发布求助
文献互助 智能选刊 最新文献

Poznanskie Studia Polonistyczne Seria Literacka最新文献

筛选
英文 中文
Dzieje 133 pojęć, czyli kłącza etymologii 133个概念或词源词根的历史
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-10-03 DOI: 10.14746/pspsl.2022.42.17
Piotr Michałowski
{"title":"Dzieje 133 pojęć, czyli kłącza etymologii","authors":"Piotr Michałowski","doi":"10.14746/pspsl.2022.42.17","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.17","url":null,"abstract":"Recenzja publikacji pt. Ilustrowany słownik terminów literackich. Historia, anegdota, etymologia [Kadłubek, Mytych-Forajter, Nawarecki, red. 2018].","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47231139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Narrator czy… poeta oralny? Mickiewiczowski „Powrót taty” w opracowaniu muzycznym Henryka Jareckiego i Jana Gołębiowskiego 叙述者还是…口头诗人？Henryk Jarecki和Jan Gołõbiowski编曲的Mickiewiczowski的《爸爸的背影》
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.9
M. Piotrowska
{"title":"Narrator czy… poeta oralny? Mickiewiczowski „Powrót taty” w opracowaniu muzycznym Henryka Jareckiego i Jana Gołębiowskiego","authors":"M. Piotrowska","doi":"10.14746/pspsl.2022.42.9","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.9","url":null,"abstract":"The article discusses the opera-ballad Powrót taty (Father’s return) in a musical edition by Henryk Jarecki with a libretto by Jan Gołębiowski. Its goal is to present the manners of building the character and the narrative. Apart from the characteristic features of a ballad, the text also discusses the category of an oral poet, a “storyteller” and the dialogue relation (“speaking” instead of “talking”.) These are the means that gave Mickiewicz’s ballad a new dimension. Helpful in its reception are texts on cultural practices, especially those referring to oral culture (compare with e.g. Jack Goody, Albert B. Lord, Eric A. Havelock, Walter J. Ong.).","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47706590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Postać jako wehikuł adaptacji: musical „Kapitan Żbik i żółty saturator” 角色作为改编工具：音乐剧“船长和黄色饱和器”
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.16
M. Woźniak
{"title":"Postać jako wehikuł adaptacji: musical „Kapitan Żbik i żółty saturator”","authors":"M. Woźniak","doi":"10.14746/pspsl.2022.42.16","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.16","url":null,"abstract":"The article presents an analysis of the adaptation idea for the musical Kapitan Żbik i żółty saturator (Captain Żbik and the yellow carbonator) directed by Wojciech Kościelniak. The direct inspiration for the show created in 2020 in the Syrena theatre in Warsaw was the comic book series published between 1968 and 1982. The interpretation of the cultural significance of the colourful books forms the introduction to the analysis of the show. The author also presents how the literary genre of the source affects the screenplay and the characters. The stage and costume design, the spoken texts and songs and the acting style all refer back to the comic books. The article is an attempt at determining how similar the staged Captain Żbik is to its source and what adaptation tools have been used to adjust the comic book language to the requirement of a theatre stage.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48324879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Głos jako tworzywo postaci operowej. Historyczny zarys wokalnej typologii głosów 作为歌剧角色素材的声音。声乐类型学的历史大纲
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.4
Hanna Kicińska
{"title":"Głos jako tworzywo postaci operowej. Historyczny zarys wokalnej typologii głosów","authors":"Hanna Kicińska","doi":"10.14746/pspsl.2022.42.4","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.4","url":null,"abstract":"This study presents the historical range of topics related to the typology of singing voices and how they are linked to the character constituting the building material of an operatic character. This six-part overview presents the subsequent stages of the formation of the status and role of particular voices in the theory and practice of musical performance, with particular emphasis on specific vocal phenomena key to the development of operatic and solo singing: the so-called covering, haute-contre, bass-baritone and boy soprano. The reason behind the diachronic presentation of the vocal terms is to order and systematise the transformations that vocal practice, musical nomenclature and musical performance have undergone over the centuries.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44972701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bohaterowie drugiego planu – o postaciach służących w operze 第二个计划的英雄——关于歌剧中的角色
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.12
Małgorzata Sokalska
{"title":"Bohaterowie drugiego planu – o postaciach służących w operze","authors":"Małgorzata Sokalska","doi":"10.14746/pspsl.2022.42.12","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.12","url":null,"abstract":"The article is devoted to the characters of servants in opera and their two radically different variants: a clever servant and a nursemaid. The first variant, rooted in the ancient tradition, becomes more independent with time, and these characters become fully-fledged and sometimes even turn into main characters (e.g. Figaro or Leporello.) The other variant is rooted in the Baroque, when nursemaids were treated, similarly to clever servants, as comic characters. The evolution of the character of a nursemaid in opera turns towards realism, fabulousness and highlighting archetypal features, which can be seen in the examples taken mainly from the Russian operatic tradition. Both types of servants in opera show that despite their socially secondary meaning, these characters serve important functions and become key for the interpretation of a particular scene as a whole.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45402704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
W rokokowym blasku podróży na Cyterę… Dramaturgiczne antecedencje formowania koncepcji postaci w XVIII-wiecznej operze seria na przykładzie Alciny Georga Friedricha Händla 在赛特拉之旅的洛可可辉煌中……18世纪歌剧系列中人物概念形成的戏剧先例——以阿尔西娜·格奥尔格·弗里德里希·海因德尔为例
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.3
Katarzyna Lisiecka
