{"title":"展示铲子、肖像和窗帘","authors":"F. Franz","doi":"10.30687/MDCCC/2280-8841/2018/01/006","DOIUrl":null,"url":null,"abstract":"Art-historical partners J. A. Crowe (1851) and G. B. Cavalcaselle (1865) made individual surveys in Denmark. This paper speculates on their interactions with Danish expert N. L. Høyen. It focuses on Cavalcaselle’s Danish sketches (Marciana, Venice). It also offers new perspectives on G. F. Waagen’s stay in Copenhagen (1868). It expounds on the fortuna and conservation history of the Man of Sorrow by Mantegna, the alleged Portrait of Antonio Galli and other – mostly Valenti Gonzaga – paintings now in the Statens Museum for Kunst. It investigates the 19th-century criticism of draperies by Mantegna and Leonardo. It hypothesyses the identification of a Portrait of Thomas Gresham.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Disvelando pale, effigi e panneggi\",\"authors\":\"F. Franz\",\"doi\":\"10.30687/MDCCC/2280-8841/2018/01/006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Art-historical partners J. A. Crowe (1851) and G. B. Cavalcaselle (1865) made individual surveys in Denmark. This paper speculates on their interactions with Danish expert N. L. Høyen. It focuses on Cavalcaselle’s Danish sketches (Marciana, Venice). It also offers new perspectives on G. F. Waagen’s stay in Copenhagen (1868). It expounds on the fortuna and conservation history of the Man of Sorrow by Mantegna, the alleged Portrait of Antonio Galli and other – mostly Valenti Gonzaga – paintings now in the Statens Museum for Kunst. It investigates the 19th-century criticism of draperies by Mantegna and Leonardo. It hypothesyses the identification of a Portrait of Thomas Gresham.\",\"PeriodicalId\":32525,\"journal\":{\"name\":\"MDCCC 1800\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MDCCC 1800\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MDCCC 1800","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
艺术史合作伙伴j·a·克罗(1851年)和g·b·卡瓦尔卡塞勒(1865年)在丹麦进行了个人调查。本文推测了他们与丹麦专家N. L. h . yen的相互作用。展览的重点是卡瓦尔卡塞勒的丹麦小品(威尼斯马西亚纳)。它也为g.f.瓦格纳在哥本哈根的逗留(1868年)提供了新的视角。它阐述了曼特尼亚的《悲伤的人》的命运和保存历史，据称是安东尼奥·加利的肖像，以及其他——主要是瓦伦蒂·冈萨加——现在在Statens艺术博物馆的画作。它调查了19世纪对曼特尼亚和列奥纳多的窗帘的批评。它假设这是托马斯·格雷沙姆的肖像。
Art-historical partners J. A. Crowe (1851) and G. B. Cavalcaselle (1865) made individual surveys in Denmark. This paper speculates on their interactions with Danish expert N. L. Høyen. It focuses on Cavalcaselle’s Danish sketches (Marciana, Venice). It also offers new perspectives on G. F. Waagen’s stay in Copenhagen (1868). It expounds on the fortuna and conservation history of the Man of Sorrow by Mantegna, the alleged Portrait of Antonio Galli and other – mostly Valenti Gonzaga – paintings now in the Statens Museum for Kunst. It investigates the 19th-century criticism of draperies by Mantegna and Leonardo. It hypothesyses the identification of a Portrait of Thomas Gresham.
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