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Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.1
Alina Borkowska-Rychlewska, Katarzyna Lisiecka
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引用次数: 0
„Nie wierz tak niedorzecznej baśni” . O tożsamości postaci „Królewny Śnieżki” Roberta Walsera i Heinza Holligera “别相信这样荒谬的故事。”关于罗伯特·沃尔瑟和海因茨·霍利格“白雪公主”的身份
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.10
B. Kornatowska
{"title":"„Nie wierz tak niedorzecznej baśni” . O tożsamości postaci „Królewny Śnieżki” Roberta Walsera i Heinza Holligera","authors":"B. Kornatowska","doi":"10.14746/pspsl.2022.42.10","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.10","url":null,"abstract":"This article is devoted to the characters in Heinz Holliger’s opera Snow White (1998) based on Robert Walser’s dramolette (1901) of the same title. Taking into account the chronology of the plot, the analysis and interpretation focuses on the evolution of the relationships of the characters struggling with the baggage of a difficult past written in the Grimms’ fairy tale. Snow White, the Queen, the Prince and the Huntsman juggle with each other’s versions of events, swapping positions at the expense of the characters’ individual contours, succumbing to the changeability of their feelings and opinions, not stopping in their search for a post-tale identity which would allow them to coexist harmoniously. The discussion emphasises the psychoanalytical approach and criticism of language characteristic of the period in which the dramolette was written. The interpretation of the libretto is complemented by the presentation of selected musical aspects, corresponding with the character of Walser’s text and determining the final meaning of the operatic work.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47632416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Wy oświeceni, my dzicy ludzie jesteśmy, ale my więcej od was umiemy”. Postacie operowe Wojciecha Bogusławskiego w obliczu utraty wolności
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.14
Piotr Maksymowicz
{"title":"„Wy oświeceni, my dzicy ludzie jesteśmy, ale my więcej od was umiemy”. Postacie operowe Wojciecha Bogusławskiego w obliczu utraty wolności","authors":"Piotr Maksymowicz","doi":"10.14746/pspsl.2022.42.14","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.14","url":null,"abstract":"This article constitutes an attempt at recreating the possible allusive readings, political references and hidden meanings in three operas by Wojciech Bogusławski: Dla miłości zmyślone szaleństwo (Madness made for love), Axur król Ormus (Axur, the king of Ormus), Izkahar król Guaxary (Izkahar, the king of Guaxara). Key for this search are the attitudes of the characters in the analysed operas towards the loss of freedom – one may argue that their ways to cope with the violence and the ruthless autocratic tyranny could be perceived as contemporary. This is why the story, which is in its outer layers one of an unhappy love, became for the eighteenth-century viewers a story of the most important contemporary politics.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41368921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Od postaci do głosu. O librettyzacji współczesnego dramatu 从性格到声音。关于当代戏剧的剧本创作
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.5
M. Karasińska
{"title":"Od postaci do głosu. O librettyzacji współczesnego dramatu","authors":"M. Karasińska","doi":"10.14746/pspsl.2022.42.5","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.5","url":null,"abstract":"The analyses presented in the article reverse the traditional course of studies which assume that the poetics of a dramatic text is instrumentally superior to that of the libretto. In order to adapt the hypothesis that contemporary drama is increasingly libretto-like, inserted into its structure is, excerpted by opera theatre researchers, the libretto poetics treated as a genealogical directive specific to the genre which differentiates it from the “third kind” in its classical expressions. The breakup of the basic categories constituting a drama ( character, dialogue and plot ) brings it visibly closer to the traditional operatic libretto with features characterised by Albert Gier, among others. The post-dramatic aesthetics adapted by contemporary opera and drama, which removes the character or reduces it to a voice treated merely as a medium, absolutising the way a word sounds and the poetics of a transsystemic remix all result in the emergence of a common aesthetics of the stage chimaera genre.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48798455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
W poszukiwaniu postaci (w XIX-wiecznych teoriach opery i prozie artystycznej) 寻找人物（在19世纪的歌剧和艺术散文理论中）
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.2
E. Nowicka
{"title":"W poszukiwaniu postaci (w XIX-wiecznych teoriach opery i prozie artystycznej)","authors":"E. Nowicka","doi":"10.14746/pspsl.2022.42.2","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.2","url":null,"abstract":"The article analyses texts regarding the opera character, or indirectly linked to it, by a number of authors from the late eighteenth century to the last decades of the nineteenth century: Sulzer, Rousseau, Hoffmann, Stendhal, Baudelaire, Wagner. The author focuses on their theoretical texts and artistic prose. The analysis indicates a strong multilateral involvement of the reflection on the topic of character in contemporary aesthetic views and anthropological concepts.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47933298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Systematyka operowych duchów 歌剧幽灵系统学