{"title":"W rokokowym blasku podróży na Cyterę… Dramaturgiczne antecedencje formowania koncepcji postaci w XVIII-wiecznej operze seria na przykładzie Alciny Georga Friedricha Händla","authors":"Katarzyna Lisiecka","doi":"10.14746/pspsl.2022.42.3","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.3","url":null,"abstract":"This study presents the effect of the principles of dramatic poetics with regard to the way the concept of a character in eighteenth-century opera seria was formed. Similarly to the rococo message of Antoine Watteau’s paintings, this genre of opera was characterised by melancholic sophistication, the rule of the artificiality of the presented world and an allegorical plan of reference that assumed an intellectualised strategy of reception of a work of art. The article presents the path to the formation of a model eighteenth-century-opera character, from the transformation of the principles of Aristotelian poetics due to the influence of the rhetorical and scholastic tradition and later due to that of the poetics of French classicism. Händel’s Alcina serves as an example of the superiority of ethos and pathos, i.e. of the presentation of the affects and internal states of the titular character, over other elements of the drama. It is also used to explain to what extent the project of the rococo opera, artificial and challenging the probability rule, practises the mimetic postulates of artistics presentation.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48711809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mahomet jako centralna postać wyobrażonej opery w opowiadaniu „Gambara” Balzaca 穆罕默德是巴尔扎克小说中想象中的歌剧中心人物
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.6
Małgorzata Gamrat
{"title":"Mahomet jako centralna postać wyobrażonej opery w opowiadaniu „Gambara” Balzaca","authors":"Małgorzata Gamrat","doi":"10.14746/pspsl.2022.42.6","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.6","url":null,"abstract":"The article discusses the fragment of Balzac’s short story Gambara in which the titular character discusses his opera. The focal point of this article is a character from the opera written by Paolo Gambara – Muhammad. The elements used to build the character (character traits, transformations, biography, relationships with his environment, actions, emotions etc.) were analysed in the context of the musical means used to present them and of the entire short story. The background of this analysis consists of a short overview of the philosophical ideas about music and science expressed by Gambara in order to better present the sources of his ideas and the musical solutions that he used.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42878436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Granice ironii – granice iluzji. O ontologii postaci w „Eugeniuszu Onieginie” Aleksandra Puszkina i Piotra Czajkowskiego 讽刺的极限——幻觉的极限。论普希金与柴可夫斯基《欧涅金》中人物的本体论
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.8
Alina Borkowska-Rychlewska
{"title":"Granice ironii – granice iluzji. O ontologii postaci w „Eugeniuszu Onieginie” Aleksandra Puszkina i Piotra Czajkowskiego","authors":"Alina Borkowska-Rychlewska","doi":"10.14746/pspsl.2022.42.8","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.8","url":null,"abstract":"The article presents the characteristics of the romantic irony employed in Alexander Pushkin’s digressive poem Eugene Onegin and Pyotr Tchaikovsky’s opera titled alike. The analysis of selected fragments of the libretto which were based on the verses constituting the digressive (rather than storytelling) layer of Pushkin’s work allow one to conclude that the operatic version of Onegin expresses exactly the same kind of romantic irony which was used by the romantic poet. The authors of the libretto achieved something typical of Pushkin’s irony – a flow of the border between illusion and disillusion and an effortless crossing of the dialectic borders of time and space. They did so by multiplying and splitting into layers the “I” of the main character which functions both in the dramatic plane and beyond it, taking over the functions which in Pushkin’s text were performed by the narrator.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45205688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Teatr cieni: „Wieczór w Teatrze Wielkim” Stanisława Balińskiego 影子剧院：斯坦尼斯瓦夫·巴林斯基的《大剧院之夜》
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.7
Iwona Puchalska
{"title":"Teatr cieni: „Wieczór w Teatrze Wielkim” Stanisława Balińskiego","authors":"Iwona Puchalska","doi":"10.14746/pspsl.2022.42.7","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.7","url":null,"abstract":"The text is devoted to an emigration poem by Stanisław Baliński, A Night at the Grand Theatre (1943), in which the Warsaw opera became a synecdoche of the pre-war Warsaw, and the entire poetic structure is built as a kind of virtual stage on which special characters appear and perform their roles. This text is an interesting contribution to the research on the influence of the imaginarium of the musical theatre on the imagination of twentieth-century poets, and at the same time performs a specific functionalisation of the operatic character – in several meanings of the word.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47710383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Poza głosem. Postać Fenelli w świetle wystawień warszawskich z 1831 roku 除了声音。费内拉的形象从1831年的华沙展览
Poznanskie Studia Polonistyczne Seria Literacka Pub Date : 2022-09-30 DOI: 10.14746/pspsl.2022.42.15
Natalia Kaminiczna
{"title":"Poza głosem. Postać Fenelli w świetle wystawień warszawskich z 1831 roku","authors":"Natalia Kaminiczna","doi":"10.14746/pspsl.2022.42.15","DOIUrl":"https://doi.org/10.14746/pspsl.2022.42.15","url":null,"abstract":"The article is an attempt to describe an operatic figure deprived of a voice. Following the views of Thrasybulos G. Georgiades, who believes that an operatic character differs from a literary or a dramatic one in that it constitutes a kind of symbiosis between person and sound, the author tries to characterise a mute character. She analyses the Warsaw stagings of Daniel Auber’s opera Masaniello ou La muette de Portici from 1831. Additionally, by activating the visual imagination and relying on iconographic and book sources (including Mimika [Facial expression] by Wojciech Bogusławski), the author reconstructs the character of Fenella in the interpretation of Antonina Palczewska in order to be able to investigate how this character functioned on stage. Such a procedure allowed for an in-depth analysis of the operatic figure devoid of a voice and created by means of a combination of facial expressions and gestures. The study also takes into account the circumstances and problems related to the performance of this opera during the November Uprising.","PeriodicalId":31050,"journal":{"name":"Poznanskie Studia Polonistyczne Seria Literacka","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46431969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信