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Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.1
W. Ratajczak
{"title":"Wstęp","authors":"W. Ratajczak","doi":"10.14746/pspsl.2021.41.1","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.1","url":null,"abstract":"","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46641085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Chopinowskie narracje z „dziecięcego pokoju”. Mistrz w czasopismach i publikacjach dla najmłodszych w XIX wieku – rekonesans
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.9
J. Zajkowska
{"title":"Chopinowskie narracje z „dziecięcego pokoju”. Mistrz w czasopismach i publikacjach dla najmłodszych w XIX wieku – rekonesans","authors":"J. Zajkowska","doi":"10.14746/pspsl.2021.41.9","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.9","url":null,"abstract":"The article discusses the biographical accounts and stories about Frédéric Chopin published in the most representative children’s magazines of the turn of the twentieth century: Wieczory Rodzinne (Family evenings), Przyjaciel Dzieci (Children’s friend) and Moje Pisemko (My little magazine). A kind of complementary role to them is played by the analysis of Janina Sedlaczkówna’s 1891 book Dwaj mistrze: opowiadanie o życiu Artura Grottgera i Fryderyka Chopina (Two maestros: a story about the lives of Artur Grottger and Frédéric Chopin) and Teresa Jadwiga Papi’s stories from 1898 of the same title Dwaj mistrze (Two maestros) about Chopin and Moniuszko. The collected comments and conclusions are presented in relation to twentieth- century biographical texts about Chopin.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42683106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gdzie rozgrywa się akcja Dzieci szatana Stanisława Przybyszewskiego? Destrukcja i rekonstrukcja świata przedstawionego 撒旦之子Stanisław Przybyszewski的行动在哪里？当前世界的破坏和重建
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.17
Marek Wedemann
{"title":"Gdzie rozgrywa się akcja Dzieci szatana Stanisława Przybyszewskiego? Destrukcja i rekonstrukcja świata przedstawionego","authors":"Marek Wedemann","doi":"10.14746/pspsl.2021.41.17","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.17","url":null,"abstract":"One of the characteristics that make Stanisław Przybyszewski’s novels stand out from other contemporary works is the deliberately limited description of the outside world up to the point of blurring the identity of the location where the plot of a given work takes place. In the case of Dzieci Szatana (Satan’s Children), (German Satans Kinder, 1897; Polish edition 1899), one may even talk about ‘a total destruction of the represented world’ (Gabriela Matuszek). At the same time, the author’s numerous comments apparently allow for translating this ‘destruction’ happening in the course of the creative process into a ‘reconstruction’ that corresponds to it in the process of reading. It is through reviewing in more detail and combining various pieces of information included in Dzieci Szatana that directly or indirectly refer to the place of action, as well as confronting them with the biographical, historical and geographic contexts that one may identify with surprising precision the exact place represented in the text and, as a result, to uncover an entirely new aspect of novel axiology.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47836205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pieśń ku niebiosom. Echa chopinowskie w twórczości Artura Oppmana 一首献给天堂的歌。肖邦在阿瑟·奥普曼的作品中回响
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.12
Aleksandra Sikorska-Krystek, Jędrzej Krystek
{"title":"Pieśń ku niebiosom. Echa chopinowskie w twórczości Artura Oppmana","authors":"Aleksandra Sikorska-Krystek, Jędrzej Krystek","doi":"10.14746/pspsl.2021.41.12","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.12","url":null,"abstract":"This article presents a cycle of lyrical works entitled Z motywów Chopina (From Chopin’s themes) by Artur Oppman, published in 1893 in the volume Pieśni (Songs). The shape of this cycle had been modified over the years. In 1908, the poet changed its title and expanded it with new works. This change testifies to the evolution of the creative concept and the set of ideas about the function of the composer’s work. Contrary to the opinion rooted in the tradition of research about the conventional approach to the impact of Chopin’s work presented in Oppman’s lyrical poetry, the authors of the article demonstrate a far-reaching originality of the discussed work, focusing their attention both on issues related to understanding the narrowly-defined poetological knowledge and on the problem of translating musical means of expression into the language of a literary work.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45493409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ciało fortepianu – artykulacja doświadczenia cielesnego w korespondencji Fryderyka Chopina
