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MENGUNGKAP KEBUNGKAMAN DALAM PRODUKTIVITAS FIKSI POP ISLAMI PENERBIT MIZAN 揭露伊斯兰流行小说出版商米赞在生产力上的沉默
Jurnal Poetika Pub Date : 2017-07-31 DOI: 10.22146/POETIKA.25697
C. Cantini
{"title":"MENGUNGKAP KEBUNGKAMAN DALAM PRODUKTIVITAS FIKSI POP ISLAMI PENERBIT MIZAN","authors":"C. Cantini","doi":"10.22146/POETIKA.25697","DOIUrl":"https://doi.org/10.22146/POETIKA.25697","url":null,"abstract":"This research focus on the discourse of Syiah that alleged to Mizan over the first publication of Dialog Sunni-Syiah which published at 1983. Despite of that negative justification, Mizan publisher still exist and productive, especially for producing pop-islamic fiction. By using Pierre Macherey’s literary production theory, spoken and unspoken, then found a ideological islamization project and also an anti-western effort in the other pop-islamic fiction by realizing it through figuration and symbol inside the text; hidayah, islam figure, moslem gathering, ideal by wearing hijab, Arabian’s figure domination, history of islamic resistance, and preferring middle east background. Therefore, unconsciously, pop-islamic fiction reducing the negative image of Mizan as pop-islamic publisher as well as showing the existence of islamic power. Mizan’s presence appears because of the enthusiasm of intellectuals to the islamic ideas books, especially about Islam Iran Revolution at 1979. By the sensitivity of the discourse in Orde Baru era, then Mizan publisher be a  part of negative image in islam. By the Mizan’s productivity producing pop books then the more the image faded, simultaneously awaken islamic power in Indonesia’s popular culture. Keywords: Pop-islamic fiction, Mizan Publisher, spoken and unspoken , silences","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"1-13"},"PeriodicalIF":0.0,"publicationDate":"2017-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41425479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Transformasi Perempuan dari “Liyan” ke “Diri” dalam Tiga Cerita Rakyat Kulisusu: Analisis Wacana Feminisme 在三个民间故事中，女性从“Liyan”变成了“自我”:女权主义话语分析
Jurnal Poetika Pub Date : 2017-07-31 DOI: 10.22146/poetika.25996
L. Nasiru
{"title":"Transformasi Perempuan dari “Liyan” ke “Diri” dalam Tiga Cerita Rakyat Kulisusu: Analisis Wacana Feminisme","authors":"L. Nasiru","doi":"10.22146/poetika.25996","DOIUrl":"https://doi.org/10.22146/poetika.25996","url":null,"abstract":"The study examined three female characters in Kulisusu folklore, each titled: Perselingkuhan Istri Lakino Lipu; Putri yang Hilang; Lagumba dan Wa Ure-Ure Ngkamagi. Three of them narrated women in prototype uniformity, in a concept that is more fluid than some kindergarten like Bawang Putih Bawang Merah or Cinderella. Fluidity mean that the liberation of women from all forms of subordination: a class polarization that took shape into archetypes dichotomous construction. The characters are identified as women who are not only clever, but also able to make decisions in determining their fate. This study will address two issues: 1) how women were originally seated as \"liyan\"; 2) how the plot revolves and places women as \"self\". Both are implicated by using the feminism discourse perspective. The review will help parents sort out stories that address the values of plurality and gender equality principles, and stories that must be abandoned for internalizing the bias in the eyes of the quality.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"26-35"},"PeriodicalIF":0.0,"publicationDate":"2017-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48231922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
REPRESENTASI FEMME FATALE DALAM NOVEL CANTIK ITU LUKA KARYA EKA KURNIAWAN 小说《康蒂克》中的蛇蝎美人形象
