{"title":"Lapalissíada e vigarices","authors":"C. Capela","doi":"10.5007/1984-784x.2019v19n31p5","DOIUrl":"https://doi.org/10.5007/1984-784x.2019v19n31p5","url":null,"abstract":"Two short prose poems signed by Manuel Bandeira are based on the proposed intervention: “Noturno da Rua da Lapa”, from Libertinagem (1930), and “O Desmemoriado de Vigario Geral”, from Estrela da Manha (1936). Thinking with them and from them, hand in hand to the poet my aim is to approach the polar tension between a beyond and a bellow of senses. Or, still, between poetic and critical gestures of remission and omission.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"19 1","pages":"5-26"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45625534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Apresentação","authors":"Boletim de Pesquisa Nelic","doi":"10.5007/1984-784x.2019v19n31p3","DOIUrl":"https://doi.org/10.5007/1984-784x.2019v19n31p3","url":null,"abstract":"","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41822871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Goya depois de Goya","authors":"D. Radünz","doi":"10.5007/1984-784x.2019v19n31p71","DOIUrl":"https://doi.org/10.5007/1984-784x.2019v19n31p71","url":null,"abstract":"The assembly procedure of the poem \"Goya despues de El Prado\", by Hebert Benitez, updates Francisco de Goya's Engraving # 43 and, through heterocrony, incites a reading of the \"principle-atlas\" (Georges Didi-Huberman) and the configuration of the monster as compossibility and mixture, from the pre-Socratic philosophy of Empedocles of Agrigento. The attribution of value, causality, periodization and, in particular, heterocrony are substrata of this reading scene that seeks to articulate the 1799 engraving and the 1999 poem to the notion of “deactivation of autonomy” (Raul Antelo) and, on course, finds the heterochrony and the assembly of the artist Leila Danziger, in his exhibition \"Navio de emigrantes\" (2018/2019).","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"19 1","pages":"71-86"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41413192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A prosa não quixotesca de Bandeira: ficção ou poesia","authors":"J. P. Rocha","doi":"10.5007/1984-784x.2019v19n31p39","DOIUrl":"https://doi.org/10.5007/1984-784x.2019v19n31p39","url":null,"abstract":"Bandeira, without writing a single short story, tells countless histories. In a letter to Joao Cabral, he complains about septenaries laid out by his friend as Christmas celebration in a postcard that seemed Anatole France’s fleas. The fleas came from Les matinees de la Villa Said, where a professor Brown, chatting with the Anatole-character himself, remembered Sancho’s “bug beds that were like this Mahometan!” from Avellaneda’s Quixote. On the other hand, Bandeira’s fleas, he expected, “were done like that!” outdatedly, like Anatole himself, or those laid out verses. How Anatole’s own character, Avellaneda and how the flea / bed bug from Bandeira hint a space that arises uncannily compose this essay’s question, carrying on Silvio Elia’s illumination: Bandeira as a distinguished prose writer; given the defamiliarization in his stories and in his poetry. Finally, the uncanny in such non-short stories is read as becoming, though Bandeira weeps in the Itinerario: “But I know I wasn’t born with bossa for prose. Though I tried it many times.”","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"19 1","pages":"39-52"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42299851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Do poema à canção: música e musicalidade em \"Vou-me embora pra pasárgada'","authors":"Tiago Gouveia de Faria","doi":"10.5007/1984-784x.2019v19n31p53","DOIUrl":"https://doi.org/10.5007/1984-784x.2019v19n31p53","url":null,"abstract":"The poetry of Manuel Bandeira, object in his generation of the greatest number of musical settings, originated, from 1915 until today, more than 140 songs. Most of this production, however, is restricted to the universe of art song, a fact that raises questions about the musicality of its verses and its respective potential for singing. Following this perspective, this article offers a comparison of two songs that were based on the famous poem “Vou-me embora pra Pasargada”, included in the book Libertinagem. A brief analysis of Bandeira's poem and the confrontation between the Guerra-Peixe and Gilberto Gil versions — taking into account the way the two artists adapted the verses of the poem to the musical structure — aim to deepen the concept of musicality in the work of the writer.