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.2
A. Świtka
{"title":"Ciało fortepianu – artykulacja doświadczenia cielesnego w korespondencji Fryderyka Chopina","authors":"A. Świtka","doi":"10.14746/pspsl.2021.41.2","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.2","url":null,"abstract":"The article focuses on the presentation and analysis of selected excerpts from Frédéric Chopin’s letters from the 1824-1849 period that illustrate their author’s attitude towards physical experiences. In contrast to the “disembodied” reception of the artist that reproduces the “soul of the piano” metaphor, the article describes a broad representation of the composer’s texts on physical appearance, the role of the body in the performance act, living through illness and the oncoming death. The cross-sectional and chronologically ordered study presented in the article shows the evolution of the subject’s attitude towards his own body along the progress of his illness. It is at the same time an illustration of the style and imagery used by the author of the letters while describing specific aspects of physical experience.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44095951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Literackość korespondencji Fryderyka Chopina 肖邦书信的识字能力
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.3
K. Samsel
{"title":"Literackość korespondencji Fryderyka Chopina","authors":"K. Samsel","doi":"10.14746/pspsl.2021.41.3","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.3","url":null,"abstract":"In some measure, in opposition to the contemporary studies on Chopin’s letters emphasising their non-literary character, the aim of this study is to point at the multifaceted literariness of the correspondence of the author of the Revolutionary Etude. One of its crucial aspects would be the intertextual one: Chopin’s letters constitute an intriguing community of style, including, above all, the schemes of Fredro-like comedy and Henryk Rzewuski’s gawęda szlachecka (nobility tale). The idea of writing in the spirit of disciplined lightness, rigour of formulating thoughts in a casual, colloquial and easy manner, as Wiktor Weintraub put it, affects Chopin’s planned skill of self-creation and autothematical procedures, always in similar styles that use humour for the purpose of making thing unusual, or even obscene. The arguments collected in the article force one to withdraw Ryszard Przybylski’s conviction about Chopin’s epistolography as representing the language “serving life” only outside of literature and literariness.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42139083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Galicyjska recepcja Chopina. W kręgu Marceliny Czartoryskiej i Stanisława Tarnowskiego 肖邦的加利西亚式招待会。在Marcelina Czartoryska和Stanisław Tarnowski的圈子里
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.8
Renata Stachura-Lupa
{"title":"Galicyjska recepcja Chopina. W kręgu Marceliny Czartoryskiej i Stanisława Tarnowskiego","authors":"Renata Stachura-Lupa","doi":"10.14746/pspsl.2021.41.8","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.8","url":null,"abstract":"The paper is dedicated to the role of princess Marcelina Czartoryska, a friend and student of Chopin, as an initiator of the research into his life and work, and to Stanisław Tarnowski’s essay about the composer. On 19 March 1871, in the hall of the Saski Hotel, a public lecture on Chopin was presented by Tarnowski, accompanied by Czartoryska’s magnificent performance. The income from this event was donated to Towarzystwo Wzajemnej Pomocy (mutual help association) for the support of the poor students of the Jagiellonian University. Czartoryska accompanied Tarnowski, illustrating his speech by playing the piano. Tarnowski published his work twice: in 1871 and 1892. He set the life and work of Chopin in the context of the period. Based on the sources, he reconstructed the spiritual biography of the artist, his creative personality both in terms of the psychological and the social aspects. He saw in Chopin “the fourth greatest poet of the divided Poland,” the fourth Bard.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45234116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fryderyk Chopin i Łesia Ukrainka. Per me 弗雷德里克·肖邦和伊西亚·乌克兰卡。根据我