Jurnal Poetika Pub Date : 2017-07-31 DOI: 10.22146/POETIKA.V5I1.25446
Ferli Hasanah
{"title":"REPRESENTASI FEMME FATALE DALAM NOVEL CANTIK ITU LUKA KARYA EKA KURNIAWAN","authors":"Ferli Hasanah","doi":"10.22146/POETIKA.V5I1.25446","DOIUrl":"https://doi.org/10.22146/POETIKA.V5I1.25446","url":null,"abstract":"ABSTRAK Penelitian ini bertujuan untuk memaparkan karakteristik-karakteristik femme Fatale yang terdapat dalam novel Cantik Itu Luka . Melalui tokoh-tokoh perempuan yang berbeda, ciri-ciri tersebut dapat ditemukan. Dengan menggunakan konsep femme fatale dari Yvonne Tasker dan Edwards, lima tokoh perempuan, yaitu Dewi Ayu, Alamanda, Adinda, Maya Dewi, dan Si Cantik dapat dikategorikan sebagai femme fatale . Citra ini diperkuat juga dengan membandingkan ciri-ciri tersebut pada citra tokoh perempuan yang berbudi luhur. Simpulan akhir mengungkapkan bahwa pada diri tokoh-tokoh perempuan tersebut terdapat ambiguitas antara protagonis dan antagonis,  femme fatale dan perempuan berbudi luhur. Dengan demikian dapat dikatakan bahwa ada citra baru perempuan yang dibangun oleh dekonstruksi seksualitas pada novel ini. Kata kunci : femme fatale , perempuan, seksualitas ABSTRACT This study aims to describe the characteristics of femme Fatale contained in the novel Cantik Itu Luka. Through different female characters, these characteristics can be found. Using the femme fatale concept of Yvonne Tasker and Edwards, five female characters, Dewi Ayu, Alamanda, Adinda, Maya Dewi, and Si Cantik, can be categorized as femme fatale. This image is also strengthened by comparing such characteristics in the image of a virtuous woman. The final conclusion reveals that in the female characters there is and ambiguity between the protagonist and the antagonist, the femme fatale and the virtuous woman. Thus it can be said that there is a new image of women built by the deconstruction of sexuality in this novel Keywods: femme fatale , woman, seksuality","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"5 1","pages":"14-25"},"PeriodicalIF":0.0,"publicationDate":"2017-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49295319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
POSMODERNISME LINDA HUTCHEON: POETICS OF POSTMODERNISM (1989) DAN POLITIC OF POSTMODERNISM (2002) 后现代主义琳达·哈钦:后现代主义的诗学(1989)
Jurnal Poetika Pub Date : 2016-12-30 DOI: 10.22146/POETIKA.V4I2.17532
S. Supriyadi
{"title":"POSMODERNISME LINDA HUTCHEON: POETICS OF POSTMODERNISM (1989) DAN POLITIC OF POSTMODERNISM (2002)","authors":"S. Supriyadi","doi":"10.22146/POETIKA.V4I2.17532","DOIUrl":"https://doi.org/10.22146/POETIKA.V4I2.17532","url":null,"abstract":"","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"4 1","pages":"129-133"},"PeriodicalIF":0.0,"publicationDate":"2016-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68046476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
PRODUKSI, DISTRIBUSI, DAN KONTESTASI WACANA TRADISI DAN MODERNITAS DALAM CERPEN LETEH KARYA OKA RUSMINI 在冈·拉斯米尼的短篇小说中，传统和现代性的制作、分发和示范
Jurnal Poetika Pub Date : 2016-12-30 DOI: 10.22146/POETIKA.17531
Akmal Jaya
{"title":"PRODUKSI, DISTRIBUSI, DAN KONTESTASI WACANA TRADISI DAN MODERNITAS DALAM CERPEN LETEH KARYA OKA RUSMINI","authors":"Akmal Jaya","doi":"10.22146/POETIKA.17531","DOIUrl":"https://doi.org/10.22146/POETIKA.17531","url":null,"abstract":"Penelitian ini bertujuan untuk mengungkapkan bagaimana wacana mengenai tradisi kebudayaan masyarakat Bali diproduksi, dipertentangkan dan kemudian menjadi wacana tandingan terhadap wacana modernitas dalam cerita pendek Leteh karya Oka Rusmini. Penelitian ini mengaplikasikan teori dan metode analisis wacana Foucault, dengan menampilkan formasi diskursif melalui ekslusi eksternal maupun internal. Penelitian ini menemukan bahwa ada upaya-upaya memproduksi, mendistribusikan, kemudian memodifikasi wacana tradisi sebagai wacana tandingan terhadap modernitas.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"4 1","pages":"107-118"},"PeriodicalIF":0.0,"publicationDate":"2016-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68045614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
