{"title":"L’Ottocento di Luigi Valeriano e Pompeo Pozzi\n Due generazioni di un negozio milanese d’arte","authors":"Lorenzo Tunesi","doi":"10.30687/mdccc/2280-8841/2022/11/010","DOIUrl":null,"url":null,"abstract":"The sequence of events in the lives of Luigi Valeriano Pozzi and Pompeo Pozzi, intertwined as father and son, provides a glimpse into the world of art publishing of XIX Century Milan. Their shop in Galleria De Cristoforis is the starting point for a reassessment of the careers of two well known makers: the aim is to shed light on their familiar and urban context, in search of the roots of their professions. While Luigi Valeriano was a respected business owner, although a former clandestine printer in the French and Austrian city, Pompeo’s career started instead in a less adventurous juncture, in Brera; however, soon came the year 1848, and few months later his newly found appreciation for art photography.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"MDCCC 1800","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/mdccc/2280-8841/2022/11/010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The sequence of events in the lives of Luigi Valeriano Pozzi and Pompeo Pozzi, intertwined as father and son, provides a glimpse into the world of art publishing of XIX Century Milan. Their shop in Galleria De Cristoforis is the starting point for a reassessment of the careers of two well known makers: the aim is to shed light on their familiar and urban context, in search of the roots of their professions. While Luigi Valeriano was a respected business owner, although a former clandestine printer in the French and Austrian city, Pompeo’s career started instead in a less adventurous juncture, in Brera; however, soon came the year 1848, and few months later his newly found appreciation for art photography.