Jurnal Poetika最新文献

{"title":"Pembongkaran Puitik terhadap Diksi-Diksi Gender dalam Sajak-Sajak Dorothea: Kontra Hegemoni Dunia Penciptaan Kaum Lelaki","authors":"Rangga Asmara, Widya Ratna Kusumaningrum","doi":"10.22146/poetika.34842","DOIUrl":"https://doi.org/10.22146/poetika.34842","url":null,"abstract":"In the last two decades, women’s issues have been attracting public attention, particularly for those who see and study women from male world of construction. In the literature framework, the existing problems are not limited to the women’s involvement in the creation, criticism, and as readers only. However, the growth of the creation of female poets has opposed to men's superiority towards women. The role of gender and institution of marriage, which have been the symbol of hegemonic masculinity, has become a deconstruction and parody. The aim of this study is to dismantle the gender dictions in the Dorothea’s poem, which reflect the hegemonic masculinity. The object of this research is the poetry collections entitiled ‘Nikah Ilalang’ by Dorothea Rosa Herliany. Technique of data collection used was notetaking. In analyzing the data, Dorothea's poetries are studied by using heuristic and hermeneutic techniques. In using hermeneutic technique, this study used semiotic approach and potential/actual hypogram in order to find a proper model as matrix actualization.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42797123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MASALAH CINA, MASALAH CINTA: POSISI ORANG TIONGHOA DALAM DI KAKI BUKIT CIBALAK KARYA AHMAD TOHARI","authors":"C. Woodrich","doi":"10.22146/POETIKA.10402","DOIUrl":"https://doi.org/10.22146/POETIKA.10402","url":null,"abstract":"e-width: 0px; \"> For the duration of the New Order era (1966–98), the position of Chinese Indonesians was considered a problematic question: they were not “Pribumi” (native), but also not entirely Chinese. This “Chinese Problem” was discussed by a variety of speakers and writers, including several authors of literary works. In Di Kaki Bukit Cibalak (1977), Ahmad Tohari presents two ethnic Chinese characters, Nyonya Wibawa and Mulyani, the first as the employer and the second as the lover of the main character, Pambudi. By applying Goldmann’s theory of genetic structuralism, we show that through his depiction of the physical and behavioural aspects of the characters, Tohari promotes an assimilationist approach as the only possible solution to the Chinese problem (if it can be solved): the dichotomies between ethnic Chinese and Native Indonesians must be erased. However, Tohari continues to differentiate the ethnic Chinese by positioning them as persons who must only act to support the welfare of the Pribumi. Keywords: “The Chinese Problem”, Ahmad Tohari, position of Chinese Indonesians, Di Kaki Bukit Cibalak","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"136 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75985745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Shame and Alienation in Kafka’s The Metamorphosis","authors":"Karla Sharin Minar, Anton Sutandio","doi":"10.22146/POETIKA.27100","DOIUrl":"https://doi.org/10.22146/POETIKA.27100","url":null,"abstract":"This article explores Sartre’s concept of shame and alienation in Kafka’s The Metamorphosis through the portrayal of the protagonist.  By focusing on the interpretation of the characteristics of Gregor Samsa through New Criticism approach, this article reveals that shame and alienation may occur when a person realizes that one is judged by others and sees oneself through the eyes of others.  This way of looking at one’s identity is problematic because it creates complexity within the existence of the self.  Through his fantastical transformation into an insect, Gregor cannot help but seeing himself from his family’s point of view.  Instead of fighting for himself, he is made to believe that he deserves to be alienated.  From the analysis of the protagonist, it is revealed that his being selfess and dutiful in a way trigger the shame and alienation that result in his submission to death.  Keywords : alienation, Kafka, Sartre, shame","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"123-133"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45829264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Kekuatan Memori dan (Ketidak)Mungkinan Pengampunan dalam Novel Hanauzumi Karya Jun’ichi Watanabe","authors":"Intannia Cahyasari","doi":"10.22146/POETIKA.30972","DOIUrl":"https://doi.org/10.22146/POETIKA.30972","url":null,"abstract":"This study analyzes memory formation along with its transmission and forgiveness as a tool used by Gin as the main character to form the discourse of truth within the scope of society's way of thinking that has not been touched by the modernization of the Meiji Restoration era. Hanauzumi's novel implies that a bitter and tragic past can not be forgotten just by Gin. And furthermore, there is a chance redemption done by Gin by striving to realize his goal of reaching the doctor's profession as a sense of solidarity among fellow women. The purpose of this study is to present memory and forgiveness as a tool used by Gin to form the discourse of truth, thus giving him the power to fight for justice for women's rights, rights for himself and for other women. The method used in this research is descriptive qualitative. This research tries