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.11
R. D. Golianek
{"title":"Systematyka operowych duchów","authors":"R. D. Golianek","doi":"10.14746/pspsl.2022.42.11","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.11","url":null,"abstract":"Ghosts have been an attractive element of operatic dramaturgy since the beginning of the genre’s history, and their stage presence influences the metaphysical and fantastic features of the works. In seventeenth- and eighteenth-century operas, conventional forms of musical presentation and characteristics of ghosts were developed, and in the nineteenth century a conventionalized method of musical presentation of ghosts in opera was shaped, which was also due to the great popularity of the theme of various spectres and phantoms in romantic culture. The proposed systematics concerns the ghosts presented in operatic works. Three criteria of division have been introduced: the existential status of ghosts, their number (singularity or multiplicity), and the types of afterlife the ghosts are associated with. The systematics is accompanied by the distinction of the means of musical characteristics used by opera composers in order to suggestively represent ghosts in their works.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46065854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Postać celebrytki w operze: rozwiązła księżna i króliczek „Playboya” 歌剧中的名人角色：宽松的公主和兔子“花花公子”
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.13
M. Bogucki
{"title":"Postać celebrytki w operze: rozwiązła księżna i króliczek „Playboya”","authors":"M. Bogucki","doi":"10.14746/pspsl.2022.42.13","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.13","url":null,"abstract":"The aim of the article is to analyse two British contemporary operas: Thomas Adès’s Powder Her Face and Mark Anthony Turnage’s Anna Nicole from the perspective of celebrity studies. Both of these works were inspired by the biographies of celebrities – Margaret Campbell, Duchess of Argyll’s and Anna Nicole Smith’s. The text analyses how their biographies were edited both in literary and musical terms, attempting to determine to what extent they are either pioneering or embedded in the traditions of the opera.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46980955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
XIX. Chopins Fortepiano XIX。Chopins Fortepiano
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.5
Rolf Fieguth
{"title":"XIX. Chopins Fortepiano","authors":"Rolf Fieguth","doi":"10.14746/pspsl.2021.41.5","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.5","url":null,"abstract":"Translation of the poem Chopin's Piano by Cyprian Norwid.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41943402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„W półsłowa” i „w półdźwięku”… O relacji Zygmunta Krasińskiego i Fryderyka Chopina “半词”和“半音”……关于克拉辛斯基与肖邦的关系
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.4
Ewa Hoffmann-Piotrowska
{"title":"„W półsłowa” i „w półdźwięku”… O relacji Zygmunta Krasińskiego i Fryderyka Chopina","authors":"Ewa Hoffmann-Piotrowska","doi":"10.14746/pspsl.2021.41.4","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.4","url":null,"abstract":"The article presents the relationship between Frédéric Chopin and Zygmunt Krasiński both on the biographical level and in the relationship between the word and the sound that Krasiński often wrote about in his letters. A special expression of the dialogue between poetry and music described by the poet are Chopin’s compositions to the words of poets contemporary to him, which is especially true about the words of the motto from Krasiński’s poem Ostatni (The last poem). It is extraordinary in the context of Chopin’s songs as it is not only a musical illustration, but also a sophisticated interpretation of the text through music. The attempts to present poetic content through musical notation presented in the article lead to the conclusion about Chopin as a conscious recipient of a literary work who, like Krasiński, saw in the symbiosis of word and sound the possibility for expressing internal experience.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45811708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Obchody rocznicy Chopina w roku 1910 a integracja narodowa. Chopin a kultura pamięci 庆祝1910年肖邦诞辰和民族融合。肖邦与记忆文化
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.10
Tadeusz Budrewicz
{"title":"Obchody rocznicy Chopina w roku 1910 a integracja narodowa. Chopin a kultura pamięci","authors":"Tadeusz Budrewicz","doi":"10.14746/pspsl.2021.41.10","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.10","url":null,"abstract":"The article presents the events of the celebration of Chopin’s 100th birthday in 1910. The article is based on the accounts published in the daily press of the time. The growth of Chopin’s cult in Polish lands culturally connected the nation divided both politically and administratively between three countries (Austria, Prussia and Russia). Despite disruptions by the police that inhibited the organisation of the celebrations in Poznan and Warsaw, the Polish people treated them as a nation-wide occasion and used that time to integrate. The key events were the 50th anniversary of Chopin’s death (1899) and the 100th anniversary of his birthday (1910). The year 1910 was also the 500th anniversary of the Battle of Grunwald which saw the Poles defeat the Germans. Chopin’s year had immense patriotic meaning and integrated the nation living under foreign rule.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44181104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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