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Los primeros mercados municipales construidos en Andalucía (siglo XIX) Arquitectos y proyectos 第一个市政市场建于安达卢西亚(19世纪)建筑师和项目
MDCCC 1800 Pub Date : 2022-10-24 DOI: 10.30687/mdccc/2280-8841/2022/11/008
Sheila Palomares Alarcón
{"title":"Los primeros mercados municipales construidos en Andalucía (siglo XIX)\u0000 Arquitectos y proyectos","authors":"Sheila Palomares Alarcón","doi":"10.30687/mdccc/2280-8841/2022/11/008","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2022/11/008","url":null,"abstract":"Most of the indoor food markets built in Andalusia and still standing today\u0000date back to the 19th century. However, there is no known comprehensive research on\u0000this type of architecture. This article aims, on the one hand, to analyse the original\u0000projects for food markets built in Andalusia in the 19th century found in different\u0000archives and, on the other hand, by means of several case studies, to contribute to the\u0000history of architecture by studying the protagonists and their works, characterised by all\u0000kinds of revivals, based on styles like the neoclassic to the neo-Mudejar, also\u0000materialised in iron architecture.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43001255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduzione | Introduction 简介|简介
MDCCC 1800 Pub Date : 2022-10-24 DOI: 10.30687/mdccc/2280-8841/2022/11/000
Adele Spinelli, E. Castoldi, Myriam Pilutti Namer
{"title":"Introduzione | Introduction","authors":"Adele Spinelli, E. Castoldi, Myriam Pilutti Namer","doi":"10.30687/mdccc/2280-8841/2022/11/000","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2022/11/000","url":null,"abstract":"","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43624657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’Ottocento di Luigi Valeriano e Pompeo Pozzi Due generazioni di un negozio milanese d’arte 路易吉·瓦莱里亚诺(Luigi Valeriano)和庞培·波齐(庞培·波齐)的19世纪米兰艺术商店的两代人
MDCCC 1800 Pub Date : 2022-10-24 DOI: 10.30687/mdccc/2280-8841/2022/11/010
Lorenzo Tunesi
{"title":"L’Ottocento di Luigi Valeriano e Pompeo Pozzi\u0000 Due generazioni di un negozio milanese d’arte","authors":"Lorenzo Tunesi","doi":"10.30687/mdccc/2280-8841/2022/11/010","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2022/11/010","url":null,"abstract":"The sequence of events in the lives of Luigi Valeriano Pozzi and Pompeo Pozzi, intertwined as father and son, provides a glimpse into the world of art publishing of XIX Century Milan. Their shop in Galleria De Cristoforis is the starting point for a reassessment of the careers of two well known makers: the aim is to shed light on their familiar and urban context, in search of the roots of their professions. While Luigi Valeriano was a respected business owner, although a former clandestine printer in the French and Austrian city, Pompeo’s career started instead in a less adventurous juncture, in Brera; however, soon came the year 1848, and few months later his newly found appreciation for art photography.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44762848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bardini prima di Bardini La formazione e gli esordi artistici del ‘Principe degli antiquari’ “古董王子”的艺术教育和早期
MDCCC 1800 Pub Date : 2022-09-26 DOI: 10.30687/mdccc/2280-8841/2022/11/005
Giulia Coco
{"title":"Bardini prima di Bardini\u0000 La formazione e gli esordi artistici del ‘Principe degli antiquari’","authors":"Giulia Coco","doi":"10.30687/mdccc/2280-8841/2022/11/005","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2022/11/005","url":null,"abstract":"Before becoming the famous antiquarian of Renaissance Art, Stefano Bardini (1836-1922) was a painter. He moved to Florence from Pieve di Santo Stefano (Arezzo) in 1853 to study at the Academy of Fine Arts with Giuseppe Bezzuoli, Benedetto Servolini and Antonio Puccinelli. In his early years, Bardini participated in several competitions with paintings of Florentine Renaissance subjects . He also exposed his works to the Promotrice in Florence and Turin was awarded at the Ricasoli Competition in 1859-1860. Towards the end of the Sixties, Bardini interrupted his artistic career. He enlisted in Garibaldi’s Army and, back in Florence, began restoring and selling old master's art. He thus became the well-known 'Prince of Antiquaries'.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43429261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Da Parigi a Torino Roberto d’Azeglio, la destinazione pubblica delle belle arti e la Reale Galleria 从巴黎到都灵Roberto d'Azeglio，美术和皇家美术馆的公共目的地
MDCCC 1800 Pub Date : 2022-09-26 DOI: 10.30687/mdccc/2280-8841/2022/11/011
M. Failla
{"title":"Da Parigi a Torino\u0000 Roberto d’Azeglio, la destinazione pubblica delle belle arti e la Reale Galleria","authors":"M. Failla","doi":"10.30687/mdccc/2280-8841/2022/11/011","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2022/11/011","url":null,"abstract":"The aim of this paper is to investigate the events connected with the establishment of the Reale Galleria di Torino as a public museum in 1832 in relation to the training path of its first director, Roberto d'Azeglio, who was in voluntary exile in Paris, where he came into contact with artists from the entourage of David's pupils in the 1920s. The function of the museum for d'Azeglio is the same as that identified by Quatrémere de Quincy: an institution of high civic value strongly linked to the present. Contemporary art and ancient art can thus establish a close dialogue to consolidate the ethical and civic involvement of visitors.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43631949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Il Raffaello di Marco Minghetti tra critica, polemica e retorica del centenario 1883-1885 马尔科·明赫蒂的《拉斐尔》介于1883-1885百年的批评、论战和修辞之间
