Jek Nebenne! : A Method of Self-Healing in a Performance-Lecture

Hoirul Hafifi Arung
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Abstract

ABSTRACTThis artwork thesis depicts a multimedia performance, which combines several media such as photos, videos, sound recordings, installation, diagrams, charts, graphic design, and scientific journals, as well as digital cameras in performance-lecture. The creation practice borrowing the mode of a lecture combined with performance refers to "jek nebenne!" as the director's memory-recollection to start his work practice.The term "jek nebenne!" is not a standard language which means "don't mess with me!", it is used as the director's foothold in connecting a trauma in a family as a result of domestic violence which is reflected in the same experience of his mother, just like the experience of a female masseuse, brick miner, and farmworker for over thirty years in Bangkalan over the behavior of their respective husbands, as well as a shift of function from the feminine to the masculine. "Jek nebenne!" becomes some sort of creation reference which was often said by his mother, haunting him to this day and suspected to be the source of failure. Including the failure to integrate with the two performers who also experienced trauma (sexual and gender) until the show goes on. His position was leaked as a therapist to evacuate from the situation by sharing his sensitive emotion to the public; leaking of conflict concoction, exploration of body and ability, as well as performer's skill through medias mentioned above. The practice of performance-lecture focuses on psychodrama with a shift of dramaturgy from trauma to sensitive and intervening performer and the production team to show that domestic violence creates a prolonged scar. The director fears that the cruising range of his biography trauma will cause him to re-experience the vulnerability and leaving the audience with intricacy. The practice of such shift as a process of evacuation from acute trauma, as a continuation of "jek nebenne!" self-healing method for positive growth of the soul. Keywords: performance-lecture, "jek nebenne!", self-healing method
Jek Nebenne !:表演讲座中的自我修复方法
摘要这篇艺术论文描述了一场多媒体表演,在表演讲座中结合了照片、录像、录音、装置、图表、平面设计、科学期刊以及数码相机等多种媒体。借用讲座与表演相结合的创作实践模式,以“jek nebenne!”作为导演的记忆-回忆,开始他的工作实践。术语“jek nebenne !”不是一个标准的语言即“别惹我!”,作为导演的立足点在连接一个创伤家庭由于家庭暴力也反映在他母亲的经验,就像一个女按摩师的经验,砖矿业和农业工人三十多年在Bangkalan各自丈夫的行为,以及女性对男性的功能转变。“Jek nebenne!”变成了他母亲经常说的某种创作参考,至今萦绕在他心头,并被怀疑是失败的根源。包括未能与同样经历过创伤(性和性别)的两位演员融合,直到演出继续。他的身份被泄露为治疗师,目的是通过向公众分享自己的敏感情绪来摆脱困境;冲突调和的泄漏,身体和能力的探索,以及表演者的技巧。表演讲座的实践侧重于心理剧,将戏剧从创伤转向敏感和介入的表演者和制作团队,以展示家庭暴力造成的长期创伤。导演担心他的传记创伤的巡航范围会使他重新体验脆弱,给观众留下复杂的东西。这种转变的实践作为一个从急性创伤中撤离的过程,作为灵魂积极成长的“jek nebenne!”自愈方法的延续。关键词:表演讲座,“jek nebenne!”,自愈方法
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