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"19 1","pages":"53-70"},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46224649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rádio Bandeira","authors":"André Fiorussi","doi":"10.5007/1984-784x.2019v19n31p27","DOIUrl":"https://doi.org/10.5007/1984-784x.2019v19n31p27","url":null,"abstract":"Entre os Poemas traduzidos por Manuel Bandeira, publicados pela primeira vez em livro em 1945, há um conhecido poema modernista hispano-americano chamado “Noturno”, de autoria do poeta colombiano José Asunción Silva (1865-1896). Para ressoar os efeitos sonoros do poema em espanhol, Bandeira aplica em alta concentração aqueles recursos versificatórios cujo aprendizado ele próprio relata no início do Itinerário de Pasárgada: sinalefas, sinéreses e diéreses; alternância entre terminações agudas, graves e esdrúxulas; ecos, reverberações, paronomásias etc. Com base na análise da tradução, este artigo visa discutir também elementos rítmicos da poesia de Bandeira e sua relação com a dicção coloquial e a história do verso livre no Brasil.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49146295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sobre o governo das memórias: aspectos de um domínio do real","authors":"Vinicius Honesko","doi":"10.5007/1984-784x.2019v19n31p87","DOIUrl":"https://doi.org/10.5007/1984-784x.2019v19n31p87","url":null,"abstract":"A partir de considerações sobre questões relacionadas à teoria da história, o presente ensaio analisa como a produção de uma narrativa historiográfica contém alguns aspectos que podem também ser detectados nos atuais modos de gestão de informações e governo político baseados em padrões da cibernética. Para tanto, num primeiro momento, expõe como as maneiras de operar na historiografia podem ser compreendidas a partir de uma poética do saber e, num segundo momento, entrelaça essa dinâmica aos padrões de gestão de probabilidades no âmbito das ciências físicas e sociais. Por fim, expõe como a produção de um real por meio do controle das probabilidades se tornou o eixo central para o domínio das experiências humanas em sua amplitude (desde a gestão das memórias às práticas de governo em sentido estrito).","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70484679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Joaquim Bandeira: jogos onomásticos e nova gnomonia. De Manuel Bandeira a Dalton Trevisan via Joaquim Pedro de Andrade II","authors":"J. Wolff","doi":"10.5007/1984-784x.2019v19n30p25","DOIUrl":"https://doi.org/10.5007/1984-784x.2019v19n30p25","url":null,"abstract":"The present text goes back to the affective-artistic relation among three Brazilian intellectuals from three different generations: Manuel Bandeira, Dalton Trevisan e Joaquim Pedro de Andrade – previously from the cinema’s point of view (in a work published in 2010) and now from poetry’s and circunstance’s. The first and only Bandeira’s poem published in Joaquim, periodical edited by the young Dalton, in 1948, the “Rondo do atribulado do Tribobo” (later published in Mafua do malungo) presents a scene in which three characters are three children and a “very fancy lady”, their mother, being a poem that looks forward to the future in an amazing way, which we want to demonstrate through Bandeira’s “onomastic games”, “new gnomony” and “circumstance verses”.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"19 1","pages":"25-38"},"PeriodicalIF":0.0,"publicationDate":"2020-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44796788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Templos que são fantasmas: bandeira, ouro e megahype","authors":"Raúl Antelo","doi":"10.5007/1984-784x.2019v19n30p10","DOIUrl":"https://doi.org/10.5007/1984-784x.2019v19n30p10","url":null,"abstract":"O capitalismo contemporâneo entendido como modernidade metropolitana marca uma virada nos escritos esteticos de Bandeira. Em algumas das cronicas dos anos 20, ele empreende uma pesquisa sobre a essencia da tragedia cultural como jogo de contrastes entre os impulsos da verossimilhanca apolinea e a verdade dionisiaca. Esse enfoque formal evoca os meios tecnologicos, bem como certas praticas vanguardistas vindas nao apenas de Paris mas tambem da modernidade mexicana.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"19 1","pages":"10-24"},"PeriodicalIF":0.0,"publicationDate":"2020-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44346530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interpassividade e anonimato: o caso dos pasquins em \"La Mala Hora\"","authors":"Ane Carolina Randig Tavares","doi":"10.5007/1984-784x.2019v19n30p87","DOIUrl":"https://doi.org/10.5007/1984-784x.2019v19n30p87","url":null,"abstract":"In this paper, it is intended to discuss about the aesthetic function and thematic of the pasquinades (anonymous letters) present in the narrative composition of La mala hora (1962), novel written by Gabriel Garcia Marquez. For this, it will be accomplished an approximation between literature and psychoanalysis, by means of the ideas introduced by Slavoj Zizek, in the chapter II, into its book How to read Lacan (2010). By linking Zizek's reflections on the Greek chorus (theatrical artifice) and cyberspace (virtual artifice) with the pasquinades (literary artifice), one aims to ascertain what these vehicles - as a space of representation - have in common and thus understanding the effects of meaning of the pasquinades in the narrative.","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"19 1","pages":"87-99"},"PeriodicalIF":0.0,"publicationDate":"2020-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43551695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}