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Attorno a una lettera di Claude Monet a Giuseppe De Nittis 关于克劳德·莫奈给朱塞佩·德·尼蒂斯的一封信
MDCCC 1800 Pub Date : 2018-07-31 DOI: 10.30687/mdccc/2280-8841/2018/01/003
F. Minervini
{"title":"Attorno a una lettera di Claude Monet a Giuseppe De Nittis","authors":"F. Minervini","doi":"10.30687/mdccc/2280-8841/2018/01/003","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2018/01/003","url":null,"abstract":"The proximity between Giuseppe De Nittis and some French Impressionism’s interpreters has always been one of the most debated and controversial aspects of the Apulian painter’s experience. Specifically, the connection between him and Claude Monet, even if certified, is still not enough discussed and investigated. A letter sent by the French master to his Italian colleague, kept in Getty Research Institute in Los Angeles, offers new points of view and reflection on affinities, more or less tangible, of their languages and their methods of nature study and translation.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49620729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Artistas y decoradores en el Teatro Municipal de San Nicolás de los Arroyos a principios del siglo XX 20世纪初圣尼古拉斯·德·洛斯·阿罗约斯市政剧院的艺术家和装饰师
MDCCC 1800 Pub Date : 2018-07-31 DOI: 10.30687/MDCCC/2280-8841/2018/01/007
Giulia Murace
{"title":"Artistas y decoradores en el Teatro Municipal de San Nicolás de los Arroyos a principios del siglo XX","authors":"Giulia Murace","doi":"10.30687/MDCCC/2280-8841/2018/01/007","DOIUrl":"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/007","url":null,"abstract":"In Argentina, by the end of the 19th century and the beginning of the 20th, several opera houses appeared, in both large cities and small urban centers. One example is the Teatro Muncipal in San Nicolás de los Arroyos, inaugurated on August 10, 1908. This paper analyzes the historical-artistic aspects of the theater and the imaginary it contributed to build in a provincial city at the beginnings of 1900. Some peculiarities of this theatre lead us to highlight alternative routes of artistic circulation, where Buenos Aires is not always the center and where local intermediaries have had preeminence; since a greater dialogue with the city of Rosario than with the nation’s capital was established.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48380046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Disvelando pale, effigi e panneggi 展示铲子、肖像和窗帘
MDCCC 1800 Pub Date : 2018-07-31 DOI: 10.30687/MDCCC/2280-8841/2018/01/006
F. Franz
{"title":"Disvelando pale, effigi e panneggi","authors":"F. Franz","doi":"10.30687/MDCCC/2280-8841/2018/01/006","DOIUrl":"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/006","url":null,"abstract":"Art-historical partners J. A. Crowe (1851) and G. B. Cavalcaselle (1865) made individual surveys in Denmark. This paper speculates on their interactions with Danish expert N. L. Høyen. It focuses on Cavalcaselle’s Danish sketches (Marciana, Venice). It also offers new perspectives on G. F. Waagen’s stay in Copenhagen (1868). It expounds on the fortuna and conservation history of the Man of Sorrow by Mantegna, the alleged Portrait of Antonio Galli and other – mostly Valenti Gonzaga – paintings now in the Statens Museum for Kunst. It investigates the 19th-century criticism of draperies by Mantegna and Leonardo. It hypothesyses the identification of a Portrait of Thomas Gresham.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41620376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vittorio Pica in Belgio fra le pagine de L’Art Moderne e de La Jeune Belgique (1885-1913) 比利时的维托里奥·皮卡（Vittorio Pica）在《现代艺术》（L’Art Moderne）和《比利时青年报》（La Jeune Belgique）之间（1885-1913）
MDCCC 1800 Pub Date : 2018-07-31 DOI: 10.30687/MDCCC/2280-8841/2018/01/008
Amanda Russo
{"title":"Vittorio Pica in Belgio fra le pagine de L’Art Moderne e de La Jeune Belgique (1885-1913)","authors":"Amanda Russo","doi":"10.30687/MDCCC/2280-8841/2018/01/008","DOIUrl":"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/008","url":null,"abstract":"Significant studies have demonstrated the links between Vittorio Pica and the international intellectual circles, French in particular. It was therefore deemed of particular interest to deepen his relations with Belgium. This article notably investigates how his writings were transposed and published in two journals, L’Art Moderne and La Jeune Belgique, between 1885 and 1913. These two cases appear meaningful as these periodicals represent the medium of the most progressive exponents of the Belgian cultural world of his time. By examining these journals, it was found that Vittorio Pica’s production is at that time monitored for the completeness and the foresight of his analysis, considered to be free of prejudice. He is also seen as a courageous critic who takes sides in favor of new trends, even against public opinion. His function of tireless mediator between the international culture and Italy is widely recognized and his multifaceted personality is much appreciated. His work, largely documented, therefore becomes a reference for a generation of Belgian intellectuals that share the same exploration of modernity.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46663498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un ritratto di Dante senza casa 无家可归的但丁的画像
MDCCC 1800 Pub Date : 2018-07-31 DOI: 10.30687/MDCCC/2280-8841/2018/01/001
B. Zanardi
