan proses produksi terhadap cuaca menyebabkan mitra kurang dapat memanfaatkan peluang untuk mengembangkan bisnis ini secara maksimal. Setelah pendampingan diharapkan mitra dapat meningkatkan kuantitas produksi, kualitas desain, guna meningkatkan nilai jual produk sehingga mampu meningkatkan pendapatan keluarga.Kegiatan pengabdian masyarakat ini dilakukan dalam kurun waktu kurang lebih satu tahun. Kegiatan yang dilakukan berupa; pelatihan manajemen, penggunaan alat produksi dengan teknologi tepat guna, pembuatan media publikasi dan pengembangan desain ornamen sangkar burung yang diminati pasar. Setelah mendapatkan sentuhan desain ornamen sangkar burung yang lebih baik, manajemen, alat bantu produksi, media promosi yang menarik diharapkan dapat meningkatkan omset usaha.  Kegiatan pengabdian masyarakat ini bertujuan untuk mengembangkan kemampuan mitra dalam meningkatkan kualitas dan kuantitas produk, serta meningkatkan daya saing pengrajin sangkar burung dalam menghadapi tantangan pasar. Peningkatan daya saing yang dimaksud meliputi; desain, implementasi teknologi tepat guna, manajemen, pembuatan media publikasi. Mitra kegiatan pengabdian masyarakat adalah Barokah Sangkar yang berlokasi di Mojosongo, Jebres, Surakarta.Prospek produk kerajinan sangkar burung ini sebenarnya bagus seiring dengan trend masyarakat yang gemar memelihara burung hias dan burung kicau. Pengrajin fokus pada pengolahan sangkar bambu, sedangkan bahan baku bambu dipasok dari daerah Solo dan sekitarnya. Kemampuan sumber daya manusia, jaringan bisnis, serta peralatan yang terbatas serta ketergantungan proses produksi terhadap cuaca menyebabkan mitra kurang dapat memanfaatkan peluang untuk mengembangkan bisnis ini secara maksimal. Setelah pendampingan diharapkan mitra dapat meningkatkan kuantitas produksi, kualitas desain, guna meningkatkan nilai jual produk sehingga mampu meningkatkan pendapatan keluarga.Kegiatan pengabdian masyarakat ini dilakukan dalam kurun waktu kurang lebih satu tahun. Kegiatan yang dilakukan berupa; pelatihan manajemen, penggunaan alat produksi dengan teknologi tepat guna, pembuatan media publikasi dan pengembangan desain ornamen sangkar burung yang diminati pasa","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121465998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}