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.6
Myroslav Trofymuk
{"title":"Fryderyk Chopin i Łesia Ukrainka. Per me","authors":"Myroslav Trofymuk","doi":"10.14746/pspsl.2021.41.6","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.6","url":null,"abstract":"The key word of the essay is per me, as I present in it my own reminiscence from my childhood and youth, which was when I first came into contact with the works of two exceptional maestros: Frédéric Chopin and Lesya Ukrainka (the pen name of Larysa Kosach). Chopin created musical poetry, while Lesya – a rhythmic and melodic verbal poetry. The dialogue of the two authors sounds amazing, uncovering an optimistic apotheosis of survival and the trauma of loss – the states expressed in Chopin’s Marche funèbre and by Lesya Ukrainka in her poetry cycle devoted to this composition.The temporarily mature understanding of per me in both these creations also resulted from the trauma caused by the loss of close relatives (first, the grandad at a very young age) and hence became the drive for discovering the content of art and the means of expression characteristic to various branches of art.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48689570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frédéric Chopin, entre exacerbation romantique du modèle vocal et innovations percussives : une mixité dynamique 弗里德里克·肖邦（Frédéric Chopin），在声乐模式的浪漫强化和打击乐器创新之间：动态混合
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.7
Martin Laliberté
{"title":"Frédéric Chopin, entre exacerbation romantique du modèle vocal et innovations percussives : une mixité dynamique","authors":"Martin Laliberté","doi":"10.14746/pspsl.2021.41.7","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.7","url":null,"abstract":"After some in-depth analysis, for instance, of the first Ballade in G minor (1836), Frédéric Chopin’s music reveals itself as a striking case of a musical equilibrium between two major musical tendencies. On the one hand, his music brings the reaching towards an idealised voice to a full and very convincing development. His musical themes sing most of the time while all the main characteristics of his writing explore continuous spaces, to the extent the piano can achieve. He uses many melodic chromaticisms and broad gestures, very voice-like phrasings ranging from the most delicate pianissimi to the extremely dramatic fortissimo, and other vocal features. On the other hand, his music is unavoidably written for a percussion instrument (the piano), makes much use of rhythms and often dances as well, while his accompaniments are thick with vertical features, accents and other percussive traits. In reality, Chopin’s music is in a striking state of equilibrium between the vocal and the percussive and constitutes a rich case of a mixed status between the two poles. Perhaps for one of the last times in Western music, Chopin is precisely at the point of equilibrium, before the rise of the percussive that gave birth to much of the twentieth century’s music. Chopin’s music will remain a true and much beloved monument of equilibrium.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48610669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Odgadnąć i uzewnętrznić wielką tajemnicę […] Chopinowskiej muzyki” – Dusze niektórych melodii. Chopin Cezarego Jellenty “猜测并揭示肖邦音乐的巨大奥秘”——一些旋律的灵魂。凯撒·耶伦塔的肖邦
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2021-12-29 DOI: 10.14746/pspsl.2021.41.14
Karolina Orłowska
{"title":"„Odgadnąć i uzewnętrznić wielką tajemnicę […] Chopinowskiej muzyki” – Dusze niektórych melodii. Chopin Cezarego Jellenty","authors":"Karolina Orłowska","doi":"10.14746/pspsl.2021.41.14","DOIUrl":"https://doi.org/10.14746/pspsl.2021.41.14","url":null,"abstract":"The article constitutes a detailed analysis and interpretation of one of the most important texts written at the turn of the twentieth century, which was devoted to the reception and interpretation of Frédéric Chopin’s compositions in the Young Poland period. In his work, Cezary Jellenta presents the nervous perception of the Polish composer’s music typical of the era and refers in his reflections to numerous works of painting and both Polish and world literature, which perfectly illustrates the fascination with the idea of the correspondence of arts. It is also a testimony to the foundations of the emerging music criticism and evidence of the undying adoration for Frédéric Chopin’s works.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45724901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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