Persona Studies最新文献_第4页

Portrayal by Inappropriate Interaction 不恰当互动的刻画

Persona Studies Pub Date : 2021-12-17 DOI: 10.21153/psj2021vol7no1art1469

Christine Isager, S. Moestrup

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引用次数: 0

Commonwealth Princess? 英联邦的公主吗?

Persona Studies Pub Date : 2021-12-17 DOI: 10.21153/psj2021vol7no1art1459

Jessica Carniel

引用次数: 0

The Social Oikos 社会Oikos

Persona Studies Pub Date : 2021-12-17 DOI: 10.21153/psj2021vol7no1art1458

M. L. Humphrey

{"title":"The Social Oikos","authors":"M. L. Humphrey","doi":"10.21153/psj2021vol7no1art1458","DOIUrl":"https://doi.org/10.21153/psj2021vol7no1art1458","url":null,"abstract":"In one of the foundational articles of persona studies, Marshall and Barbour (2015) look to Hannah Arendt for development of a key concept within the larger persona framework: “Arendt saw the need to construct clear and separate public and private identities. What can be discerned from this understanding of the public and the private is a nuanced sense of the significance of persona: the presentation of the self for public comportment and expression” (2015, p. 3). But as far back as the ancient world from which Arendt draws her insights, the affordance of persona was not evenly distributed. As Gines (2014) argues, the realm of the household, oikos, was a space of subjugation of those who were forced to be “private,” tending to the necessities of life, while others were privileged with life in the public at their expense. To demonstrate the core points of this essay, I use textual analysis of a YouTube family vlog, featuring a Black mother in the United States, whose persona rapidly changed after she and her White husband divorced. By critically examining Arendt’s concepts around public, private, and social, a more nuanced understanding of how personas are formed in unjust cultures can help us theorize persona studies in more egalitarian and robust ways.","PeriodicalId":31781,"journal":{"name":"Persona Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41680258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Involuntary Mask of the Poet 诗人不自觉的面具

Persona Studies Pub Date : 2021-12-17 DOI: 10.21153/psj2021vol7no1art1452

M. Nolan

{"title":"The Involuntary Mask of the Poet","authors":"M. Nolan","doi":"10.21153/psj2021vol7no1art1452","DOIUrl":"https://doi.org/10.21153/psj2021vol7no1art1452","url":null,"abstract":"This essay examines historical perspectives of the Poet persona (traditionally defined and articulated by poets themselves) alongside a contemporary depiction of the Poet in the novel-sphere. More specifically, it considers the protagonist from P.D. James’s Adam Dalgliesh mysteries (14 novels spanning from 1962 – 2008), as Dalgliesh is the perfect character to analyse in this respect. James’s character reflects a notable shift of the persona in the contemporary through a construction that relies upon both personally and publicly constructed features. Dalgliesh exists at the nexus of detective and poet, a contradiction embodied through the dual personas of a professional and celebrity, each of which takes on a life of its own. Because his fame is not of his own making, this raises questions about how this publicly constructed aspect of the Poet persona manifests itself as what Portuguese poet, Fernando Pessoa (2006, p. 273) refers to as the “involuntary masks” of the poet. These “masks” are cultivated beyond Dalgliesh’s control and combine with his own strategic maneuvering to illustrate the dual nature of a persona reliant upon constructions of the self that atypically balance both self-defined and publicly constructed features. This essay argues that Dalgliesh thus not only serves as an exemplification of the modern Poet but also reveals those aspects of the Poet persona which have withstood the perceived distortions of time.","PeriodicalId":31781,"journal":{"name":"Persona Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47788204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Are Data-Driven Personas Considered Harmful? 数据驱动的角色被认为有害吗?

Persona Studies Pub Date : 2021-12-17 DOI: 10.21153/psj2021vol7no1art1236

Joni O. Salminen, Soon-Gyo Jung, B. Jansen

引用次数: 2

“My battery is low and it's getting dark” “我的电池电量不足，天快黑了”

Persona Studies Pub Date : 2021-12-17 DOI: 10.21153/psj2021vol7no1art1465

Travis Holland

引用次数: 1

Understanding Memetic Media and Collective Identity Through Streamer Persona on Twitch.tv 通过Twitch.tv上的流媒体人物理解记忆媒体和集体身份

Persona Studies Pub Date : 2021-03-16 DOI: 10.21153/PSJ2020VOL6NO2ART966

Nathan J. Jackson

引用次数: 7

Persona and Rebellion in Trickster Narratives. Case Study: Fleabag (BBC 2016-2019) 骗子叙事中的人格与反抗。案例研究：Fleabag（BBC 2016-2019）

Persona Studies Pub Date : 2020-12-11 DOI: 10.21153/psj2020vol6no1art998

Helena Bassil-Morozow

引用次数: 1

STAGE PERSONA, STAND-UP COMEDY AND MENTAL HEALTH: ‘PUTTING YOURSELF OUT THERE’ 舞台形象、单口喜剧和心理健康:“把自己展现出来”

Persona Studies Pub Date : 2020-02-07 DOI: 10.21153/psj2019vol5no2art917

M. Hargrave

引用次数: 2

LET US NOW PRAISE FAMOUS GUITARS: PERSONA AND THE MATERIAL DISPLAYS OF POPULAR MUSIC MUSEUMS 现在让我们赞美著名的吉他：流行音乐博物馆的人物形象和材料展示

Persona Studies Pub Date : 2019-07-11 DOI: 10.21153/PSJ2019VOL5NO1ART841

Charles S. Fairchild

{"title":"LET US NOW PRAISE FAMOUS GUITARS: PERSONA AND THE MATERIAL DISPLAYS OF POPULAR MUSIC MUSEUMS","authors":"Charles S. Fairchild","doi":"10.21153/PSJ2019VOL5NO1ART841","DOIUrl":"https://doi.org/10.21153/PSJ2019VOL5NO1ART841","url":null,"abstract":"The study of popular music museums has expanded greatly in the past decade or so. The numerous studies produced so far have largely focused on issues to do with tourism, heritage, and curatorship. Most analysis has attempted to gauge the effectiveness and degree of success of the various methods of constructing and displaying collections of sounds, objects, and ideas. One area that can be of interest in moving beyond these analyses of museum practice is to examine how larger ideologies of artistry and artists that pervade the celebrity personas so assiduously built around famous musicians are an important foundation for these museums’ displays. There are two reasons for the value of this approach. First, it should be clear that most exhibits in popular music museums are built to enhance, not contest already-existing images, historical narratives, and genre-defining attributes that surround well-known musicians. Therefore, it is not possible to understand these institutions without some sense of how they work with musician personas that necessarily precede any presentation in museum exhibitions. Second, we can see this dynamic in extraordinarily concise forms when we examine some of the ‘famous objects’ these museums display. We can often see an entire complex of received ideas about an artist encapsulated in just a few well-known objects they once possessed. From this I will suggest that the personas of famous musicians that appear in most popular music museums do so through varied amalgams of symbolic and material forms meant to stabilise or enhance already-existing ideas about canonically-validated ‘great’ artists.","PeriodicalId":31781,"journal":{"name":"Persona Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49444849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2