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Les chantiers du Louvre et des Tuileries en 1800 Une étape fondamentale dans l’élaboration de l’historicisme 1800年的卢浮宫和杜伊勒里宫是历史主义发展的一个基本阶段
MDCCC 1800 Pub Date : 2021-07-26 DOI: 10.30687/mdccc/2280-8841/2021/10/004
Nicoud Guillaume
{"title":"Les chantiers du Louvre et des Tuileries en 1800\u0000 Une étape fondamentale dans l’élaboration de l’historicisme","authors":"Nicoud Guillaume","doi":"10.30687/mdccc/2280-8841/2021/10/004","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2021/10/004","url":null,"abstract":"In 1800, the “Grand dessein” established under Henri IV that aims at uniting the Louvre and Tuileries palaces was relaunched and the completion of the Cour Carrée was undertaken. Historiographical debates followed, with the idea of understanding better and respecting the ancient parts of these buildings. The result was that the Louvre of Lescot and Goujon could be used as a reference for the construction site, or even for everything that had been built up until Henri IV, but the contribution since Louis XIV took a back seat. This historicizing approach made it possible to finally begin the completion process.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47118275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rossi’s Saint Anthony, from Beckford’s Oratories to Sir Francis Cook’s ‘Sanctuary’ in Monserrate Palace, Portugal 罗西的圣安东尼，从贝克福德的礼拜堂到弗朗西斯·库克爵士在葡萄牙蒙塞拉特宫的“圣所”
MDCCC 1800 Pub Date : 2021-07-26 DOI: 10.30687/mdccc/2280-8841/2021/10/008
Maria João Baptista Neto
{"title":"Rossi’s Saint Anthony, from Beckford’s Oratories to Sir Francis Cook’s ‘Sanctuary’ in Monserrate Palace, Portugal","authors":"Maria João Baptista Neto","doi":"10.30687/mdccc/2280-8841/2021/10/008","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2021/10/008","url":null,"abstract":"William Beckford’s statue of Saint Anthony, sculpted by John Rossi, included one of the most valued pieces of his art collection. As this paper argues, this statue was modeled after a sixteenth century sculpture of the Church of Saint Anthony located in Lisbon. The statue played a major role at Fonthill Abbey, where it was displayed in a sumptuous sanctuary. The same occurred in Lansdown Tower, enthroned in a new oratory. After Beckford’s death, the art collector Francis Cook purchased the statue for his Monserrate estate in Sintra, where Beckford lived between 1794 and 1795. The Lansdown sanctuary was then recreated in Monserrateas an intriguing homage to Beckford.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46614462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La collezione di disegni con misure di Isidro González Velázquez nella Real Academia de San Fernando di Madrid Monumenti dell’antica Roma e altri appunti 与措施的设计收藏Isidro Gonzá小时Velá部长在皇家马德里学术界de San Fernando古罗马遗迹和其他笔记
MDCCC 1800 Pub Date : 2021-07-26 DOI: 10.30687/mdccc/2280-8841/2021/10/002
Jorge García Sánchez
{"title":"La collezione di disegni con misure di Isidro González Velázquez nella Real Academia de San Fernando di Madrid\u0000 Monumenti dell’antica Roma e altri appunti","authors":"Jorge García Sánchez","doi":"10.30687/mdccc/2280-8841/2021/10/002","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2021/10/002","url":null,"abstract":"Isidro González Velázquez’s experiences and works in Italy, sponsored by the monarch Charles IV with the purpose of studying the antiquities of Rome, are better known than those of the rest of the Spanish pensionados of the eighteenth century, thanks to the conservation of plans, drawings and documents of the architect in different institutions. Recently, the Real Academia de San Fernando acquired an important collection of drawings with measures by Velázquez, mostly related to classical monuments. This collection comes to enlighten the fieldwork system of Velázquez, and in general of the students of architecture of his time, the state of conservation of the constructions he was interested in (the temples of the Forum, the Theatre of Marcellus, the Forum of Augustus, etc.) and the professional relationships that he established in order to carry out the measurement of these classical buildings.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41498221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pompeji in Paris. Die Quatre Saisons (1821) von Eugène Delacroix 蓬佩吉在巴黎。《四季之死》（1821）冯·尤金·德拉克洛瓦
