凯博洪根·帕达·纳拉西·佩伦潘形象的诱惑

Yuli Mahmudah Sentana
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引用次数: 2

摘要

本研究旨在确定作者在女性叙事中的地位。拉希米是一名女权主义者,他说,他通过自己的小说表达了阿富汗女性的声音。拉希米提供了一个强大的女性形象,处于父权枷锁之中,能够与体制抗争。本研究的问题在于拉希米在叙述女性时的模棱两可。为了确定作者的立场,本研究使用了属于Lidia Curti的形象的诱惑概念。形象的诱惑是作者提供给女性的一个职位,而事实上这些职位并不是由她们提供的。根据所进行的研究,结果表明,拉希米将女性作为男权世界的客体。在这种情况下,他不能把女人从父权的区域拉出来。拉希米给予女性的空间强化了男性的权力。拉希米在这部小说中所写的是形象的诱惑,根据Curti的概念,这将其解释为作者给予的女性形象或称为女性凝视。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE LURE OF THE IMAGE KEBOHONGAN PADA NARASI PEREMPUAN DALAM SYNGUE SABOUR PIERRE DE PATIENCE KARYA ATIQ RAHIMI
This study aims to determine the position of the author in women narration. With Rahimi’s background as a feminist, he said that with his novel he voiced the voices of Afghan women. Rahimi offered a strong female figure in the middle of the patriarchal shackles who is able to fight the system. The problem of this study is Rahimi’s ambiguity in narrating women. To determine the position of the author, the research uses the concept of the lure of the image belongs to Lidia Curti. The lure of the image is an offer provided by the author to give positions to women that are in fact not provided by them. Based on the research conducted, the results show that Rahimi keeps women as objects in a patriarchal world. In this case he is not able to pull the women out of the patriarchal zone. The space given to women by Rahimi reinforces male power. What Rahimi written in this novel is the lure of the image according to Curti’s concept which explains it as an image of women given by author or known as female gaze.
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