KERINDUAN PADA YANG REAL DALAM NOVEL AKAR KARYA DEE 在迪伊的根本小说中对现实的渴望
Jurnal Poetika Pub Date : 2016-12-30 DOI: 10.22146/poetika.15650
Fina Hiasa
{"title":"KERINDUAN PADA YANG REAL DALAM NOVEL AKAR KARYA DEE","authors":"Fina Hiasa","doi":"10.22146/poetika.15650","DOIUrl":"https://doi.org/10.22146/poetika.15650","url":null,"abstract":"This research was aimed to describe how the author’s desire manifested through Akar’s novel. There was a relationship between the story of Akar’s novel, which has a Buddhism background, with Dee’s interest as the author’s toward buddha’s teachings that became an indication about the relation between author’s desire and Akar’s novel. To answer this indication, the writer used Lacan’s Psychoanalysis method through the mechanism of metaphor and metonymy by analyzing a series of signifiers on Akar’s novel, so it will discover what exactly the desire of “being” and “having” of the author.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"4 1","pages":"66-73"},"PeriodicalIF":0.0,"publicationDate":"2016-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68045557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
READING SIMULATION IN YANN MARTEL’S LIFE OF PI 阅读模拟在yann martel的PI的生活
Jurnal Poetika Pub Date : 2016-12-30 DOI: 10.22146/poetika.15562
Sri Nurhidayah
{"title":"READING SIMULATION IN YANN MARTEL’S LIFE OF PI","authors":"Sri Nurhidayah","doi":"10.22146/poetika.15562","DOIUrl":"https://doi.org/10.22146/poetika.15562","url":null,"abstract":"Yann Martel’s Life of Pi tells a story of a survivor boy floating on a lifeboat with a Bengal tiger passing Pacific Ocean with the brutal show between animals. He is insisted to tell about more realistic story, thus he tells it contains of similar conflicts with different characters; the animals are changed into humans. Here, it shows two stories in one story which blurs the true story behind it. This is what Baudrillard the process of simulation over simulacra; the reproduced false representation of the true reality. The two stories can be both true and thus, the questions can be problematized are; (1) How is simulation understood in Yann Martel’s Life of Pi? (2) What is the hyper-reality resulted as the impact of simulation represented in Yann Martel’s Life of Pi? The used method is objective approach (textually) and based on the analysis, the two stories are connected to each other, animal story represents human story while human story represents the animal story. The animal story can be seen as the false copy of the true story because it copies the human story, so can human story. This is simulation and this simulation results on the two true stories which are hyper-reality.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"4 1","pages":"97-106"},"PeriodicalIF":0.0,"publicationDate":"2016-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68045515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
IMPOSSIBLE MODERNISM: T.S. ELIOT, WALTER BENJAMIN, AND THE CRITIQUE OF HISTORICAL REASON (2016) 《不可能的现代主义:t.s.艾略特、沃尔特·本雅明与对历史理性的批判》(2016)
Jurnal Poetika Pub Date : 2016-12-30 DOI: 10.22146/poetika.17533
Jeffrey Willever Jacobson