MDCCC 1800 Pub Date : 2021-07-26 DOI: 10.30687/mdccc/2280-8841/2021/10/003
Friederike Vosskamp
{"title":"Pompeji in Paris. Die Quatre Saisons (1821) von Eugène Delacroix","authors":"Friederike Vosskamp","doi":"10.30687/mdccc/2280-8841/2021/10/003","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2021/10/003","url":null,"abstract":"The Quatre Saisons by Eugène Delacroix are among the lesser-known and hitherto little-explored works of the French artist. Designed in 1821, the paintings served as decorations for the dining room in the hôtel particulier of the French actor François-Joseph Talma in Paris. Stylistically, the series draws inspiration from ancient art, especially from the Roman wall paintings of Herculaneum and Pompeii that were rediscovered during the eighteenth century. However, rather than imitating models from the past, the artist adapts and rearranges them, thus also revitalising the motif of the four seasons that was very popular for interior decorations in the eighteenth and early nineteenth centuries. The paper discusses Delacroix’s four-part cycle as a striking example of both the rediscovery and appropriation of antiquity in nineteenth-century art. In doing so, it examines the artist’s close relationship with ancient art and the way in which Delacroix draws on models from the past and eclectically transforms them for his own artistic needs. The interest for ancient Roman art is also considered according to the role the patron Talma played in the development of the décor.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47530061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La riscoperta dello stile bramantesco, tra istanze storiografiche e prospettive progettuali 在历史实例和设计视角之间重新发现Bramantese风格
MDCCC 1800 Pub Date : 2021-07-26 DOI: 10.30687/mdccc/2280-8841/2021/10/005
G. D'amia
{"title":"La riscoperta dello stile bramantesco, tra istanze storiografiche e prospettive progettuali","authors":"G. D'amia","doi":"10.30687/mdccc/2280-8841/2021/10/005","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2021/10/005","url":null,"abstract":"In the first decades of the 19th century the rediscovery of the ‘bramantesco’ style assumed a strong local character due to the supposed existence of a ‘Milanese’ ‘bramantesco’ style. This movement consisted in attributing the early stages of Italian Renaissance art to the Lombard culture of the 15th century. The historiographic analysis is associated with episodes of architectural revival episodes in order to capture the first instances of renewal and experiment new models that went beyond the Vitruvian canon adopted in the Brera school. Indeed, the more flexible proportions of the ‘bramantesco style’ were more suitable to the need for variety and modernity of residential architecture, and more appropriate to be used in the standardised production of ornamental terracotta elements.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46897117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Florentine Revival of Late Nineteenth-Century French Sculpture Perspectives from the Gazette des Beaux-Arts (1861-81) 19世纪晚期法国雕塑的佛罗伦萨复兴——从《美术公报》看(1861-81)
MDCCC 1800 Pub Date : 2021-07-26 DOI: 10.30687/mdccc/2280-8841/2021/10/009
Federica Vermot
{"title":"The Florentine Revival of Late Nineteenth-Century French Sculpture\u0000 Perspectives from the Gazette des Beaux-Arts (1861-81)","authors":"Federica Vermot","doi":"10.30687/mdccc/2280-8841/2021/10/009","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2021/10/009","url":null,"abstract":"The aim of this paper is to show how French sculpture briefly resumed the impasse in which it was stuck in the middle of the nineteenth century thanks to the reliance on fifteenth-century Florentine sculpture. An analysis of the commentaries made by the critics of the Gazette des Beaux-Arts, which was the first journal to assess and promote neo-Florentine sculptors in the 1860s and 1870s, allows to better grasp the evolution and failure of the trend, as well as the various issues that were at stake, such as originality and naturalism in sculpture. This revival provided French art with a new generation of successful sculptors and inspiring works that eventually lead to the unprecedented – and short-lived – triumph of sculpture at the Exposition Universelle of 1878.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42484244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