MDCCC 1800 Pub Date : 2022-09-12 DOI: 10.30687/mdccc/2280-8841/2022/11/001
Gianpaolo Angelini
{"title":"Il Raffaello di Marco Minghetti tra critica, polemica e retorica del centenario 1883-1885","authors":"Gianpaolo Angelini","doi":"10.30687/mdccc/2280-8841/2022/11/001","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2022/11/001","url":null,"abstract":"The publication in 1885 of the Raphaelesque monograph written by the Bolognese politician and statesman Marco Minghetti gave rise to a large number of negative or controversial reviews. The attention of some detractors certainly focused on the structure and contents of the volume, on the inaccuracies and naivety that characterized some pages, but in perspective it extended to a criticism against Giovanni Morelli, famous connoisseur and Minghetti's close friend, and his controversial experimental method. Some papers survive documenting Minghetti's ‘Morellian’ training, the making of his monograph, the connection with Raphaelesque celebrations in 1883 and with events and episodes in the art market. Today these archival materials allow to open a window on a not secondary conjuncture in late-19th-century Italian culture.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46753020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduzione | Introducción | Introduction 简介|简介|简介
MDCCC 1800 Pub Date : 2021-07-26 DOI: 10.30687/mdccc/2280-8841/2021/10/001
Ana Del Cid, Myriam Pilutti Namer
{"title":"Introduzione | Introducción | Introduction","authors":"Ana Del Cid, Myriam Pilutti Namer","doi":"10.30687/mdccc/2280-8841/2021/10/001","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2021/10/001","url":null,"abstract":"","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47743292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nineteenth Century Style, Ornament and Colour The Contribution of James Cavanah Murphy (1760-1814) as a Gothic and Moorish Revival Pioneer 19世纪的风格、装饰和色彩——詹姆斯·卡瓦纳·墨菲（1760-1814）作为哥特式和摩尔复兴先驱的贡献
MDCCC 1800 Pub Date : 2021-07-26 DOI: 10.30687/mdccc/2280-8841/2021/10/006
L. Mulvin
{"title":"Nineteenth Century Style, Ornament and Colour\u0000 The Contribution of James Cavanah Murphy (1760-1814) as a Gothic and Moorish Revival Pioneer","authors":"L. Mulvin","doi":"10.30687/mdccc/2280-8841/2021/10/006","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2021/10/006","url":null,"abstract":"James Cavanah Murphy (1760-1814), one of Ireland’s foremost antiquarian architects, is considered as a protagonist of the Gothic and Moorish Revival. His work was a catalyst on reception and dissemination of architectural styles in continental Europe. Murphy’s essay on the origins of Gothic architecture set the stage for his monograph, Royal Monastery of Batalha (1795). Murphy’s monumental opus Arabian Antiquities of Spain (1815) was an exponent of Moorish Revival architecture. A material source for Owen Jones’s Plans, Elevations, Sections and Details of the Alhambra produced from 1836 to 1845. This paper sets out to locate Murphy as a pioneer of developing style, ornament and colour in the Nineteenth century.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43990892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Il sistema degli établissements publics a Venezia Un nuovo modello di rigenerazione urbana nel XIX secolo 威尼斯公共图书馆系统19世纪城市复兴的新模式
MDCCC 1800 Pub Date : 2021-07-26 DOI: 10.30687/mdccc/2280-8841/2021/10/007
E. Filipponi
{"title":"Il sistema degli établissements publics a Venezia\u0000 Un nuovo modello di rigenerazione urbana nel XIX secolo","authors":"E. Filipponi","doi":"10.30687/mdccc/2280-8841/2021/10/007","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2021/10/007","url":null,"abstract":"In 19th century Italy and Europe the phenomenon of religious buildings as State-owned properties and their reuse as ‘public services’ assumed the characteristics of a real urban and cultural revolution. In the case of Venice, this phenomenon consisted in an effective project of ‘regeneration’ of an historical city. Thanks to the extensive use of archival sources, this article investigates Venice as a case study of a complex urban plan that occurred massive transformations, especially considering the suppressions of religious buildings undertaken between 1805 and 1808 in the lagoon area. The papers also offer an insight on the French plan of reuse of ‘emptied’ buildings for allocating there new services.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45344749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Augusto Burchi e la cultura revivalistica a Firenze 奥古斯托·伯奇和佛罗伦萨的复兴文化
MDCCC 1800 Pub Date : 2021-07-26 DOI: 10.30687/mdccc/2280-8841/2021/10/010
Daniele Galleni
{"title":"Augusto Burchi e la cultura revivalistica a Firenze","authors":"Daniele Galleni","doi":"10.30687/mdccc/2280-8841/2021/10/010","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2021/10/010","url":null,"abstract":"In the Florence of the second half of the 19th century, the cult of the past was of primary importance. The life and work of Augusto Burchi (1853-1919) could be interpreted as a paradigmatic example of this cultural milieu, of its patrons and its goals. Burchi’s training – that was not academic - shows the rediscovery and assimilation of styles from the past by local decorators and craftsmen while the analysis of some his most important works helps to appreciate the different meanings accorded to this peculiar ornamental language by an élite of both local and foreigners rich patrons. The final phase of his artistic career also reveals a change in the public eye: indeed, a new trend for ‘modern’ decoration is emerging.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45982807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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