to illustrate the traumatic events of the main character who became the forerunner of his struggle to become the first female doctor in Japan. Key Words: Memory, Power, Forgiveness, Trauma, Meiji Restoration","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"68-81"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46394854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Being a Sensible Woman: Hypertextuality in Grimm’s Fairy Tale and Juliet Marillier’s Wildwood Dancing","authors":"A. Adji","doi":"10.22146/POETIKA.V5I2.26433","DOIUrl":"https://doi.org/10.22146/POETIKA.V5I2.26433","url":null,"abstract":"The re-writing of a fairy tale caters for characters, settings and values that have undergone changes, be it explicit or implicit. In Juliet Marillier’s Wildwood Dancing , the main female character Jena is transformed from the passive and obedient Twelfth/Youngest Princess of Grimm’s The Worn-Out Dancing Shoes into a brave and sensible figure. She challenges the oppression of patriarchal rules by taking control of her household in her father’s absence, securing her four sisters’ welfare, and keeping secret of their nocturnal dancing trips in the Other Kingdom despite being threatened by her domineering male cousin. In this way, Gerard Genette’s Hypertextuality strives to investigate the underlying patterns manifested in both literary works by applying the Re-vision element. Through it, Jena’s and the Twelfth/Youngest Princess’ sensibility trait and the socio-cultural settings surrounding them are highlighted in order to determine the importance of the overall hypertextuality process that takes place between the two. Later, Jena emerges as the more influential heroine than her predecessor character because she does not stop struggling to be regarded as an independent young woman who can always give advice and make decisions for her family affairs sensibly. Also, it is eventually proven that sensibility is indeed a strong weapon to be possessed by women in order to empower themselves against the conventions of a patriarchal world.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"109-122"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42180514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"NOVEL CHARLOTTE KARYA DAVID FOENKINOS: SEBUAH NARASI TENTANG DISKRIMINASI, RASISME, DAN HOLOCAUST","authors":"Tania Intan","doi":"10.22146/POETIKA.V5I2.28979","DOIUrl":"https://doi.org/10.22146/POETIKA.V5I2.28979","url":null,"abstract":"The Nazi ruling since 1933 made no secret of his dislike of Jews. Adolf Hitler even declared that \"rational antisemitism must lead to a system of legal opposition, the ultimate goal of wiping out all Jews\" (Mein Kampf, 1925: 27). He also developed the idea that Jews are the evil race that dominates the world. Nazi anti-Semitism is instilled in religious situations and in a political context. Then, the Nazis added a further dimension, racial anti-semitism. With the logic that Jews are not religious but racial communities, the Nazis launched various aggressions in the form of discriminatory, racist, and Holocaust. This dark phenomenon in human history is revealed in Charlotte's novel by David Foenkinos, a French writer who often receives literary awards. The discussion will be conducted by descriptive analysis method through structural approach which includes assessment of character, background, and point of view. Key words : Discrimination, Racism, Holocaust, Charlotte","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"96-108"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48351957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Transmisi Memori dan Trauma dalam Mother Land Karya Dmetri Kakmi: Kajian Postmemory","authors":"Andri Fernanda","doi":"10.22146/POETIKA.V5I2.30937","DOIUrl":"https://doi.org/10.22146/POETIKA.V5I2.30937","url":null,"abstract":"Abstrak Penelitian ini mengkaji tentang bagaimana proses kreatif sebuah karya postmemory dalam proses transmisi memori dari generasi pertama ke generasi selanjutnya dan melihat gender memainkan peran penting dalam proses transmisi, serta bagaimana melihat gender dalam karya tersebut. Tujuan dalam penelitian ini untuk membongkar struktur transmisi memori traumatis Dmetri Kakmi dalam novel Mother Land serta melihat konstruksi gender terhadap kesan-kesan traumatis yang muncul di dalam karya tersebut. Peneliti menggunakan teori postmemory yang dicetuskan oleh Marianne Hirsch untuk melihat 1) Bagaimana transmisi memori dan peran gender dalam penulisan novel Mother Land karya Dmetri Kakmi; dan 2) Bagaimana peran gender di dalam novel tersebut. Hasil penelitian ini yakni: 1) novel ini dibentuk oleh dua transmisi, yaitu transmisi familial dari keluarga sehingga hal itu memunculkan imajinasi, serta transmisi afiliatif. Dalam proses transmisi, gender memainkan peran kepada siapa dan narasi apa yang diceritakan kepada post-generation ; 2) Peran gender di dalam novel terlihat dari infantilized yang dilakukan terhadap kaum Yunani dan Hyper-masculinized yang dilakukan terhadap kaum Turki sebagai icon of destruction . Kata Kunci : postmemo ry , trauma, transmisi, identifikasi, gender. Abstract This research is a study about the creative process of a postmemory work in the memory transmitting process from the first generation to the next generation and the important role of gender in the transmission process, and the perspective of gender in