{"title":"20世纪初圣尼古拉斯·德·洛斯·阿罗约斯市政剧院的艺术家和装饰师","authors":"Giulia Murace","doi":"10.30687/MDCCC/2280-8841/2018/01/007","DOIUrl":null,"url":null,"abstract":"In Argentina, by the end of the 19th century and the beginning of the 20th, several opera houses appeared, in both large cities and small urban centers. One example is the Teatro Muncipal in San Nicolás de los Arroyos, inaugurated on August 10, 1908. This paper analyzes the historical-artistic aspects of the theater and the imaginary it contributed to build in a provincial city at the beginnings of 1900. Some peculiarities of this theatre lead us to highlight alternative routes of artistic circulation, where Buenos Aires is not always the center and where local intermediaries have had preeminence; since a greater dialogue with the city of Rosario than with the nation’s capital was established.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Artistas y decoradores en el Teatro Municipal de San Nicolás de los Arroyos a principios del siglo XX\",\"authors\":\"Giulia Murace\",\"doi\":\"10.30687/MDCCC/2280-8841/2018/01/007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Argentina, by the end of the 19th century and the beginning of the 20th, several opera houses appeared, in both large cities and small urban centers. One example is the Teatro Muncipal in San Nicolás de los Arroyos, inaugurated on August 10, 1908. This paper analyzes the historical-artistic aspects of the theater and the imaginary it contributed to build in a provincial city at the beginnings of 1900. Some peculiarities of this theatre lead us to highlight alternative routes of artistic circulation, where Buenos Aires is not always the center and where local intermediaries have had preeminence; since a greater dialogue with the city of Rosario than with the nation’s capital was established.\",\"PeriodicalId\":32525,\"journal\":{\"name\":\"MDCCC 1800\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MDCCC 1800\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MDCCC 1800","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/MDCCC/2280-8841/2018/01/007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
在阿根廷,到19世纪末和20世纪初,在大城市和小城市中心都出现了几座歌剧院。其中一个例子是圣Nicolás de los Arroyos的市政剧院,于1908年8月10日落成。本文从历史艺术的角度分析了20世纪初在一个省会城市中剧院的历史艺术特征,以及它所创造的想象。这座剧院的一些特点使我们强调了艺术流通的另一种途径,布宜诺斯艾利斯并不总是中心,当地的中介机构占据了主导地位;因为与罗萨里奥市的对话比与国家首都的对话更重要。
Artistas y decoradores en el Teatro Municipal de San Nicolás de los Arroyos a principios del siglo XX
In Argentina, by the end of the 19th century and the beginning of the 20th, several opera houses appeared, in both large cities and small urban centers. One example is the Teatro Muncipal in San Nicolás de los Arroyos, inaugurated on August 10, 1908. This paper analyzes the historical-artistic aspects of the theater and the imaginary it contributed to build in a provincial city at the beginnings of 1900. Some peculiarities of this theatre lead us to highlight alternative routes of artistic circulation, where Buenos Aires is not always the center and where local intermediaries have had preeminence; since a greater dialogue with the city of Rosario than with the nation’s capital was established.