9 | 2020 9 | 2020
MDCCC 1800 Pub Date : 2020-12-10 DOI: 10.30687/mdccc/2280-8841/2020/09
{"title":"9 | 2020","authors":"","doi":"10.30687/mdccc/2280-8841/2020/09","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2020/09","url":null,"abstract":"","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48929251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Accademia di Belle Arti of Venice and “gli autori del miglior tempo” Tiziano, Tintoretto, Veronese… Between Teaching, Celebration, Memory and Promotion 威尼斯Belle Arti学院和“最佳时间的作者”Tiziano，Tintoretto，Veronese…在教学、庆祝、记忆和推广之间
MDCCC 1800 Pub Date : 2019-07-31 DOI: 10.30687/MDCCC/2280-8841/2019/01/001
M. Bellin, Elena Catra
{"title":"Accademia di Belle Arti of Venice and “gli autori del miglior tempo”\u0000 Tiziano, Tintoretto, Veronese… Between Teaching, Celebration, Memory and Promotion","authors":"M. Bellin, Elena Catra","doi":"10.30687/MDCCC/2280-8841/2019/01/001","DOIUrl":"https://doi.org/10.30687/MDCCC/2280-8841/2019/01/001","url":null,"abstract":"Between 1807 and 1856, the Royal Academy of Art in Venice played a particularly active role in the cultural life of the city. Prominent figures such as Pietro Edwards, Leopoldo Cicognara and Pietro Estense Selvatico, deeply committed to the transmission of the memory of the great Venetian masters, dedicated themselves to collect many venetian masterpieces not only to preserve them from alienation and destruction but even to increase the Accademia Gallery. The main aim of this article is to discover how and at what extent the paintings of the Venetian masters that had become part of the gallery in the first decades of the XIX century, had been copied by students, academics and contemporary painters to satisfy the ambitious expectations of famous collectors and publishers.\u0000","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43580784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tommaso Riario Sforza, Filippo Agricola, Giovanni Regis and an Anonymous Letter for the Restoration of the Ratto d’Europa by Paolo Veronese of the Pinacoteca Capitolina in 1844 Tommaso Riario Sforza, Filippo Agricola, Giovanni Regis和1844年Pinacoteca Capitolina的Paolo Veronese为修复Ratto d 'Europa写的一封匿名信
MDCCC 1800 Pub Date : 2019-07-31 DOI: 10.30687/mdccc/2280-8841/2019/01/003
S. Ventra
{"title":"Tommaso Riario Sforza, Filippo Agricola, Giovanni Regis and an Anonymous Letter for the Restoration of the Ratto d’Europa by Paolo Veronese of the Pinacoteca Capitolina in 1844","authors":"S. Ventra","doi":"10.30687/mdccc/2280-8841/2019/01/003","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2019/01/003","url":null,"abstract":"The present paper takes the cue from an anonymous letter sent in 1844 to the camerlengo Tommaso Riario Sforza to denounce the poor conservative conditions in which Veronese’s Rape of Europe, in the Pinacoteca Capitolina in Rome, was placed. Considered one of the gems of the Roman collections, as the contemporary sources attest, especially due to the scarcity of works by Venetian masters in Rome, the large canvas was important above all as a model for young artists to exercise on colouring. Following this complaint, the painting will be taken over by the under-inspector Filippo Agricola, who will make the design for a new frame and will entrust the restoration to Giovanni Regis.","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44100570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
8 | 2019 CELEBRATING RUSKIN! Reconsidering the Venetian Masters of the Renaissance in the 19th Century 2019年庆祝罗斯金!重新审视19世纪文艺复兴时期的威尼斯大师
MDCCC 1800 Pub Date : 2019-07-31 DOI: 10.30687/mdccc/2280-8841/2019/01
{"title":"8 | 2019\u0000 CELEBRATING RUSKIN! Reconsidering the Venetian Masters of the Renaissance in the 19th Century","authors":"","doi":"10.30687/mdccc/2280-8841/2019/01","DOIUrl":"https://doi.org/10.30687/mdccc/2280-8841/2019/01","url":null,"abstract":"","PeriodicalId":32525,"journal":{"name":"MDCCC 1800","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45809579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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