{"title":"Un ritratto di Dante senza casa","authors":"B. Zanardi","doi":"10.30687/MDCCC/2280-8841/2018/01/001","DOIUrl":"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/001","url":null,"abstract":"A small 19th century painting by an anonymous Master; a portrait of Dante, its subject; a note which reads ‘E. Degas’. These three elements form the basis of the study presented in this paper, which relates to a painting whose extremely high quality is self-evident, executed in the manner of old starting from an abbozzo, as not always was customary in 19th century, a painting which was in turn taken from Dante’s death-mask, which Degas among many other artists had drawn. Added to this is a small iconographical mystery: the poet’s face as depicted here is different from the usual depiction of the angry, elderly Florentine poet in exile. Indeed it shows a youth whose expression is at once enigmatic and appeased: could he be the Dante of Purgatory, known, from the Divine Comedy’s three cantiche to have been best loved by Degas? And if the author were not the youthful copyist Degas, is our painting then definitely by a French Master? Could the unique ‘young Dante’ be the work of a Nazarene or, rather, of a Purist? In short: ‘a painting, the philology and perhaps a name’.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43722174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Etchings of Ancient Ornamental Architecture (1800) e Designs for Cottages (1805) 古代装饰建筑蚀刻（1800）e小屋设计（1805）
MDCCC 1800 Pub Date : 2018-07-31 DOI: 10.30687/MDCCC/2280-8841/2018/01/002
Tiziano Casola
{"title":"Etchings of Ancient Ornamental Architecture (1800) e Designs for Cottages (1805)","authors":"Tiziano Casola","doi":"10.30687/MDCCC/2280-8841/2018/01/002","DOIUrl":"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/002","url":null,"abstract":"Charles Heathcote Tatham and Joseph Gandy played important roles in early Nineteenth century British artistic world: Tatham for his contribution to the development of applied arts, Gandy for being John Soane’s projects graphic executor, as well as a truly eclectic artist, hard to classify in traditional canons. Apparently disconnected and distant from each other, the two architects shared the experience of the trip to Rome, which took place simultaneously in the years 1794-1796, but if they boarded the same ship, they also moved in two diametrically opposite directions once arrived in Rome. The letters sent home by the two young artists confirm this, telling two completely dissimilar experiences of the same Rome and the Ancient. After returning home, between 1800 and 1806, both architects published some illustrated publications strongly linked to the recent trip. In both cases they are architectural model albums: two series of ’didactic’ engravings by Tatham, and two pattern books for rural buildings by Gandy. They are two extremely different editorial cases, but both based on the ’re-use’ of the Italian experiences of the authors and their personal interpretation of their time’s cult of antiquity.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47414282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Tra le Parrasie vocali selve, e le rupi Menalie 在塞尔夫的语音信箱和梅纳莉悬崖之间
MDCCC 1800 Pub Date : 2018-07-31 DOI: 10.30687/MDCCC/2280-8841/2018/01/004
M. Morelli
{"title":"Tra le Parrasie vocali selve, e le rupi Menalie","authors":"M. Morelli","doi":"10.30687/MDCCC/2280-8841/2018/01/004","DOIUrl":"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/004","url":null,"abstract":"In 1820 in Perugia was inaugurated the sala arcadica della Colonia Augusta painted by Giovanni Monotti and Carlo Cencioni. The room, still preserved, was used as headquarters of Arcadians’ winter meetings and is a rare example of decoration directly inspired by the themes of the Arcadian Academy. A number of significant references to Arcadian traditions and rituals handed down by custom and by the writings of the Academy are discernible in the landscapes and in the ornamentations of the cycle of paintings. These paintings are also an important step in a long process that testifies an emerging taste for stanze a boschereccia and late Neoclassic landscape in Papal States as a way to affirm a shared cultural and artistic language.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43113410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Il «Parnaso de’ moderni artisti»: le collezioni artistiche di Ambrogio Uboldo 《现代艺术家的帕纳索斯》:ambrosio Uboldo的艺术收藏
MDCCC 1800 Pub Date : 2018-07-31 DOI: 10.30687/MDCCC/2280-8841/2018/01/005
P. Carrea
{"title":"Il «Parnaso de’ moderni artisti»: le collezioni artistiche di Ambrogio Uboldo","authors":"P. Carrea","doi":"10.30687/MDCCC/2280-8841/2018/01/005","DOIUrl":"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/005","url":null,"abstract":"In March 1868, Vitaliano Crivelli and Giulio Sanpietro signed the appraisal of the Milanese banker Ambrogio Uboldo’s art collections, inherited by the future hospital located in his villa in Cernusco sul Naviglio: it was the beginning of an irreparable dispersion of works of art. Moving from that archival document, this essay aims to offer a virtual reconstruction of Uboldo’s gallery, also supported by the identification of a small number of the collection’s paintings. The range of subjects, art forms and genres (landscape and history paintings, portraits, sculptures and engravings) reflect the variety of relations established by the collector with the Milan art scene in the first half of the 19th century.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47291633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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