马尔科·明赫蒂的《拉斐尔》介于1883-1885百年的批评、论战和修辞之间

Q4 Arts and Humanities
Gianpaolo Angelini
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引用次数: 0

摘要

1885年,博洛尼亚政治家和政治家马尔科·明赫蒂的拉斐尔式专著出版,引发了大量负面或有争议的评论。一些批评者的注意力当然集中在这本书的结构和内容上,集中在某些页面的不准确和天真上,但从长远来看,它延伸到了对著名鉴赏家、明赫蒂的密友乔瓦尼·莫雷利及其有争议的实验方法的批评。一些论文幸存下来,记录了明赫蒂的“Morellian”训练、他的专著的制作、与1883年拉斐尔式庆祝活动以及艺术市场上的事件和插曲的联系。如今,这些档案材料为19世纪末意大利文化中一个非次要的转折点打开了一扇窗户。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Il Raffaello di Marco Minghetti tra critica, polemica e retorica del centenario 1883-1885
The publication in 1885 of the Raphaelesque monograph written by the Bolognese politician and statesman Marco Minghetti gave rise to a large number of negative or controversial reviews. The attention of some detractors certainly focused on the structure and contents of the volume, on the inaccuracies and naivety that characterized some pages, but in perspective it extended to a criticism against Giovanni Morelli, famous connoisseur and Minghetti's close friend, and his controversial experimental method. Some papers survive documenting Minghetti's ‘Morellian’ training, the making of his monograph, the connection with Raphaelesque celebrations in 1883 and with events and episodes in the art market. Today these archival materials allow to open a window on a not secondary conjuncture in late-19th-century Italian culture.
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来源期刊
MDCCC 1800
MDCCC 1800 Arts and Humanities-General Arts and Humanities
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审稿时长
32 weeks
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