不恰当互动的刻画

Christine Isager, S. Moestrup
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引用次数: 0

摘要

仔细阅读丹麦-巴勒斯坦诗人叶海亚·哈桑(1995-2020)的三个不同人物形象,可以看到记者和主题之间的互动如何成为一种相互的表演挑战,以及在这种情况下,双方的人物角色如何在伦理和美学意义上成为多层次的新闻资源。我们运用“修辞技巧”的概念(Phillips 2006)来描述记者使用低调的“次要第一人称”和明显回应的“主要第一人称”视角(Phillips 2019),强调了一个原则,该原则可能会重新调整紧张或失控的采访情况。这一原则要求主题形式的不断变化,这可能是不合适的,但可以使上下文透明和独特的文本结构或叙事风格。通过将人物角色的相互构成和重构视为修辞手法,我们希望首先在形式层面上扩展人物角色研究的分析视角,同时,第二,激励记者探索人物角色表演的关系和互动方面,作为他们专业实践中偶尔出现的生产性中断的资源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Portrayal by Inappropriate Interaction
A close reading of three different profiles of Danish-Palestinian poet Yahya Hassan (1995-2020) showcases how interactions between journalists and subjects may become a mutual performative challenge and how, on such occasions, the personas of both parties may serve as a multi-layered journalistic resource in both an ethical and aesthetic sense. Applying the concept of “rhetorical maneuvers” (Phillips 2006) to describe reporters’ uses of an understated ‘first-person minor’ versus a demonstratively responsive ‘first-person major’ perspective (Phillips 2019), we highlight a principle that may reorient interview situations that are tense or out of control. The principle entails continuous shifts of subject form that are potentially inappropriate but enable both contextual transparency and a distinct textual structure or narrative style. By considering the mutual constitution and reconstitution of personas as rhetorical maneuvering we hope first to expand the analytical perspective of persona studies at the level of form while also, secondly, motivating journalists to explore the relational and interactive aspects of persona performances as a resource for occasional, productive disruption of their professional practice.
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