postmemory’s work. The purpose of this research is to expose Dmetri Kakmi's traumatic memory transmission structure in his novel \"M other land\" and to take a look at genderization in traumatic impressions that emerged in his work. The researcher used Postmemory theory initiated by Marianne Hirsch to perceive 1) the transmission memory and the role of gender in Dmetri Kakmi's \"M other land\" novel;  and 2) the genderization process in that novel, and the results of this research: 1) Mother Land the novel is formed by two transmissions, familial transmission from the writer's family that led the writer to having an imagination of his late grandfather, and affiliative transmission. In the transmission process,  gender plays a key role in choosing who and what narration to be told to post-generation ; 2) The gender roles in the \"M other land\" novel can be found from such varied sources such as infantilized to the Greeks, and hyper-masculinized to the Turks as icon of destruction. Keywords : postmemory, trauma, transmission, identification, gender.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"82-95"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48003473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Tubuh dan Relasi Gender: Wacana Pascakolonial Dalam Novel “The Scarlet Letter” Karya Nathaniel Hawthorne","authors":"M. Y. Kardiansyah","doi":"10.22146/poetika.25065","DOIUrl":"https://doi.org/10.22146/poetika.25065","url":null,"abstract":"This research analyzes postcolonial discourse about body and gender relation in Nathaniel Hawthorne’s The Scarlet Letter that tells about obsession toward morality, gender oppression, punishment for sinner, guilty feeling dan individual sin confession. The objective of this research is to reveal the resistance sides toward colonial construction that still exist in society’s social order and norm reflected in that novel . By applying postcolonialism approach and deconstruction method, it is proven that The Scarlet Letter depicts colonized (women) resistance behind its attitude and practice that seems submissive to the power of colonizer (society dan men’s domination). Key Words: Postcolonial Discourse, Body, Gender Relation, Deconstruction, Colonial Construction","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"58-67"},"PeriodicalIF":0.0,"publicationDate":"2017-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44839152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ISU-ISU KRISIS DALAM NOVEL-NOVEL DYSTOPIAN SCIENCE FICTION AMERIKA","authors":"M. Muallim","doi":"10.22146/POETIKA.25810","DOIUrl":"https://doi.org/10.22146/POETIKA.25810","url":null,"abstract":"This paper focuses on issues and discourses about the crisis that existed in the dystopian science fiction (dystopian sf) novels. In this case, Hunger Games Trilogy (2008-2010), Maze Runner Trilogy (2009-2011), Divergent Trilogy (2011-2013) are the main object to see how far the text of dystopian sf novels address issues and discourses about the crisis within. Dystopian sf novels that are the counter-discourse of utopian sf novels has no longer present the utopian elements of the future, but, contrastly present the worst possibilities of the future. It appears that the dystopian sf writers present narratives about crisis, poverty, darkness, and pessimism in their novels. It even reads as a form of criticism and warning that the writers are trying to convey to the reader through fictional texts. In the end, the conditions of crisis seen in the text of these dystopian sf novels open its relationship with the world's history outside the text. Keywords: crisis, dystopian science fiction, America, history.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"36-50"},"PeriodicalIF":0.0,"publicationDate":"2017-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44934919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious","authors":"Ramis Rauf","doi":"10.22146/POETIKA.25994","DOIUrl":"https://doi.org/10.22146/POETIKA.25994","url":null,"abstract":"This study aims to analyze astral projection as a concept of Death and Dying by using a postmodern fiction discourse analysis perspective in Insidious movie script. This study found that astral projection is a capability possessed by a person to leave physical body and explore an astral world or the spirit world. Astral projection is a death and dying concept that is presented as one of the postmodern fictional strategies known as superimposition. This strategy illustrates that there are two worlds that accumulate and co-exist with each other. Its presence is a way of deconstructing thoughts about something that is considered uncanny and unusual as well as a counterpart of totality that puts the ontological side of the existence of something. It is said by McHale (1987) that it is a sister-genre of postmodern fiction. Science fiction explores ontological issues in order to build a good story while postmodern fiction simply presents the problem without having to build a story. Furthermore, both genres can adopt each other's strategies. Meanwhile, postmodern fictional relations and fantasy fiction are the same, borrowing strategies for exploring ontological issues.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"51-57"},"PeriodicalIF":0.0,"publicationDate":"2017-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44926506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}