{"title":"IMPOSSIBLE MODERNISM: T.S. ELIOT, WALTER BENJAMIN, AND THE CRITIQUE OF HISTORICAL REASON (2016)","authors":"Jeffrey Willever Jacobson","doi":"10.22146/poetika.17533","DOIUrl":"https://doi.org/10.22146/poetika.17533","url":null,"abstract":"Robert S. Lehman, dalam bukunya Impossible Modernism: T.S. Eliot, Walter Benjamin, and the Critique of Historical Reason (2016), memosisikan dirinya sebagai sarjana 'modernis tradisional'. Lehman menyatakan bahwa bukunya mengemukakan \"suatu interpretasi atas modernisme Eropa\". Namun, Lehman menemukan potensi dalam pemikiran Eliot dan Benjan untuk suatu kritik atas apa yang dia anggap sebagai \"titik buta\" kajian modernis baru, yakni, historisismenya.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"4 1","pages":"134-139"},"PeriodicalIF":0.0,"publicationDate":"2016-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68046162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE LURE OF THE IMAGE KEBOHONGAN PADA NARASI PEREMPUAN DALAM SYNGUE SABOUR PIERRE DE PATIENCE KARYA ATIQ RAHIMI 凯博洪根·帕达·纳拉西·佩伦潘形象的诱惑
Jurnal Poetika Pub Date : 2016-12-30 DOI: 10.22146/poetika.15493
Yuli Mahmudah Sentana
{"title":"THE LURE OF THE IMAGE KEBOHONGAN PADA NARASI PEREMPUAN DALAM SYNGUE SABOUR PIERRE DE PATIENCE KARYA ATIQ RAHIMI","authors":"Yuli Mahmudah Sentana","doi":"10.22146/poetika.15493","DOIUrl":"https://doi.org/10.22146/poetika.15493","url":null,"abstract":"This study aims to determine the position of the author in women narration. With Rahimi’s background as a feminist, he said that with his novel he voiced the voices of Afghan women. Rahimi offered a strong female figure in the middle of the patriarchal shackles who is able to fight the system. The problem of this study is Rahimi’s ambiguity in narrating women. To determine the position of the author, the research uses the concept of the lure of the image belongs to Lidia Curti. The lure of the image is an offer provided by the author to give positions to women that are in fact not provided by them. Based on the research conducted, the results show that Rahimi keeps women as objects in a patriarchal world. In this case he is not able to pull the women out of the patriarchal zone. The space given to women by Rahimi reinforces male power. What Rahimi written in this novel is the lure of the image according to Curti’s concept which explains it as an image of women given by author or known as female gaze.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"4 1","pages":"119-128"},"PeriodicalIF":0.0,"publicationDate":"2016-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68045497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
POSMODERN DAN SASTRA INDIGENOUS AUSTRALIA POSMODERN和SASTRA土著澳大利亚
Jurnal Poetika Pub Date : 2016-12-30 DOI: 10.22146/POETIKA.15717
Arif Furqan
{"title":"POSMODERN DAN SASTRA INDIGENOUS AUSTRALIA","authors":"Arif Furqan","doi":"10.22146/POETIKA.15717","DOIUrl":"https://doi.org/10.22146/POETIKA.15717","url":null,"abstract":"Karya sastra Indigenous Australia adalah karya masyarakat native yang tinggal di negara bentukan penjajah (settler state). Setelah opresi yang dialami selama beberapa dekade, perkembangan sastra mereka baru saja menapaki puncak di awal abad ke-21 bersama dengan adanya perubahan kebijakan politis serta didukung oleh perkembangan teknologi, serta bersamaan dengan kondisi posmodern atau logika kapitalisme lanjut. Tulisan ini hendak mengelaborasi perjalanan singkat dan resistensi yang muncul dalam sastra Indigenous Australia hingga kini menghadapi kapitalisme yang canggih. Di era global sekaramg ini, banyak sekali permasalahan yang muncul bahkan ketika karya sastra tersebut mulai merekah, mulai dari persoalan tentang identitas, sejarah, otentisitas, persaingan global, dan logika masyarakat posmodern.","PeriodicalId":31482,"journal":{"name":"Jurnal Poetika","volume":"4 1","pages":"85-96"},"PeriodicalIF":0.0,"publicationDate":"2016-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68045596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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