Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious

Ramis Rauf
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引用次数: 1

Abstract

This study aims to analyze astral projection as a concept of Death and Dying by using a postmodern fiction discourse analysis perspective in Insidious movie script. This study found that astral projection is a capability possessed by a person to leave physical body and explore an astral world or the spirit world. Astral projection is a death and dying concept that is presented as one of the postmodern fictional strategies known as superimposition. This strategy illustrates that there are two worlds that accumulate and co-exist with each other. Its presence is a way of deconstructing thoughts about something that is considered uncanny and unusual as well as a counterpart of totality that puts the ontological side of the existence of something. It is said by McHale (1987) that it is a sister-genre of postmodern fiction. Science fiction explores ontological issues in order to build a good story while postmodern fiction simply presents the problem without having to build a story. Furthermore, both genres can adopt each other's strategies. Meanwhile, postmodern fictional relations and fantasy fiction are the same, borrowing strategies for exploring ontological issues.
Astral Projection:剖析电影剧本《环球之声》中的现代物理学手表
本研究旨在运用后现代小说话语分析的视角,对《阴险的电影剧本》中作为死亡与死亡概念的星体投射进行分析。这项研究发现,星体投射是一个人离开身体,探索星体世界或精神世界的能力。星形投影是一个死亡和垂死的概念,作为后现代小说策略之一被称为叠加。这一战略表明,存在着两个相互积累和共存的世界。它的存在是一种解构思想的方式,这种思想被认为是不可思议和不寻常的,也是整体性的对应物,它将事物存在的本体论一面放在了一起。麦克海尔(1987)说它是后现代小说的姊妹类型。科幻小说探索本体论问题是为了构建一个好的故事,而后现代小说只是在不构建故事的情况下提出这个问题。此外,两种类型都可以采用彼此的策略。同时,后现代小说关系和幻想小说是一样的,借用了探索本体论问题的策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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