{"title":"A prosa não quixotesca de Bandeira: ficção ou poesia","authors":"J. P. Rocha","doi":"10.5007/1984-784x.2019v19n31p39","DOIUrl":null,"url":null,"abstract":"Bandeira, without writing a single short story, tells countless histories. In a letter to Joao Cabral, he complains about septenaries laid out by his friend as Christmas celebration in a postcard that seemed Anatole France’s fleas. The fleas came from Les matinees de la Villa Said, where a professor Brown, chatting with the Anatole-character himself, remembered Sancho’s “bug beds that were like this Mahometan!” from Avellaneda’s Quixote. On the other hand, Bandeira’s fleas, he expected, “were done like that!” outdatedly, like Anatole himself, or those laid out verses. How Anatole’s own character, Avellaneda and how the flea / bed bug from Bandeira hint a space that arises uncannily compose this essay’s question, carrying on Silvio Elia’s illumination: Bandeira as a distinguished prose writer; given the defamiliarization in his stories and in his poetry. Finally, the uncanny in such non-short stories is read as becoming, though Bandeira weeps in the Itinerario: “But I know I wasn’t born with bossa for prose. Though I tried it many times.”","PeriodicalId":31105,"journal":{"name":"Boletim de Pesquisa NELIC","volume":"19 1","pages":"39-52"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Boletim de Pesquisa NELIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5007/1984-784x.2019v19n31p39","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Bandeira, without writing a single short story, tells countless histories. In a letter to Joao Cabral, he complains about septenaries laid out by his friend as Christmas celebration in a postcard that seemed Anatole France’s fleas. The fleas came from Les matinees de la Villa Said, where a professor Brown, chatting with the Anatole-character himself, remembered Sancho’s “bug beds that were like this Mahometan!” from Avellaneda’s Quixote. On the other hand, Bandeira’s fleas, he expected, “were done like that!” outdatedly, like Anatole himself, or those laid out verses. How Anatole’s own character, Avellaneda and how the flea / bed bug from Bandeira hint a space that arises uncannily compose this essay’s question, carrying on Silvio Elia’s illumination: Bandeira as a distinguished prose writer; given the defamiliarization in his stories and in his poetry. Finally, the uncanny in such non-short stories is read as becoming, though Bandeira weeps in the Itinerario: “But I know I wasn’t born with bossa for prose. Though I tried it many times.”